Rick Benitez

Both Ancient Chinese and Greek philosophers provide accounts of the life lived well: a Confucian junzi, a Daoist sage and a Greek phronimos. Cultivation in Early China and Ancient Greece engages in comparative, cross-tradition scholarship and investigates the processes associated with cultivating or nurturing the self in order to live such lives. By focusing on the processes rather than the aims of cultivating a good life, an international team of scholars investigate how a person develops and practices a way of life. They look at what is involved in developing practical wisdom, exercising reason, cultivating equanimity and fostering reliability. Using the thought of those thinkers central to both traditions, including Plato, Confucius, Han Fei and Marcus Aurelius, they examine themes of harmony, balance and beauty, and highlight the different concerns of scepticism across both traditions. They also discuss the action of doing as an indispensable method of learning. As a result, Cultivation in Early China and Ancient Greece is a valuable collection opening up new lines of inquiry in ethics and demonstrating the importance of drawing on philosophical ideas from across cultural traditions.

Reflections on Plato's Poetics presents the reflections of leading scholars from China and the West on the form, nature and significance of Plato's engagement with poetry. The book does not adopt any monolithic point of view about Plato and poetry. Instead it openly explores Plato's attitudes to poetry, both comprehensively and within the intricate confines of particular dialogues. These reflections reveal a Plato who is deeply influenced by poetry; a Plato who writes, at least very often, from within a poetic paradigm; a Plato whose concerns about the influence and ambiguity of words force him to play with meaning and to provoke questions about meaning. Thus, many of the contributions reveal a concern about the relation of philosophy to poetry, how the two categories are different and whether (or in what way) one is superior to the other.A unique feature of Reflections on Plato's Poetics is the establishment of a dialogue between Chinese and Western scholars, whose different background assumptions about philosophy, poetry and Plato lead, we hope, to further reflections of genuinely novel and significant interest.

Deliberation is the intellectual activity of rational agents in their capacity as rational agents, and good deliberation is the mark of those who have practical wisdom. That is Aristotle's general view,2 one we may safely attribute to Plato as well. Some philosophers, however, have tried to specifiy Plato's view in ways that accentuate the differences between him and Aristotle. They align Plato's views about deliberation and virtue closely with views the fifth-century sophists, and suppose that Plato borrows from the sophists certain suppositions that Aristotle would reject. In the Protagoras, for example, when Protagoras asserts that he teaches virtue, he claims to teach it as the expertise.

This book is a significant addition to studies of Parmenides and the foundation of Greek philosophy, with interesting implications for subsequent Western metaphysics. Within carefully drawn limits, Austin conducts a rigorous analysis of Parmenides' poem that is both creative and forceful. The resultant insights into Parmenidean logic, ontology and method cannot easily be discounted. Austin claims that Parmenides uses a consciously systematic and exhaustive method to describe being. Thus, he argues, all the arguments and distinctions of the "Truth" section--and to some extent those of "Opinion"--are necessary for a complete description of being. Here Parmenides employs the principles of noncontradiction and excluded middle, and displays an understanding-albeit a partial one--of the functions of negation, double negation, copula and predicate. The most general challenge to Austin's thesis, obviously, is the charge of anachronism. Austin recognizes and embraces this challenge. His response is contained in the thorough arguments of the first five chapters.

Once upon a time, a scholar, ascetic and relig-ious man named Abu Hamid Ibn Muhammad Ibn Muhammad al-Tusi al-Shafi'i al-Ghazali (AI-Ghazali, 1058-11 II) wrote a worl, called The Incoherence qf the Philosophers, 1\ clever philosopher, Abu AI-\Valid Muhammad Ibn Ahmad Ibn Hushd (Averroes, 112li-1 ID8), responded to this by writing The IlIcolurence (!l the Inroherence. In IVhat is Art;;, Tolstoy refers to the importance of art in order to ridicule itl He notes the attention paid to art, music, theatre, filrn, and books in the press. IIe notes the in\'(~stment of gm'ernments in the support of museums, theatres and the like. He notes the time spent by artists and perlilrmers in learning- their craft. He presents the most sardonic description of an opera rehearsal you will ever read. He describes the eHilrt and money poured into art as "stupefying", "repulsive", "a gigantic absurdity", and "utterly incomprehensible".~ I-Imv can art be so important that a peasant should have to sell his only cow to pay the taxes that maintain the artist-producer in grand luxury~