Shaun Harrison

Menander's lost comedyThaiswith its famous protagonist, thehetairalover of Ptolemy I Soter and perhaps Alexander himself, was plainly well known at Rome, and is alluded to several times in Latin poetry of the Augustan and later periods, as Ariana Traill has shown. My purpose here is to argue that the literary characterisation of Thais in Menander's play underlies certain aspects of Lesbia as presented in the poetry of Catullus; that Catullus' poetry uses the plays of Menander has been demonstrated by Richard Thomas, arguing that Catullus 8 shows clear traces of Demea's monologue in theSamia(325–56).

Cicero's praise of Caesar in thePro Marcelloof September 46b.c.e.has been much discussed for its sincerity or otherwise. Here I would like to point out some unobserved literary colour which may make some contribution to the argument, namely Cicero's subtle evocation of Hercules in describing the achievements of the victorious Caesar. Such an analogy is not unlikely in the context of Roman military image-making: Sulla in 78b.c.e.and Crassus and Pompey in 70b.c.e.had earlier encouraged connections with Hercules in analogous victorious contexts, and similar comparisons are later made between the foreign conquests of Augustus and those of Hercules in both Virgil and Horace.