Susanna Zellini

Nietzsche and the Long Flight of the “Good European”. The question of “the good European,” as Nietzsche conceives it, refers to a complex process of cultural transformation that starts from the critical relationship toward the European Christian heritage. The three volumes discussed in this review single out three different aspects of this cultural process: a “new Enlightenment,” which refers to the gradual liberation from the European tradition “in search of good Europeans” (Crescenzi / Gentili / Venturelli 2017), the early twentieth-century debate around “European identity” (Crescenzi / Gentili / Venturelli 2018), in which the good European takes on a precise role, and contemporary Europe and the current relevance of the good European (Brusotti / McNeal / Schubert / Siemens 2020). This review discusses and reflects critically on these three volumes, examining how they contribute to contemporary debates about Nietzsche and the question of a European culture.

It seems obvious that Nietzsche has influenced the Dialectic of Enlightenment (1947). The extent to which Adorno and Horkheimer base their argument on Nietzsche, however, remains controversial. By analyzing an early draft of the first excursion of the Dialectic of Enlightenment from 1943, this article demonstrates that Nietzsche was more important for the development of its main concepts than has been assumed, in particular his analysis of myth and enlightenment. In the earlier version of the Ulysses-chapter Nietzsche, together with Rudolf Borchardt, is a pivotal point of reference. Indeed, it is the Nietzschean reflection on Homer and on the pre-Homerian epic—and Borchardt’s interpretation of these themes—that Adorno views as the first original form of the dialectics of enlightenment.