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Intensity and Its Audiences: Toward a Feminist Perspective on the Kantian SublimeIn Peg Zeglin Brand Weiser & Carolyn Korsmeyer (eds.), Feminism and Tradition in Aesthetics, Pennsylvania State University Press. pp. 66-87. 1995.The goal of this essay is to begin a reassessment of Kant's aesthetics and specifically his account of the sublime. This reassessment is intended to demonstrate its indebtedness to some recent feminist critics of philosophy and literature. Somewhat artificially, I will characterize the criticism in question as containing two categories or directions of investigation. The first sort is aimed at the unmasking of gender prejudice and ideology in the standpoint or conceptual framework of writers suc…Read more
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40Seven Types of Unintelligibility: Guyer on Cavell on Making Sense of YourselfJournal of Aesthetic Education 48 (3): 111-126. 2014.I want to acknowledge Paul Guyer’s accomplishment in his essay “Examples of Perfectionism,” which opens this volume, impressive in its scope and detail and at the same time pioneering in its treatment of Stanley Cavell. Among other useful features of his account, Guyer takes notice of the fact that the writing of Cities of Words, a principal text of Cavell’s perfectionism, began as lectures. This reminds us that the exchanges between reader and writer begin as exchanges between living persons. A…Read more
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3Kofman, Sarah. The Childhood of Art: An Interpretation of Freud's Aesthetics. Trans. Winifred WoodhullJournal of Aesthetics and Art Criticism 48 (3): 252-253. 1990.
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29Kant’s Aesthetic Theory: An IntroductionJournal of Aesthetics and Art Criticism 52 (3): 358-360. 1992.
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11Stanley Cavell: Philosophy's Recounting of the OrdinaryJournal of Aesthetics and Art Criticism 56 (1): 83-85. 1998.
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Michael Fischer, Stanley Cavell and Literary Skepticism Reviewed byPhilosophy in Review 10 (1): 13-16. 1990.
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16Review of Edward F. Mooney, Lost Intimacy in American Thought: Recovering Personal Philosophy From Thoreau to Cavell (review)Notre Dame Philosophical Reviews 2010 (8). 2010.
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4Stanley Cavell, Contesting Tears: The Hollywood Melodrama of the Unknown Woman Reviewed byPhilosophy in Review 17 (4): 241-243. 1997.
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Michael Fischer, Stanley Cavell and Literary Skepticism (review)Philosophy in Review 10 13-16. 1990.
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9Cavell on Film edited by rothman, williamJournal of Aesthetics and Art Criticism 65 (2): 229. 2007.
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20Hearing Things: Voice and Method in the Writing of Stanley CavellUniversity of Chicago Press. 1998.Hearing Things is the first work to treat systematically the relation between Cavell's pervasive authorial voice and his equally powerful, though less discernible, impulse to produce a set of usable philosophical methods.
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2Engendering AestheticsIn Steve Martinot (ed.), Maps and Mirrors: Topologies of Art and Politics, Northwestern University Press. pp. 40. 2001.
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Hearing Things: Voice and Method in the Writing of Stanley CavellJournal of Aesthetics and Art Criticism 59 (2): 217-219. 1998.
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52Present tense: Working with Cavell. Reading Cavell edited by Crary, Alice, and Sanford Shieh. Contending with Stanley Cavell edited by Goodman, Russell B.. Cavell on film edited by Rothman, William (review)Journal of Aesthetics and Art Criticism 65 (2). 2007.
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37Intensity and its audiences: Notes towards a feminist perspective on the Kantian sublimeJournal of Aesthetics and Art Criticism 48 (4): 305-315. 1990.
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An allegory of affinities: on seeing a world of aspects in a universe of thingsIn William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew, Cambridge University Press. 2010.
Areas of Specialization
Philosophy of Action |
Aesthetics |
20th Century Philosophy |
Continental Philosophy |
Areas of Interest
Philosophy of Language |
19th Century Philosophy |
17th/18th Century Philosophy |