Patrizia Pedraza

In this paper, I propose a reflection on the motif of mana in the framework of the proto-history of Th. W. Adorno and Max Horkheimer’s Dialectic of Enlightenment (1944). The Melanesian concept will allow us readers to seek the philosophical potential of pain, and the memory of a living Nature, as elements proper to the captive part of enlightenment: The necessary counterpart of a dialectic that would ultimately lead us to treasure the will of the enlightened project and, therefore, the hope for a transformative praxis.

Since the second half of the last century, intellectual productions in relation to the question of modern technification have been increasing; technique and the forms of social alienation have been the object of study of thinkers from the most diverse disciplines. One of the first figures to undertake this enterprise was Martin Heidegger, from hermeneutic phenomenology, while one of the most recent theorizations in this regard comes from the phenomenological critical sociology of Hartmut Rosa. In this paper, we will start from both of them to think about the problem of availability.