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The "distraction" of contemporary art according to Yves MichaudIn Peter Šajda (ed.), Modern and Postmodern Crises of Symbolic Structures: Essays in Philosophical Anthropology, Brill | Rodopi. 2020.
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11Tri metafory divadla v Plótinových rozpravách O prozreteľnostiOstium 14 (1). 2018.The following essay deals with Plotinus’ metaphors of theatre in his work On Providence, which should clarify, what is and what should be the existence of man. The first metaphor presents the life of man through the image of an actor who understands that his role is not real. The other two metaphors reveal the fate of man as given, essential and not phantomic and, thus, appear to contradict the first one. The contradiction is only illusive, because each metaphor of existence, each existential is…Read more
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1Vnímanie a obrazotvornosť v piatej Prechádzke snívajúceho samotáraOstium 11 (4). 2015.Dans sa 5ème promenade, Rousseau relate ses expériences de la rêverie qui vont à contre-courant de la théorie de l’imagination poétique chez Bachelard. Celle-ci sépare rigoureusement l’imagination de la perception du monde, alors que Rousseau se dit incapable à distinguer, par moments, ses rêveries de la perception de la nature.
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Le chaos du monde sensible et la quête du sens rudimentaireIn Anna-Teresa Tymieniecka (ed.), Phenomenology of Space and Time: The Forces of the Cosmos and the Ontopoietic Genesis of Life: Book Two, Springer Verlag. 2014.
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1From existence to the existing-French-Levinas, E (filozofia, vol 50, pg 61, 1995)Filozofia 50 (3): 194-194. 1995.
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2The ground of comparison: Sartre and LevinasFilozofia 60 (5): 334-341. 2005.The paper tries to find a ground, on which Sartre’s and Levinas’ philosophies could be meaningfully compared. The author sees it in the span between the I and the Other. In contrast to Levinas’ philosophy, where the Other is predominant, in Sartre’ philosophy the priority is with the I . The author looks for how to shift the contrary pole in each of these philosophies: how to stress the roles of the Other in Sartre and the I in Levinas. Thus he thinks to have reached a considerably balanced rela…Read more
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Living in a dream world as a form of visuality (Bachelard and happy melancholy)Filozofia 61 (1): 46-52. 2006.
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A henologic reduction: The nonliving oneFilozofia 60 (6): 440-447. 2005.„The principle is nothing of what it is the principle“ – this applies for Plotinos’ One. It is neither the consciousness, nor the affectivity, neither the light, nor the life, neither the presence, nor the heaven. The paper show this on the text of Plotinos’ Treatise 38 [VI, 7]. It attributes, however, all these determinations, or processes not to the One, but to the intellect. It is the intellectualized soul, which relates through them to the One, not the One itself. It is the soul, for which t…Read more
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How to Conceive of the Perceivable? Hades as a Metaphor of the Sensible WorldFilozofia 64 (9): 894-902. 2009.
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Jan Hus Association Summer University of French Philosophy 2010: A ReportFilozofia 65 1019-1022. 2010.
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5Ako nazerať na to, čo je vnímatelné? Hádes ako metafora zmyslového sveta U plotinaFilozofia 64 (9). 2009.
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How to Conceive of the Perceivable? Hades as a Metaphor of the Sensible World in PlotinusFilozofia 64 894-902. 2009.Plotinos použije pri premýš?aní o zmyslovom svete okrem iného obraz Hádu a pojem matérie. V predkladanom texte nám ide o pozitívne reinterpretovanie negatívnej metafory Hádu a negatívneho pojmu matérie. Ide nám o to, ?i a ako by sme mohli po akceptovaní takého ponímania zmyslového sveta, ktoré ho stotož?uje s preludom, udrža? podobnos? zmyslového s inteligibilným a zárove? nájs? v takom svete istý hodnotný vz?ah k veciam a druhým