Penti Aprianti

Kuda Lumping, or ébég, is a deep spiritual traditional art form from Indonesia. Communities, especially in Java, are increasingly focused on preserving it. The dance is not just entertainment, but also has a spiritual dimension with frequent possessions. It involves dancers, horse-shaped vehicles made of animal skin or bamboo, and spiritual figures. As an intangible cultural heritage, Kuda Lumping serves to bind communities, educate, perform rituals, and express art. Evolving interpretations regarding its profane and sacred aspects will be unveiled through cultural research. This research utilizes a literature review method with hermeneutics as an interpretative tool to understand related texts. Data is collected through readings and analyzed using content analysis. Hermeneutics, as a social-humanistic approach, focuses on the internal aspects of humans. In conclusion, Kuda Lumping expresses its spiritual function, provides entertainment and education, and conveys messages about awareness and goodness. Preservation requires attention to choreography and philosophy. Government, artists, society, and academics play an important role in promoting and developing this dance while considering the Tri Tangtu concept.

This study investigated the existence of women in the Lutung Kasarung myth via the lens of Van Peursen's cultural evolution. This research employed a qualitative literature review approach by examining texts linked to the topic. In analyzing the existence of Sundanese women, the results of this study indicated that the fact of women in the Lutung Kasarung epic plays a significant role in the cultural evolution (mythical, ontological, and functional) of Sundanese society. In a just and prosperous society, women are viewed as symbols of nurturing and dignity, and they play the same role as men in establishing a just and prosperous society. In the context of Van Peursen's cultural evolution, this research contributes to our understanding of the position of women in society.