Sebastian Hüsch

Short description: Part A : Philosophy, Literature, and Knowledge – Chapter I : Idealism and the Absolute – A. J. B. Hampton: “Herzen schlagen und doch bleibet die Rede zurück?” Philosophy, poetry, and Hölderlin’s development of language suffi cient to the Absolute – P. Sabot: L’absolu au miroir de la littérature. Versions de l’Hégélianisme’ chez Villiers de l’Isle Adam et chez Mallarmé – P. Gordon: Nietzsche’s Critique of the Kantian Absolute – Chapter II: Philosophy and Style – J.-P. Larthomas: Le cas Kierkegaard (1813-1855) ou l’écriture comme dialectique de l’écoute – S. Hüsch: Style et signifi cation. Intériorité et communication indirecte chez Søren Kierkegaard – A. Milon: La question du style en philosophie: la grammaire non-style – C. Van Lerberghe: La question du style dans la phénoménologie asubjective de Jan Patocka – Chapter III: Poetry and Philosophy – J.-B. Dussert: Martin Heidegger en ses poèmes – C. de Roche: The poem and the monad: On the reception of Leibniz‘ monadology in Paul Celan’s poetics – M. de Jesus Cabral: Entre théâtre et philosophie : notes sur la poétique de Maurice Maeterlinck – Chapter IV : Literature, Philosophy, and (new) Mythology – A. Martinengo: La raison hors de soi. Herméneutique et mythe chez Paul Ricoeur – G. Boggio Marzet Tremoloso: Démythologisation comme acte mythopoïétique: le cas de Jason de Elisabeth Porquerol. – G. Coulter: Jean Baudrillard: The Literary / Poetic Philosopher – Chapter V : Literature and Ethics – J. Azoulai: L’Éthique de Spinoza dans Bouvard et Pécuchet: un vertige philosophique et littéraire – I. Vendrell: Can Literature be Moral Philosophy? A sceptical view on the Ethics of Literary Empathy – F. Picon: Envisager Todorov: Poétique, éthique et humanisme contemporain – Chapter VI : Philosophy and Textuality – E. Lecler: La littérature : la mort de la philosophie – J. A. Gosetti- Ferencei: Writing in Philosophy and the Literature and Philosophy of Writing (Plato, Mann, Blanchot) –W. Cristaudo: Bringing Back Character and Grammar: Freeing Literature from Excessive Reliance on Philosophy and Theory – C. Alfano: Parenthesising Cracks into the Ground of Philosophy: The Textuality of Stanley Cavell’s Philosophical Writing – Part B: Perspectives of a Dialogue between Philosophy and Literature: Philosophical Refl ections in Literary Creation – Chapter VII : Philosophical Dialogue and Literature – A. Baillot: Tieck et Solger, un dialogue philosophicolittéraire – V. Altachina: Le dialogue philosophique chez Diderot et chez Dostoïevski – Chapter XIII : Bergsonien Infl uences in Literature – C. Dewas: Bergson et Katzantzakis. Les limites du langage comme condition d’une métaphysique de la littérature – E. Pesenti Rossi: La philosophie à l’épreuve de la poésie : Bergson et Ungaretti – Chapter IX : Wittgenstein and Literature – G. Valdemarca: La revanche du sens commun : Wittgenstein, Musil et la chute de la certitude – A. Leaker: From the ‘numinous glow’ to ‘gut squalor’: Transcendence and the Ordinary in Wittgenstein and Don DeLillo’s Underworld – A. den Dulk: Wallace and Wittgenstein: Literature as Dialogue Concerning the Real World – Chapter X: Borges and Semprun: Writers and Philosophers – J.-F. Mattéi: Borges et la philosophie – T. Capmartin: Voyage au bout de la représentation dans Fictions: Quelques remarques ménardiennes sur Borges et le stoïcisme – V. Capdevielle- Hounieu: Jorge Semprún et l’hybridation du littéraire et du philosophique : pour une ‘fi ction essayistique’ – Chapter XI : Literary (Mis-) Readings of Philosophy – P. Lasarte: Misreadings of Arthur Schopenhauer in Sin Rumbo by Eugenio Cambaceres – S. Roldan: Qu’est-ce qui est fort comme la mort selon Maupassant? La détermination ultime d’Olivier Vertin vue sous l’angle de Schopenhauer – B. Nickel: L’infl uence de Ludwig Wittgenstein (1889–1951) sur la poésie concrète – Chapter XII: The Impact of Philosophy on 20th Century Literature and Poetry – B. Ertugrul: Walter Benjamin et Ingeborg Bachmann entre littérature et philosophie – J. Leclercq / M. Watthee-Delmotte: Michel Henry : pour un langage de la subjectivité. La pensée du roman Le Fils du roi – J. Hobus: “The happiness of the concentration camps”: Reading Imre Kertész’ Novel Fatelessness with Albert Camus’ Concept of the Absurd – S. Frogel: Man without God: Nietzsche, Kafka and Camus Der Herausgeber Sébastian Hüsch, Studium der Philosophie, Geschichte,

