The history of science is increasingly directing its attention to the diachronic examination of women's involvement within spaces dedicated to scientific inquiry. While this field of study boasts rich and meticulous historiography, delving into the sixteenth century leaves the impression of encountering either a noticeable absence of women in the realm of natural history or an underexplored period in this regard. Undoubtedly, within the Italian context of the time, the cultural milieu shaped by …
Read moreThe history of science is increasingly directing its attention to the diachronic examination of women's involvement within spaces dedicated to scientific inquiry. While this field of study boasts rich and meticulous historiography, delving into the sixteenth century leaves the impression of encountering either a noticeable absence of women in the realm of natural history or an underexplored period in this regard. Undoubtedly, within the Italian context of the time, the cultural milieu shaped by the Counter-Reformation further heightened the social challenges faced by women.Notwithstanding these challenges, a noteworthy female figure emerges in the latter half of the sixteenth century – Francesca Fontana, the second wife of the natural history scholar Ulisse Aldrovandi (1522–1605). From an overall view of the sources, Fontana seems to assume a pivotal role in the realization of collections and works attributed to the eminent naturalist. This study aims to delineate the role played by Fontana within Aldrovandi's ‘officina naturale.’ By examining the available documents in a chronological order, my aim is to provide insights into the evolution of her education and her practical and technical skills, harnessed in the pursuit of her husband's enterprises and scholarly contributions.
