Pablo de Morais (Barcelona, Spain, 1985) has a degree in Music with a major in cello from FIAM-FAAM - University Center (Brazil) (2009) (with a partial scholarship) under the guidance of professors Raïff Dantas Barreto and MSc. Regina Schlochauer, and a degree in Philosophy with an emphasis on aesthetics and modern philosophy from FFLCH - USP (Brazil) (2012). He did a master's degree in Musicology at ECA - USP (2018), having dedicated himself, in the field of musical aesthetics, to the study of the reflections of G. W. F. Hegel and E. Hanslick, under the guidance of Prof. Dr. Mário Rodrigues Videira Junior. He is currently a doctoral student …
Pablo de Morais (Barcelona, Spain, 1985) has a degree in Music with a major in cello from FIAM-FAAM - University Center (Brazil) (2009) (with a partial scholarship) under the guidance of professors Raïff Dantas Barreto and MSc. Regina Schlochauer, and a degree in Philosophy with an emphasis on aesthetics and modern philosophy from FFLCH - USP (Brazil) (2012). He did a master's degree in Musicology at ECA - USP (2018), having dedicated himself, in the field of musical aesthetics, to the study of the reflections of G. W. F. Hegel and E. Hanslick, under the guidance of Prof. Dr. Mário Rodrigues Videira Junior. He is currently a doctoral student (qualified) in Philosophy at FFLCH - USP (with CNPq scholarship), within the research line Aesthetics and Philosophy of Art, dedicating himself to the study of the scope of the aesthetic reflections of G. W. F. Hegel and Th. W. Adorno from a mediation with the musical work of L. van Beethoven, under the guidance of Prof. Dr. Oliver Tolle. At the same institution, he is a member of the research group GIFE - USP (Group of Philosophical Investigations in Aesthetics at the University of São Paulo), coordinated by Prof. Dr. Oliver Tolle. In 2024, he completed a sandwich doctoral internship at the Leibniz-Zentrum für Literatur- und Kulturforschung Berlin (ZfL) (Germany) (with a scholarship from the CAPES/DAAD - PROBRAL program), under the supervision of Prof. Dr. Falko Schmieder. As a cellist, he has participated in music festivals and carried out research into musical interpretation, as well as recordings and performances with chamber and symphonic groups (Quinteto OCSP; Orquestra Antunes Câmara; Camerata FAAM; Sphaera Ensamble; Orquestra de Câmara da USP; Orquestra Sinfônica de Itabaiana; Orquestra Jovem Tom Jobim; Orquestra Bachiana Jovem; Orquestra Filarmônica das Artes de Osasco), in various cities in Brazil (capital and interior of São Paulo; Brasília; Curitiba - PR; Três Marias - MG; Fortaleza - CE; Campos dos Goytacazes - RJ; Itabaiana - SE; Aquiraz - CE; Rio de Janeiro - RJ). He has also worked extensively in the field of music education, developing methodologies for learning fretted string instruments in social projects (Fábrica de Cultura music education project; SESI music education project; the socio-educational project of the Orquestra Antunes Câmara; and the socio-educational project of the Orquestra Sinfônica de Itabaiana).
