Peter Casarella

This dissertation examines the Verbum speculation of Cardinal Nicholas of Cusa. It attempts to redress the balance between studies of the concept language in the Renaissance which ignore theological issues and treatments of the Word in late medieval theology which pay scant attention to the non-theological function of the analogy of language. ;The first part situates Cusanus' thought in the history of speculative theories of language in the West. The speculative structure of language, suggested by Hegel and defended by Gadamer, is put forth as a point of departure for retrieving Nicholas' doctrine. ;The second part examines some of the medieval and Renaissance sources of Cusanus' theology of the Word. The renewed study of the trivium among twelfth century Christian theologians and the theologia rhetorica of quattrocento humanism are evaluated as sources for Cusanus' espousal of a theologia sermocinalis. Although Nicholas' writings bear traces of these and other strategies of the school theologians and orators, the uniqueness of his own rhetoric of lay wisdom outweighs any explicit dependency on his sources. ;The third part traces the development of the concept language in Cusanus' works from 1430 to 1464. The period from 1430 to 1450 marks a turn from the acceptance of pure ineffability in divinis to a new consideration of the productive ars of forming words. After 1450 there is a twofold development--towards a speculative synthesis of human ars and away from the visible presence of the divine Word except through the finite, semiotic appearances of its power and intentionality. The origins of this development in Plato's Seventh Letter, Ramon Llull, and late medieval nominalism are considered. It is argued that even in his late works, Nicholas never fully embraces the nominalist tendencies of the via moderna, as some of his interpreters have suggested. ;The fourth part studies the role of faith in the acceptance of the divine Word. In his most mature works, he fuses the unformed discursive knowledge that is known by analogy with the formal certainty received through intellectual vision. Faith and speculative vision unite to lead the believer beyond the images which words convey to the unifying image of the divine Word.

"This volume celebrates the thought of Louis Dupre, a man who, in such important works as Passage to Modernity, has assayed our present situation by plumbing the spiritual foundations of the present crisis. Dupre's probing into the genesis and maturation of the cultural epoch we call modernity not only enthralled a decade of Yale undergraduates but impels a new generation of scholars reconsidering the configuration of premodern, modern, and postmodern. The contributors to this volume all carry with them some measure of Dupre's hope that our current age is but a time of transition to a better future, and they enter into conversation with his view of modern culture from a variety of perspectives: philosophy, theology, the history of ideas, social ethics, and mysticism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.

This study examines the Verbum speculation of Nicholas of Cusa. The investigation concentrates equally on the concept of language that he inherited from medieval and Quattrocento sources and on the Christian theology of the Word that he wove together using his own resources and distinctive approaches. It includes a consideration of the resonances between Gadamer's hermeneutical theory and Cusanus's unfolding of a productive and rhetorically-oriented concept of the Word. The next section offers a detailed examination of the medieval and humanistic sources for his theology of the Word, paying special attention to Albertism, Ramon Llull, and the role played by Heymeric of Camp. This study highlights a development in Cusanus's thought that takes place after 1450 towards a speculative synthesis of human ars through the semiotic appearance of the power and intentionality of the word. It is also argued that even in the late works Cusanus does not submit to the nominalist tendencies of the via moderna. A penultimate section offers a detailed study of the role of faith in the acceptance of the divine Word. Cusanus fuses the unformed discursive knowledge that is known by analogy with the formal certainty received through intellectual vision. Faith and speculative knowledge unite to lead the believer beyond the images that words convey to the unifying image of the divine Word. The last section reviews recent literature on language and theology in Nicholas of Cusa and indicates a path as to how research on the speculative thought of Cusanus and on intercultural theology could move forward together in the future.

