Roy Ben-Shai

What is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place. Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities. The book is a journey through a landscape of ideas, images, and texts from diverse sources - theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism. Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.

"Where is it decreed that enlightenment must be free of emotion? To me, the opposite seems to be true. Enlightenment can properly fulfill its task only if it sets to work with passion." - Améry, At the Mind's Limits This statement, which concludes the preface to the 1977 reissue of At the Mind’s Limits, conveys the philosophical ambition of the book: to advance the enlightenment project, while revising the way we understand this project. The idea, rejected here by Améry, that the enlightenment “must be free of emotion” owes most to its foremost proponent, Immanuel Kant. This paper picks up on this implicit allusion to Kant, and elaborates on Améry’s revision of the enlightenment by making the confrontation between them explicit.

Contemporary politics is faced, on the one hand, with political stagnation and lack of a progressive vision on the side of formal, institutional politics, and, on the other, with various social movements that venture to challenge modern understandings of representation, participation,and democracy. Interestingly, both institutional and anti-institutional sides of this antagonism tend to accuse each other of "nihilism", namely, of mere oppositional destructiveness and failure to offer a constructive, positive alternative to the status quo. Nihilism seems, then, all engulfing. In order to better understand this political situation and ourselves within it,The Politics of Nihilism proposes a thorough theoretical examination of the concept of nihilism and its historical development followed by critical studies of Israeli politics and culture. The authors show that, rather than a mark of mutual opposition and despair, nihilism is a fruitful category for tracing and exploring the limits of political critique, rendering them less rigid and opening up a space of potentiality for thought, action, and creation.

The Event of the Thing by Michael Marder is probably one of the most comprehensive and integrative readings of Derrida's oeuvre to date. A virtue of the book is that, despite the comprehensiveness of its subject matter, it does not assume the removed posture of an introduction, an exposition, or an explication. Its relation to the Derridian text is much more internal and intimate, and it should be noted that it presupposes a rather thorough knowledge of Derrida's oeuvre as well as of Derrida's philosophical “reading list” (primarily Husserl, Heidegger, Freud, Marx, and Kant). Marder's confident and elegant prose reveals…

One of the most popular facets of Schmitt's philosophy is his theory of sovereignty and decisionism, as developed in his early essay Political Theology (1922). There, Schmitt offers an original outlook on the political implications of the secularization of modern Europe and philosophy's purported turn away from theology. The “death of God,” along with the gradual disappearance of the political institution of monarchy, are only symbols of the decline of sovereignty in general. What is lost in the process is not sovereignty as such, since it can assume new forms, such as “reason,” “nature,” “the people,” or “the state.” What…