Seeing-in is the experience of seeing something in a picture. Richard Wollheim observed that this experience displays a puzzling combination of features. On the one hand, seeing-in is experienced as a single, unified experience. It is not like the disjoint experience of visualizing something into a scene that one perceives. On the other hand, seeing-in is 'twofold': it involves being visually aware of two distinct objects – an array of ink-marks, and the depicted scene – in two distinct ways. W…
Read moreSeeing-in is the experience of seeing something in a picture. Richard Wollheim observed that this experience displays a puzzling combination of features. On the one hand, seeing-in is experienced as a single, unified experience. It is not like the disjoint experience of visualizing something into a scene that one perceives. On the other hand, seeing-in is 'twofold': it involves being visually aware of two distinct objects – an array of ink-marks, and the depicted scene – in two distinct ways. We perceive the ink-marks as before us, but the form of our visual awareness of the depicted object is different. In this paper, I demonstrate how seeing-in can have both these features at the same time. The account I give forces a considerable reconfiguration of the space of possible theories of seeing-in.
