Tullio Viola

The article focuses on the link between memory, folk narratives, and critical thinking. I suggest in particular that there are instances in which the transmission of a folkloric story, such as a legend or a tale, can intersect with a person’s life experiences and facilitate the articulation of critical perspectives on society that might otherwise go unexpressed. The opportunity for discussing this idea is offered by the work of early twentieth-century Chicago sociologist Jane Addams. In her book The Long Road of Woman’s Memory (1916) Addams dealt with the modern revival of an ancient legend and investigated its interplay with the recollections, grievances, and aspirations of working-class women.

It is well known that Charles S. Peirce's first attempt to construct a theory of metaphysical categories, already displaying the triadic pattern that would later become the keystone of his philosophy, directed itself towards the three English personal pronouns: I, IT, THOU.2 As many scholars have already noted, these three spheres of the phenomenal world identified by the young Peirce prelude to the 1867 "New List" (Quality, Relation and Representation) as well as to the later categories of Firstness, Secondness and Thirdness.But apart from their documentary significance as the seed of Peircean metaphysics, the writings on I, IT and THOU also have a philosophical interest in their own right, one which deserves to..

Dans le cadre général de la réception des Principles of Psychology dans les pays germanophones, on examine l’influence de cet ouvrage sur la philosophie de la culture d’Ernst Cassirer. Le concept de flux de conscience a notamment aidé Cassirer à résoudre ce que l’on peut appeler le problème de l’articulation : comment décrire la transition entre le flux continu de sensations et la création de formes culturelles capables de durer dans le temps? Pour répondre à cette question il faut faire face à un problème auquel James n’avait pas donné de réponse définitive, celui de la relation entre les composantes dynamiques ou transitoires du flux de la conscience et ses composantes statiques : concepts, symboles, images.

“[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu. This paper explores the affinities between Peirce’s and Panofksy’s thinking, as well as their historical connections and their common sources, taking its cue from an analysis of the similar arguments the two authors offer to justify the analogy between Gothic architecture and Scholasticism. The fulcrum for the comparison between Peirce and Panofsky is located in the writings of Edgar Wind: a leading figure, this article proposes, in the history of European pragmatism.

Rosa M. Calcaterra's new book is a critical interpretation of Richard Rorty's intellectual path as structured around the problem of normativity. How can we justify our normative claims in epistemology, morality, and politics, without lapsing into either ahistorical foundationalism or some form of skepticism? Calcaterra discusses the Rortyan answers to this question with a critical but sympathetic eye. In doing so, she stresses Rorty's relation to the broader pragmatist family even more than Rorty himself would have been willing to do. Overall, three major strategies to bridge contingency and normativity emerge from the book. The first centers on meliorism as a powerful instrument to make sense of the idea of...

The present book is the first to undertake a systematic study of Peirce’s conception of historical knowledge and of its value for philosophy. It does so by both reconstructing in detail Peirce’s arguments and giving a detailed account of the many ways in which history becomes an object of explicit reflection in his writings. The book’s leading idea may be stated as follows: Peirce manages to put together an exceptionally compelling argument about history’s bearing on philosophy not so much because he derives it from a well-articulated and polished conception of the relation between the two disciplines; but on the contrary, because he holds on to this relation while intuiting that it can easily turn into a conflict. This potential conflict acts therefore as a spur to put forth an unusually profound and multi-faceted analysis of what it means for philosophy to rely on historical arguments. Peirce looks at history as a way to render philosophical investigations more detailed, more concrete and more sensitive to the infinite and unforeseeable nuances that characterize human experience. In this way, he provides us with an exceptionally valuable contribution to a question that has remained gravely under-theorized in contemporary debates.

"I do not think I ever reflect in words: I employ visual diagrams [...]" Diese Selbstbeschreibung von Charles S. Peirce bildet den Ausgangspunkt für eine neue Sicht auf das Denken des amerikanischen Naturwissenschaftlers, Philosophen und Begründers des Pragmatismus und der Semiotik. Peirce war ein obsessiver Zeichner. Neben einer graphischen Logik entwickelte er eine zeichnerische Praxis, die untrennbar mit seinem Denken verwoben war, in ihrer philosophischen Relevanz aber bislang übersehen wurde. Der Band versammelt konkrete Fallstudien zu zahlreichen hier erstmals publizierten Zeichnungen von Peirce. Auf der Basis dieses Materials fragt er nach der allgemeinen Bedeutung dessen, was es heißt, in Bildern zu denken. Mit Beiträgen von John Michael Krois, Helmut Pape, Sun-Joo Shin, Frederik Stjernfelt u.a.

Roberto Gronda & Tullio Viola – Your work is frequently referred to as “pragmatic history.” This notion, however, is by no means a new one: Polybius spoke of pragmatikê historia, Germany had pragmatische Geschichte in the tradition of Kantian anthropology. Can you tell us something about how you understand this label, and about your own encounter with “pragmatic history”? Simona Cerutti – Personally, I had quite an idiosyncratic introduction to pragmatic history, although this encounter was n...