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Susan Jill Wilsmore

University of Hertfordshire
  •  Home
  •  Publications
    15
    • Most Recent
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  •  News and Updates
    10

 More details
  • University of Hertfordshire
    Department of Philosophy
    Other faculty (Postdoc, Visiting, etc)
Areas of Interest
Epistemology
Ancient Greek and Roman Philosophy
Philosophy of Biology
Social and Political Philosophy
Philosophy of Law
Normative Ethics
Aesthetics
Philosophy of Action
Metaphilosophy
20th Century Philosophy
5 more
  • All publications (15)
  •  5
    What is Wrong with Aesthetics?
    Metaphilosophy 18 (1): 55-70. 2007.
  • The Philosophical Implications of Varnishing Pictures
    Ratio (Misc.) 29 (1): 64. 1987.
    Depiction
  •  83
    A humanist theory of identity for works of art
    Journal of Value Inquiry 21 (1): 33-43. 1987.
    Value TheoryFeminist Approaches to PhilosophyVarieties of Feminism
  •  110
    The Literary Work Is Not Its Text
    Philosophy and Literature 11 (2): 307-316. 1987.
    Philosophy of Literature
  •  46
    What is wrong with aesthetics?
    Metaphilosophy 18 (1): 55-70. 1987.
    AestheticsHistory of Aesthetics
  •  182
    The role of titles in identifying literary works
    Journal of Aesthetics and Art Criticism 45 (4): 403-408. 1987.
    Ontology of Literature
  •  86
    Answering Scepticism in Art
    International Philosophical Quarterly 29 (2): 191-203. 1989.
    Varieties of Skepticism, Misc
  •  122
    The new attack on humanism in the arts
    British Journal of Aesthetics 27 (4): 335-344. 1987.
    Aesthetics15th/16th Century Philosophy, MiscHistory of Aesthetics
  •  118
    Authenticity and restoration
    British Journal of Aesthetics 26 (3): 228-238. 1986.
    AestheticsMoral Character
  •  97
    Unmasking skepticism about restoration
    Journal of Aesthetics and Art Criticism 46 (2): 304-306. 1987.
    Topics in Aesthetics
  •  120
    Paradigms and Masterpieces
    The Monist 71 (2): 171-182. 1988.
  •  67
    The Normative Structure of Art
    Review of Metaphysics 39 (3). 1986.
    THE RELATIONSHIP between the artist, his work, and its audience will become clearer when we realize that works of art are not natural kinds like "eel" and "man," nor are they physical objects, but are instead, what I will call "normative-kinds."
    Mental States and ProcessesAesthetics
  •  45
    Against Deconstructing Rationality in Education
    The Journal of Aesthetic Education 25 (4): 99. 1991.
  •  85
    What justifies restoration?
    Philosophical Quarterly 38 (150): 56-67. 1988.
    Ethics
  •  129
    The Appreciation And Perception Of Easel Paintings
    British Journal of Aesthetics 33 (3): 246-256. 1993.
    Philosophy of EducationAesthetic Perception
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