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Robert Blanchet

University of Zürich
  •  Home
  •  Publications
    5
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 More details
  • University of Zürich
    Department of Film Studies
    Doctoral student
Areas of Specialization
Aesthetics
Philosophy of Film
Philosophy of Mind
Aesthetics and Ethics
Philosophy of Action
Areas of Interest
Aesthetics
Philosophy of Film
Philosophy of Mind
Aesthetics and Ethics
Philosophy of Action
  • All publications (5)
  •  656
    Empathy as the Opposite of Egocentrism: Why the Simulation Theory and the Direct Perception Theory of Empathy Fail
    Topoi 39 (4): 751-759. 2020.
    This paper presents a new, third-personal account of empathy that characterizes empathy as being sensitive to others’ concerns as opposed to remaining stuck in one’s egocentric perspective on the world. The paper also demonstrates why this account is preferable to its two main rivals, namely the simulation theory of empathy, and the direct perception theory of empathy.
    Empathy and SympathyThe Simulation TheoryHusserl: Other-AwarenessPhilosophy of Film
  •  20
    Serielle Formen: Von den frühen Film-Serials zu aktuellen Quality-TV- und Onlineserien
    with Kristina Köhler, Tereza Smid, and Julia Zutavern
    Schüren. 2011.
  • New Hollywood bis Dogma 95: Einführung in die Filmgeschichte, Band 3
    with Thomas Christen
    Schüren. 2008.
    Arts and Humanities
  •  9
    Blockbuster: Ästhetik, Ökonomie und Geschichte des postklassischen Hollywoodkinos
    Schüren. 2003.
  •  96
    Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series
    with Margrethe Bruun Vaage
    Projections 6 (2): 18-41. 2012.
    As the frequent use of metaphors like friendship or relationship in academic and colloquial discourse on serial television suggests, long-term narratives seem to add something to the spectator's engagement with fictional characters that is not fully captured by terms such as empathy and sympathy. Drawing on philosophical accounts of friendship and psychological theories on the formation of close relationships, this article clarifies in what respect the friendship metaphor is warranted. The artic…Read more
    As the frequent use of metaphors like friendship or relationship in academic and colloquial discourse on serial television suggests, long-term narratives seem to add something to the spectator's engagement with fictional characters that is not fully captured by terms such as empathy and sympathy. Drawing on philosophical accounts of friendship and psychological theories on the formation of close relationships, this article clarifies in what respect the friendship metaphor is warranted. The article proposes several hypotheses that will enhance cognitive theories of character engagement. Spectators tend to like what they have been exposed to more, and the feeling of familiarity is pleasurable. Familiar characters are powerful tools to get the spectator hooked. Furthermore, by generating an impression of a shared history, television series activate mental mechanisms similar to those activated by friendship in real life. These factors, and several others, create a bond with characters in television series that tends to be described in everyday language as a sort of friendship.
    Fictional Characters
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