Shi Jie

In the eleventh century Yang Ningshi 楊凝式 (873–954) was simultaneously praised as a supreme master of cursive script and dismissed as utterly incompetent with regular script. This article demonstrates that the Chive Flowers Letter (Jiuhua tie 韭花帖), the only one among Yang’s five surviving works written in regular script, is the key to solving this historical paradox. It argues that the Chive Flowers Letter followed the popular guides to letter writing (shuyi 書儀) in the epistolary culture of the late Tang and Five Dynasties and represents the tamed side of Yang’s calligraphy that was rejected by Huang Tingjian and many Northern Song “classical prose” (guwen 古文) scholar-officials for an ideological rather than aesthetic reason. This study also reveals how the traditional Chinese historiography on calligraphy and beyond might have been manipulated to serve ideological agendas.

BackgroundDepression and alcohol dependence are among the most prevalent psychiatric disorders that commonly co-occur. Therefore, gaining a better grasp of factors related to this comorbidity is particularly interesting for clinicians. Past research has highlighted the significant role that time perspective and family history of alcohol dependence play in the occurrence of depression and AD. However, much remains unexplored in the understanding of the association between them. This study explored how temporal profile and other sociodemographic characteristics of patients diagnosed with AD impact the severity of depression and AD in them.MethodsThis study was multi-centered, including 381 patients. Cross-sectional information was collected from both inpatient and outpatient psychiatric clinics in China. Data were acquired using validated self-report scales, including Michigan Alcoholism Screening Test, Zung Self-Rating Depression Scale, and Zimbardo Time Perspective Inventory-Chinese version. Multiple linear regression analyzes were conducted to control social demographic variables and construct prediction models to inspect the influence factors of variables. Moderation models were constructed to inspect further interplay between variables using hierarchical regression and PROCESS Macro.ResultsResults showed that of all the patients in Chinese psychiatry clinics diagnosed with AD according to the International Classification of Diseases-10, 59.9% met the criteria of depression according to the questionnaire, and time perspective was correlated with the severity of depression. Furthermore, using regression analysis, we found that time perspective and depression could predict AD severity. The moderating role of a past negative time perspective and FH was confirmed between depression and AD. We found that, in our study, only in patients with FH and relatively moderate to high scores of past negative time perspective could the severity of depression predict the severity of AD. Therefore, during the treatment and care of patients with AD, their depression level, time perspective score, and FH should be considered.

Chulan Tomb 2 in present-day Suxian, Anhui province, offers the rare opportunity to study the hitherto unknown relationship between multiple depictions of chariot processions—one of the most popular pictorial motifs in Eastern Han funerary art—at different locations in a single cemetery. Comparing this tomb’s two chariot processions in stylistic, iconographic, and positional terms, this paper draws attention to a special dragon motif that ornaments a few special chariots and argues that these “dragon chariots,” unique among stone carvings of the Eastern Han, were meant to carry the deceased couple, who were buried separately but received joint sacrifices in their shared shrine. Unlike previous studies, which focus on either the shrine or the burial as self-contained units, this paper approaches the entire cemetery as an organic architectural and pictorial nexus without breaking the narrative link between its units. This case study of depictions of chariot processions presents a dynamic view of the afterlife during the Eastern Han dynasty: the burial and the shrine formed two temporary stops rather than permanent homes for the deceased souls, which were ceaselessly traveling on the posthumous road.