Valeria Bizzari

In this contribution I will attempt to sketch a phenomenology of dreaming in what appear to be its most important characterisations: for example, a specific (a)temporality, an essential ineffability, its relation to the waking world and a particular causality. In order to do this, I will be guided by two authors – Maria Zambrano and Maurice Merleau-Ponty – who seems to be apparently distant but who share a vision of dreaming as a life-world in continuity with the waking world, which is comprehensible only by adopting a non-rational gaze, such as that offered by poetry and myth. The final aim will be to rehabilitate the dreaming experience as a lived one, able to express deep subjective meanings.

What does it mean “playing music together”? Is this action guided by cognitive or pre-inferential skills? The aim of this paper is to unveil the different components that are implied in a collective action such as “playing music together”. The idea which will be supported is that embodiment and temporality are the main important structures that guide the subject. In the first part, we will emphasize the centrality of corporeality in the development of self-awareness and intercorporeal understanding. In particular, drawing on Merleau-Ponty’s work, we will argue that the cognitive layer of our consciousness and the pre-inferential one are simply the product of our being embodied. Another central structure for the development of selfhood and intersubjectivity is temporality: as we will show, our selfhood and our attunement with the world can be also described in terms of rhythm, whereby implicit body memory allows for the sedimentation of habits, and synchrony, when my bodily and temporalized self is able to automatically tune in with others. In the second part, we will show how these components are at stake in an action like “playing music together”: attending music therapy sessions with patients who suffer indeed from an (inter)corporeal detachment allowed us to observe the centrality of those components described in the first part of our work, that is, to show how pre-reflective features (such as implicit body memory, intercorporeality, rhythm and synchrony) are necessary for the development of higher social (and cognitive) abilities.In fact, first person reports collected through a qualitative interview applied to patients allow to support the priority of the pre-reflective, affective and (inter)bodily components over the reflective ones.

Guided by a phenomenological perspective, this paper aims to account for the existence of a corporeal consciousness—something that clinicians should take into account, not merely in the case of physical pathologies but especially in the case of mental disorders. Firstly, I will highlight three cases: schizophrenia, depression, and autism spectrum disorder. Then, I will show how these cases correspond to three different kinds of bodily existence: disembodiment (in the case of schizophrenia), chrematization (in melancholic depression), and dyssynchrony (in the autism spectrum disorder). Finally, I will argue for the importance of an “expressive common environment” between the patient and the clinician, who are two distinct, embodied conscious subjects resonating with one another. In this view, the primary goal of the therapeutic process seems to develop a shared understanding of the patient’s life-world, which finds its main expression through the disrupted body.

_Abstract_: The overarching aim of this paper is to provide a comprehensive account of melancholic depression from the perspective of hermeneutic phenomenology. More specifically, we propose that this condition should be interpreted as an alteration in the intentional arc that affects corporeality, temporality, and spatiality, rather than as a mood disorder. In fact, classifying melancholic depression as a mood disorder seems a particularly poor choice; the mood disorder is not a cause but a consequence of a primary disturbance in operative intentionality. Our paper comprises four sections: (1) We provide a methodological and conceptual framework for our theoretical work, adopting a hermeneutic phenomenological perspective on melancholic depression, and underlining the main differences between melancholia and depression. (2) We offer a detailed reconstruction of the different interpretations of melancholic depression and their relationships to the issue of temporality. (3) We analyze the disruption of intentionality in melancholic depression and how it affects corporeality and directionality. (4) We focus on the disruption of moods and affects in melancholic depression, observing how they shape subjective experience. The goal of this theoretical contribution is to underscore the role of operative intentionality and its disruptions in melancholic depression. We argue that taking elements such as intentionality, embodiment, and spatiality into consideration could help to direct therapies along more promising paths. _Keywords_: Melancholic Depression; Operative Intentionality; Corporeality; Directionality; Temporality; Mood Disorders _La depressione melancolica. Un’interpretazione fenomenologico-ermeneutica_ _Riassunto_: L’intento generale di questo contributo è di fornire un’interpretazione della depressione melancolica attraverso la fenomenologia ermeneutica. Più specificatamente, la nostra ipotesi è che questa condizione potrebbe essere interpretata come un’alterazione dell’arco intenzionale la quale impatta la corporeità, la temporalità e la spazialità, e non come un disordine dell’umore. Infatti, classificare la depressione melancolica come un disordine dell’umore ci sembra una scelta particolarmente limitata; il disordine dell’umore non è la causa ma la conseguenza di un disturbo a livello primario dell’intenzionalità operativa. Il nostro contributo si articola in quattro sezioni: nella prima, forniamo una cornice metodologica e concettuale finalizzata a chiarificare le fondamenta teoretiche del nostro lavoro, ad illustrare l’utilizzo della fenomenologia ermeneutica in riferimento alla depressione melancolica, e a sottolineare le differenze principali tra melancolia e depressione. Nella seconda sezione, ricostruiamo in modo dettagliato le diverse interpretazioni della depressione melancolica e la loro relazione con la temporalità. Nella terza sezione, analizziamo l’alterazione dell’intenzionalità nella depressione melancolica e come essa impatti sia la corporeità che la direzionalità. Infine, nell’ultima sezione ci concentriamo sull’alterazione degli stati umorali e della componente affettiva, osservando come questi elementi vadano a caratterizzare l’esperienza soggettiva. Il fine di questo contributo teoretico è di evidenziare il ruolo dell’intenzionalità operativa e delle sue alterazioni nella depressione melancolica. La nostra tesi è che prendere in considerazione alcuni elementi, come l’intenzionalità, l’embodiment e la spazialità, possa contribuire a delineare interventi terapeutici in modo più promettente. _Parole chiave_: Depressione melancolica; Intenzionalità operativa; Corporeità; Direzionalità; Temporalità; Disturbi dell’umore.

Who is the human being? A powerful, enhanceable biological organism, which techniques and artifacts can augment or a disembodied spirit damned to be influenced by its fragile body? In Defense of the Human Being accounts for both perspectives existing in the contemporary debate on the human and provides us with an answer: we should conceive of “ … the human person as a physical or embodied being, as a free, self- determining being, and ultimately as an essentially social being connected with others.” (p. 2). Temporality, embodiment, relationality, vulnerability: we need to take into account these features and embrace them, even though this means to accept that we cannot live forever, we cannot rely on machines only, but we have to fulfil our existence.

This text aims to show how vulnerability is an essential feature of subjectivity. The fragility of existence is thematically addressed by accounting for phenomenology and psychopathology. In the first part, I will show how the Husserlian subject is anything but a pure and merely transcendental ego. Instead, I argue that a subject, immersed in and conditioned by factuality, emerges through discussions on the concept of “liminality” in his posthumous writings. In the second part, I will compare Husserl’s and Jaspers’ views—perspectives that compensate and enrich each other. According to Jaspers, “limit-situations” are characterized by inevitable antinomies that prevent a person from going on as usual. They are super-individual challenges intrinsic to existence, thus unavoidable. Furthermore, in his view, limit situations enlighten the paradoxical structure of existence and call for what has been named an existential turn up, i.e., to reach a higher level of self-awareness and depth of feeling in case the limit situation is mastered. The final aim is to show that ‘limit phenomena’ are intrinsic to human existence, which is nothing more than a continuous struggle (Streben). Such a vision of the subject can be useful in rethinking the notion of ‘well-being’, which today is anchored to an ideal of perfection devoid of all weakness. Accordingly, taking care of vulnerability becomes a moral and ontological imperative to be followed if we want to survive the “sea of suffering” that envelops us.