Sel lam El Ammari

This paper examines the narrative contribution of the humorous gag, as a dynamic image intended to create ambivalence, in the biblical stories. Despite being one of the most important resources used to produce comedy in the visual arts, the gag can also be observed from a narratological point of view to meas-ure its involvement in a plot. Storytelling through gags provides an alternative means of approaching issues, developing threads and concluding episodes. The distinctiveness of the gag lies in the strength of the images it suggests. The more shocking or misplaced a gag appears, the greater its contribution to the general narrativity, which may become more evident according to the strength of the image built. This argument is shown through some biblical examples.

Confirming the presence of wordplays in the BH is a controversial issue since vary among specialists the criteria for 1) their definition, 2) their classification, and 3) the understanding of their functions. This article examines recent approaches to the phenomenon in biblical studies by reviewing the work of some specialists. The focus will be on the disparity of the criteria used and the resulting terms and classifications. Moreover, the methodologies used in the biblical field will be contrasted with others of the current linguistics. Therefore, firstly, some of the results of the most recent linguistic research in the field of wordplay will be presented to show: 1) differences in perception, cataloging and characterizing the wordplay between linguistics and Bible studies, and as a result, 2) a possible way forward for the latter.

The interjection הֶאָח appears nine times in the Hebrew Bible. It is a vocalization which expresses happiness for the misfortunes of an in-group/out-group individual or collective. In accordance with the social theories of humor, that study the hostile function of laughter, it can be said that הֶאָח expresses onomatopoeically a specific kind of laughter that can be either socially «abrasive» or «lubricant». This article examines all the instances of הֶאָח in the HB and considers this interjection in line with the sociological studies of the disparagement humor. Finally, some conclusions are presented.