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This comparative analysis of three popular films about Italy’s Red Brigade focuses on how the films articulate the paralysis of the political left in the 1970s. Working through Jameson and Lacan, Nagypal’s essay argues that these films represent the Italian Left allegorically through figures of the living dead after its defeat. Moreover, the piece sees a critical imaginative capacity in the act of mourning.
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York UniversityGraduate student
Toronto, Ontario, Canada