Samuel O'Connor Perks

This essay reflects on the story of probably the world’s most famous captive orangutan, Ah Meng, who died in 2008 but has since been “replaced” by her granddaughter, Ishta, who took over as the “new face” of Singapore Zoo in 2016. Ah Meng’s story is interesting for what it conceals and what it reveals, including the recent history of wildlife trafficking in Southeast Asia, for which Singapore – despite its conservationist credentials – acts as an important hub. Ah Meng’s rescue and rehabilitation also raises interesting questions about the Singapore Story, the popular name given to the heroic narrative of historical survival and economic development associated with Singapore’s ruling party, the PAP (People’s Action Party), and especially its former leader, Lee Kuan Yew. This essay considers the extent to which Ah Meng is more than just a national ambassador animal or a global conservation icon, but is also a multifaceted figure for Singapore’s progress in an unevenly developed capitalist world order in which it insists on playing a leading part.

© 2017 by Koninklijke Brill NV, Leiden, The Netherlands. The French Dominican monk and artist, Marie-Alain Couturier was initially trained as a painter. He went on to become a friar at Le Saulchoir in Belgium, receiving his ordination in 1930. Largely recognized as the figure at the centre of the debate on the role of apostolic art in the 1940s and 1950s in France, he was a friend of many pioneers of modernist art, such as Braque, Matisse, and Picasso. Through this, he was an interlocutor between the secular domain of modernist aesthetics and the clergy's religious world. Drawing on an unknown work of Couturier's, the central thesis of the paper is that his thought was defined by heterogeneity and contradiction. In this manner, his thoughts on art and religion problematize and reconfigure any straightforward causal narrative which announces the unilateral victory of secular ideas.