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Craft of Theology: From Symbol to System. By AVERY DULLES, S.J. New York: The Crossroad Publishing Company, 1992. Pp. x + 228 with index. $22.50 (cloth). The catholicity of Avery Dulles's method in The Craft of Theology is best demonstrated by the broad compass of his self-chosen label, "postcritical theology." Postcritioal theology, he states, puts no un· fair demands on the reader to conform to the spirit of the age nor does it imply that previous approaches (precritical, critical, paracritical) are obsolete. Postcritical theology seeks to make the ecclesial character of theology more recognizable than has most Catholic theology since the Second Vatican Council (viii). Postcritical theology takes its cues from a variety of sources: Polanyi's attention to the tacit dimensions of knowing, Lonergan's understanding of the dynamics of conversion, the "sense of the faithful" in Johann Adam Mohler, the recovery of the tradition in John Henry Newman and Maurice Blondel, and the postliberal theology of Albert Outler and George Lindbeck. Alongside these more traditionally oriented sources, The Craft of Theology also explores the social and symbolic dimension of ·the divine self-com· munication (22). To this end, Dulles employs Ricoeur's theory of the symbol in order to extract " the latent meaning of the classical doctrine of the hypostatic union " and Habermas's notion of an ideal speech situation in his anthropological analysis of the symbolism of sin as "anti-communicative" (27, 33). Dulles's latest work is a carefully structured synthesis of the typologies and constructive proposals which his readers have encountered in previous works. Even though the twelve chapters were originally composed for different occasions, Dulles intends the work " to have greater unity than a simple collection" (ix). The first four chapters are devoted to questions of theological method, including the develop· ment of fundamental theology or apologetics. The next two chapters deal with Scripture and tradition as sources of theology. The seventh chapter specifies the role of the ecclesiastical magisterium in systematic theology and includes a discussion of " the delicate problem of theological dissent." This is followed by two chapters on the relationship of theology to two cognate disciplines, philosophy and physical science. Without calling for a specifically Christian or Catholic philosophy, 513 514 BOOK REVIEWS Dulles nonetheless raises the question of whether " the intimate connection between systematic theology and the type of metaphysical realism that was embodied in scholasticism, both medieval and modern " can ever be adequately surpassed (ix-x, 133). Chapters ten and eleven pick up the thread of chapter seven by addressing the place of university theology in the service of the Church and the question of academic freedom. The final chapter develops the argument that ecumenism -both interreligious and intra-Christian-is best understood not as a separate branch of theology but as a dimension of all good theology. As in Models of Revelation (1983), his fundamental theology derives principally from a theory of symbolic mediation of doctrines. In The Craft of Theology, Dulles is prudent to address the charge of subjectivism commonly made against his theory of symbolic mediation and analysis of models (50-52). His theory of symbolic mediation, he states, is closer to the symbolical theology of Karl Rahner than to the less dialectical " experiential-expressive " theory exemplified by Schleiermacher 's statement that " Christian doctrines are accounts of the religious affections set forth in speech" (18). As with Rahner, symbolic realism for Dulles rests upon a theological anthropology that takes corporeal existence in a historically constituted, communal body as a real, symbolic expression of the human spirit. Dulles's theory of symbolic communication is supposed to accord greater cognitive import to religious symbols than does the view that symbols are merely expressions of the inner sentiments of the faithful (17-18). In Models of Revelation, Dulles defined the cognitive value of the symbol as surpassing the passing mood of the subject and " giving rise to thought" (137, 153). In The Craft of Theology, however, Dulles frequently reverts to a less nuanced position. Sometimes he equates symbolical theology with critical reflection upon a non-discursive human evocation of an interior state: [R] ecognition of the symbolic or evocative character of revelation can...

The essay surveys the writings of Hans Urs von Balthasar on the theology of the Eucharist and the eucharistic theme in theology. After an initial presentation of the distinct contribution of a theological aesthetics to the theology of the Eucharist, these issues are addressed from the vantage point of von Balthasar’s thought: 1.) Discerning the reality of Christ’s activity in the Eucharistic form of the Church, 2.) the meaning of the eucharistic sacrifice, 3.) Marian assent in the eucharist, 4.) a trinitarian spirituality of the Eucharist, 5.) the event of the Eucharist as de-privatizing prayer. By way of conclusion, a comparison is drawn to the life and thought of Dorothy Day.