The concept of "life" has always been part of the basic philosophical topoi. In Greek antiquity, the question of what constitutes a "good" or "successful" life was regarded as a fundamental question of philosophy. As a result, early philosophers engaged in practice-oriented philosophizing which regarded philosophy as a form of life. In Modern philosophy, the term "life" became a technical term in different philosophical traditions such as the philosophy of life, philosophy of existence, and phenomenology. This volume brings together contributions in German and French that explore the concept of "life" historically and systematically, focusing on metaphysical, anthropological, and ethical issues.

The paper develops the claim that in The Sickness unto Death, Kierkegaard conceptualizes a demoralized understanding of sin. Rather than interpreting sin as moral guilt, he proposes a concept of sin that takes the form of alienation. The claim is unfolded in a three-step argumentation: First, we identify crucial hermeneutical issues and stress the role of the pseudonyms within Kierkegaard’s writings. Second, we offer a detailed analysis of the theory of self-consciousness developed by Anti-Climacus. Finally, using the romantic interpretation of Kierkegaard as a foundation, we demonstrate how Anti-Climacus conceptualizes sin as alienation

Spiritlessness. Reflections on the topicality of Søren Kierkegaard’s construction of the self in the field of tension between immanence and transcendence: One of the most suggestive and provocative concepts developed by the Danish philosopher Søren Kierkegaard is the concept of “spiritlessness”. Spiritlessness is conceived of as a state of mind which cuts out transcendent possibilities at the benefice of reduced immanent probabilities and thus hinders the individual to become a true Self. The present paper asks for the topicality of Kierkegaard’s dialectics of “spirit” and “spiritlessness” for the constitution of the Self in the 21st cntury.

The advent of Modernity was accompanied by a radical criticism of traditional metaphysics. In particular since the 20th century, rationality is predominantly conceived of as positivistic and scientistic, reducing reality to what is positively knowable. The price to pay is the cutting out of any kind of phenomenon of negativity. The present volume explicitly explores the philosophical and epistemological potential of negativity. The contributions brought together in this book tackle the question of negativity from historical as well as from systematical perspectives. From different angles, they defend the claim that philosophical approaches recurring to negativity can build a non-reductive conceptualization of rationality, and thus offer a valuable contribution to the orientation of humankind in the 20th and 21st century.0This volume contains contributions in English, French, and German.

Since the late 18th century, philosophy has suffered from a «crisis of identity» and other disciplines have menaced philosophy on her own territory. Literature, in particular, deals increasingly with genuinely philosophical questions. There seems to be a close interconnection between the crisis of metaphysics and the epistemological revalorisation of the Arts, particularly of literature. Literature, one might think, is defying philosophy’s competency on issues of knowledge and meaning. If a closer look reveals that, indeed, new literary styles of writing such as Friedrich Schlegel’s or Søren Kierkegaard’s fi nd their roots in the crisis of philosophy, it simultaneously reveals that this does not necessarily mean that one has to speak of a «rivalry» between philosophy and literature. Rather one could ask if philosophy, confronted with the problem of the «ineffable», would not have to evolve into literature in order to remain philosophy