Pouya Lotfi Yazdi

This work was presented at the Research Center for Philosophy of Science of the Ferdowsi University of Mashhad (Iran) – in Aug 2020. --- Briefly, in the first section of this Persian book, first of all, I (Hereafter: the writer) have presented generalities of Aesthetics and an interpretation of aesthetic universality (Hereafter: φ) and it is argued that each definition of art has to admit φ and this is a Kantian, minimalist, and subjective perspective view (some others would incline objective interpretation of φ, but it is beyond the purpose of this work). What’s more, this view could be applied to all definitions of art e.g. Functionalism, Conventionalism, or Hybrid Theories. Additionally, the writer has replied to some objections, those would promote definitions of art without φ, it seems that they could not be successful to refuse φ, since it appears that φ is a premise in every aesthetic judgment. Next, in another section, the writer has written some primary notes on creativity, those have come from contemporary literature of it, and it is argued that there is a relation between creativity and φ. It is also claimed that the relation is the same φ by the creative processes, creative products, and creative persons, both scientifically and philosophically; and so, the relation represents that φ is true. Besides that, the writer has presented some potential objections to the writer’s aspect of the relation and the writer has also replied to those objections. --- In the next section of the book, the writer has applied the φ by creativity to the philosophy of animal-made art, the writer revolutionarily illustrates that first of all, the normativity of the philosophy of animal-made art is prior to the descriptive one. Second of all, φ is principally the criterion to know that animal-made art is impossible. The writer’s position recognizes those other works of animal aesthetics, which means aesthetics of all of the non-human creatures in the earth or cosmos as a new part of environmental aesthetics, is the marginally second order of animal aesthetics. It is owing to the fact that first of all, the question, of whether animal-made art is possible or not, is normative. Second of all, if one does not concern normativity of the question, then one could not get the answer to the nature of it. Next, one could not distinguish between on the one side, the pleasure of drinking water when one’s thirst may cause death, on the other side, the one’s pleasure of listening to music when there is no urgent necessity of it. The fourth argument is that one needs to identify the normativity of animal-made art because one could generalize aesthetic judgments if one sets φ as the basis of it, and then, one identifies that φ is one of the most fundamental bases in Aesthetics. --- The main section of this book is that the writer’s argument -Animal-Made Art Impossibility Argument- is in favor of the impossibility of animal-made art i.e. Functionalist, Conventionalist, or Hybrid Theories of the definitions of animalmade art, also the writer has replied to some possible ideas and objections to the argument. --- Pouya Lotfi Yazdi --- Iran | June 2022

It is worthy to mention that this book is entitled "Metaethics of Golden Rule" which is an academic Persian book of Philosophy and it stems from my M.A. dissertation: Lotfi Yazdi, Mohammad Reza (2015), Survey of Meta-ethical Foundation of Golden Rule, Tehran: Payame Noor University, M.A. in Ethics (Moral Philosophy). --- I have been working on Golden Rule since ten years ago, directly and indirectly. It has included an introduction to Metaphilosophy and generalities of Ethics. In addition, I have presented the following here: 1) My interpretation of Golden Rule; 2) Presenting three arguments for selecting Golden Rule as a deontological normative theory; 3) Arguing that respect is a moral value and then combining respect as a valued content at three human nature's levels with Golden Rule to resolve ethical dilemmas and improve Golden Rule: One should treat others as one would like others to treat oneself, respectably; 4) Understanding Metaethics of Golden Rule with root in universalizability by 1. Conceptual analysis of Golden Rule and universalizability, then finding and revealing law of non-contradiction in both of them through a deduction 2. Arguing that moral reasoning is their connection 3. Normative universalizability is the same as Golden rule, and so, Golden Rule has been connected to metaethical universalizability by normative universalizability; 5) Presenting an argument which contradicts Relativism and Nihilism with Golden Rule and its metaethical foundation: universalizability; 6) Studying and comparing theories of Moral Metaphysics with Golden Rule and understanding their consistency or inconsistency or neutralization with Golden Rule and its root in universalizability; 7) Studying and presenting an argument that Skepticism is in challenge with universalizability or Golden Rule. --- I have published this book owing to two reasons. First and foremost, Iran is one of the most ancient countries for Golden rule and its root in universalizability. Secondly, this book has been written due to my constant moral worries and considerations. --- Pouya Lotfi Yazdi --- Spring 2017