Said Mikki

The question why natural processes tend to flow along a preferred direction has always been considered from within the perspective of the Second Law of Thermodynamics, especially its statistical formulation due to Maxwell and Boltzmann. In this article, we re-examine the subject from the perspective of a new historico-philosophical formulation based on the careful use of selected theoretical elements taken from three key modern thinkers: Hans Reichenbach, Ilya Prigogine, and Roger Penrose, who are seldom considered together in the literature. We emphasize in our analysis how the entropy concept was introduced in response to the desire to extend the applicability of the Second Law to the cosmos at large (Reichenbach and Penrose), and to examine whether intrinsic irreversibility is a fundamental universal characteristics of nature (Prigogine). While the three thinkers operate with vastly different technical proposals and belong to quite distinct intellectual backgrounds, some similarities are detected in their thinking. We philosophically examine these similarities but also bring into focus the uniqueness of each approach. Our purpose is not providing an exhaustive derivations of logical concepts identified in one thinker in terms of ideas found in the others. Instead, the main objective of this work is to stimulate historico-philosophical investigations and inquiries into the problem of the direction of time in nature by way of crossdisciplinary examinations of previous theories commonly treated in literature as disparate domains.

We propose a new event ontology of the world, which is part of a general approach to philosophy based on combining ideas from science, ontology, and the philosophy of nature. While the position advocated here is grounded in science and philosophy, it attempts to move _beyond_ each of them by devising and exploring a series of technical (naturalized or naturalistic) ontological concepts such as Interconnectedness, the Whole, the Global, Chaos, the event assemblage, and Nonspace. A central theme in our event ontology is the mapping out of a fundamental critique of the theory of the organism and organization, especially when the latter two are viewed as processes in spacetime. In particular, and following earlier leads, we criticize the spacetime doctrine by arguing that it is not ontologically fundamental, where we suggest its replacement by more primordial naturalized ontological concepts of space such as ontospace and Nonspace. The event ontology of nature can be considered a radical alternative attitude toward the relation between the human and nature, an attitude, in fact, that has been repeatedly explored, though under very different headings, by numerous scattered thinkers throughout the history of ideas. We examine some of the past thinkers who contributed to this general but still incoherent body of thought, including Leibniz, Heidegger, Simondon, Ruyer, Deleuze, Whitehead, and Guattari. The goal of this article is to provide a condensed high-level view on this very complex and still evolving subject intended for a large audience, not necessarily only philosophers, but also scientists, mathematicians, technologists, theologians, sociologists, artists, and psychologists.

The philosopher is a fundamental mode of existence of the human being, yet it is experienced only by a minority, an elite. Those constitute, among themselves, a subspecies of _Homo sapiens_ that is sometimes dubbed _Homo philosophicus_. Our goal here is to investigate, in depth, the philosophical foundations of this ontological-anthropological concept. We analyze the concept of the philosopher into three basic components: the thinker, the artist, and the mathematician, arguing that the three fundamentally participate in maintaining the operation of the philosopher machine. The following text can be considered a contribution to metaphilosophy, written as a structured opinion piece, encompassing a series of reflections drawn from the writer’s own experience as a philosopher. The mode of the presentation is a mixture of personal and experimental writing styles, intentionally avoiding the rigid form of overtly analytical and argumentative discussions. Although numerous philosophers will be discussed below, four key figures, Nietzsche, Russell, Heidegger, and Guattari, occupy a special position in our overall opinionated view on the nature of philosophy.

We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former. Two traditions are set against each other, one is natural aesthetics, whose covering philosophy is Idealism, and the other is the aesthetics of nature, the position defended in this article, with the general program of a comprehensive philosophy of nature as its covering theory. Our approach is philosophical, operating within the framework of the ontology of the process of the production of art, inspired especially by the views of Antonin Artaud, Nietzsche, Heidegger, Bakhtin, Deleuze, and Guattari. We interrogate Dilthey and Worringer while outlining an ontology of art based on the production of nonhuman images and a nonpersonal experiential field of nature.

The goal of this article is to bring into wider attention the often neglected important work by Bertrand Russell on the philosophy of nature and the foundations of physics, published in the year 1927. It is suggested that the idea of what could be named Russell space, introduced in Part III of that book, may be viewed as more fundamental than many other types of spaces since the highly abstract nature of the topological ordinal space proposed by Russell there would incorporate into its very fabric the emergent nature of spacetime by deploying event assemblages, but not spacetime or particles, as the fundamental building blocks of the world. We also point out the curious historical fact that the book The Analysis of Matter can be chronologically considered the earliest book-length generic attempt to reflect on the relation between quantum mechanics, just emerging by that time, and general relativity.

We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former. Two traditions are set against each other, one is natural aesthetics, whose covering philosophy is Idealism, and the other is the aesthetics of nature, the position defended in this article, with the general program of a comprehensive philosophy of nature as its covering theory. Our approach is philosophical, operating within the framework of the ontology of the process of the production of art, especially the views of Antonin Artaud, Heidegger, Bakhtin, Deleuze, and Guattari. We interrogate Dilthey and Worringer while outlining an ontology of art based on the production of nonhuman images and a nonpersonal experiential field of nature.

We develop a new understanding of the historical horizon of event ontology. Within the general area of the philosophy of nature, event ontology is a still emerging field of investigation in search for the ultimate materialist ontology of the world. While event ontology itself will not be explicated in full mathematical details here, our focus is on its conceptual interrelation with the dominant current of Idealism in Western thought approached by us as a problem in the history of ideas. Our presentation is designed to be accessible to a wider audience. We especially highlight the deep connection between event ontology and postmodernism in general, and the post-war French philosophers Althusser, Foucault, Deleuze, and Guattari in particular, who are viewed as main sources for current and future programs of abstract materialism.

The goal of this note is to bring into wider attention the often neglected important work by Bertrand Russell on the foundations of physics published in the late 1920s. In particular, we emphasize how the book The Analysis of Matter can be considered the earliest systematic attempt to unify the modern quantum theory, just emerging by that time, with general relativity. More importantly, it is argued that the idea of what I call Russell space, introduced in Part III of that book, is more fundamental than quantum theory, general relativity, and quantum gravity since the topological ordinal space proposed by Russell would naturally incorporate into its very fabric the emergent nature of spacetime by deploying event assemblages, and not spacetime or particles, as the fundamental building blocks of the world.