I begin by “deconstructing” the title and explaining that Feyerabend does
not really use the word “ontology”, though he does call his position sometimes (and the “sometimes” is important) ontological realism. I explain that he talks about his position as indifferently a “general methodology” or a “general cosmology”, and that he seems to be be hostile to the very enterprise of ontology, conceived of as “school philosophy”. I then go on to say that there is perhaps a concept of a different type …
Read moreI begin by “deconstructing” the title and explaining that Feyerabend does
not really use the word “ontology”, though he does call his position sometimes (and the “sometimes” is important) ontological realism. I explain that he talks about his position as indifferently a “general methodology” or a “general cosmology”, and that he seems to be be hostile to the very enterprise of ontology, conceived of as “school philosophy”. I then go on to say that there is perhaps a concept of a different type of
ontology, that I call a “diachronic ontology” that perhaps he would have accepted,and that is very different from ontology as ordinarily thought, which I claim to be synchronic ontology (having no room for the dialogue with Being, but just supposing that Being is already and always there without our contribution). I discuss Althusser and Graham Harman as exemplifying synchronic ontology, giving a reading of Harman’s recent book THE THIRD TABLE. I then discuss Feyerabend’s ideas as showing a different way, that of a diachronic ontology, in which there is no stable framework or fixed path. I end with Andrew Pickering whose essay NEW ONTOLOGIES makes a similar distinction to mine, expressing it in the imagistic terms of a De Kooningian (diachronic) versus a Mondrianesque (synchronic) approach.