•  833
    Machine and sovereignty: for a planetary thinking
    University of Minnesota Press. 2024.
    Machine and Sovereignty offers a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts. Arguing that a new approach to planetary thinking is urgently needed, Yuk Hui presents new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
  •  36
    Bernard Stiegler, the Mystagogue
    Philosophy Today 68 (3): 585-600. 2024.
    What does it mean to teach philosophy today? This question occupies a central position in Bernard Stiegler’s thinking and his practice. For Stiegler, to teach philosophy is to initiate, so that an individuation, or a quantum leap, could take place within and between the teacher and the participants. This article traces a mystagogical thinking in Stiegler’s work, especially his reading of Plato and Simondon. This mystagogical thinking, present in philosophy and art, is also an antidote against th…Read more
  •  1122
    Cybernetics for the 21st Century Vol.1 is dedicated to the epistemological reconstruction of cybernetics, consisting of a series of historical and critical reflections on the subject – which according to Martin Heidegger marked the completion of Western metaphysics. In this anthology, historians, philosophers, sociologists and media studies scholars explore the history of cybernetics from Leibniz to artificial intelligence and machine learning, as well as the development of twentieth-century cyb…Read more
  •  37
    Apropos Technophany
    Technophany 1 (2): 1-13. 2024.
    This article aims to reconstruct Simondon’s concept of technophany, which disperses throughout different writings that appeared posthumously and suggest how elaborating this concept could be understood as a significant philosophical task today. Technophany, namely the manifestation of technicity, is central to Simondon’s thought on techno-aesthetics and, more importantly, his intellectual project of reintegrating technology into culture. However, when we place Simondon’s concept of technophany i…Read more
  •  17
    L’appel à contribution pour ce numéro spécial nous invite à penser la création après le calcul. Le terme « après » suggère que la créativité, telle qu’elle fut précédemment comprise, est déjà épuisée par le calcul, et que cet appel anticipe donc une compréhension nouvelle, voire radicale, de la créativité à venir. Qu’en est-il alors de cette nouvelle créativité qui ne peut être épuisée par le calcul? Ou pour être plus sceptique : ne s’agit-t-il pas simplement d’une question de temps? Autrem...
  •  35
    On the Varieties of Experience of Art
    Theory, Culture and Society 40 (4-5): 131-144. 2023.
    This essay takes up the line of critique of François Jullien in The Great Image Has No Form, that Chinese landscape painting ( shanshui) provides a counter-example to Western painting. The opposition, namely that the former undermines form and the latter focuses on form, provides two kinds of access to ‘truth’ and demonstrates two different philosophical temperaments between China and Europe. The article attempts to reflect on Jullien’s comparison and the varieties of experience of art that Jull…Read more
  •  31
    Sketch of an Axiology of Contingency
    Angelaki 28 (3): 163-171. 2023.
    In this article I attempt to sketch out what we might call an axiology of contingency, namely the study of the value of contingency. The triadic structure of the article follows the paraphrased epigraph from the Gospel of St John, where the word “word” is replaced with “contingency.” Although I play on the words of John in a Hegelian spirit, what is outlined here is an – admittedly brief – attempt to understand contingency as Begriff.
  •  20
    What Is a Digital Object?
    In Harry Halpin & Alexandre Monnin (eds.), Philosophical Engineering, Wiley. 2013-12-13.
    We find ourselves in a media‐intensive milieu comprising networks, images, sounds, and text, which we generalize as data and metadata. How can we understand this digital milieu and make sense of these data, not only focusing on their functionalities but also reflecting on our everyday life and existence? How do these material constructions demand a new philosophical understanding? Instead of following the reductionist approaches, which understand the digital milieu as abstract entities such as i…Read more
  •  118
    Imagination and the Infinite—A Critique of Artificial Imagination
    Balkan Journal of Philosophy 15 (1): 5-12. 2023.
    This article addresses “Creativity after Computation” by looking into the concept of artificial imagination, namely the machine’s ability to produce images that challenge artmaking and surprise human beings with the aid of machine learning algorithms. What is at stake is not only art and creativity but also the tension between the determination of machines and the freedom of human beings. This opposition restages Kant’s third antinomy in the contemporary technological condition. By referring to …Read more
  •  30
    For Dialogue Between Strauss and Stiegler
    NanoEthics 16 (3): 339-342. 2022.
    Any encounter between Strauss and Stiegler requires critical elucidation of the notions of _polis_ and _nomos_ as central to classical political philosophy and the ways in which both have been transformed by technology. We must ask with Stiegler what kind of new geopolitical configuration is possible in our time, in the digital age, and in the Anthropocene.
  •  14
    Art and Cosmotechnics
    University of Minnesota Press. 2020.
    Charting a course through Greek tragic thought, cybernetic logic, and the aesthetics of Chinese landscape painting (山水, shanshui— mountain and water painting), Art and Cosmotechnics addresses the challenge to art and philosophy posed by contemporary technological transformation. How might a renewed understanding of the varieties of experience of art be possible in the face of discourses surrounding artificial intelligence and robotics? Departing from Hegel’s thesis on the end of art and Heidegge…Read more
  •  14
    By going back to the critical moment of the cybernetisation of the museum and of the exhibition, this essay aims to put forward a thesis considering exhibition as medium. It elaborates on the notion of medium by contrasting it with Canguilhem’s notion of milieu, in order to redefine it, in a non-substantialist way, as modulation in light of Simondon’s and Deleuze’s works. It proposes a genealogy of the exhibition as medium and describes a critical historical trajectory shaped by institutional an…Read more
  •  71
    Introduction: Philosophy after Automation?
    Philosophy Today 65 (2): 217-233. 2021.
  •  321
    For a Strategic Primitivism
    with Eduardo Viveiros de Castro
    Philosophy Today 65 (2): 391-400. 2021.
    In this dialogue with Yuk Hui, Eduardo Viveiros de Castro discusses his work on the Amerindian perspectivism, multinaturalism; the relation between nature, culture and technics in his ethnographic studies; as well as the necessity of a non-anthropocentric definition of technology. He also discusses a haunting futurism of ecological crisis and automation of the Anthropocene, and explores a “strategic primitivism” as survival tool.
  •  99
    Homo animalis, a Japanese Futurism
    with Hiroki Azuma
    Philosophy Today 65 (2): 401-408. 2021.
    In this dialogue, Hiroki Azuma discusses with Yuk Hui about the perception of technology in Japan after the defeat in the Second World War, from the Kyoto School to the postmodern critics, and the ambivalent conflicts between the modern and the tradition. The postmodern culture has a different signification in Japan than in the West as well as in other parts of Asia. Azuma documents the rise of the Otaku culture in Japan, and calls them “database animals,” a thesis that he formulated through his…Read more
  •  166
    On the Limit of Artificial Intelligence
    Philosophy Today 65 (2): 339-357. 2021.
    This article asks how can we articulate the limit of artificial intelligence, which virtually has no limit? Or maybe the definition of AI already implies its limit, how Marvin Minsky once declared that there is no generally accepted theory of intelligence, and that AI is only one particular way of modelling it. This article revisits the debate between Minsky and Hubert Dreyfus and repositions them in terms of an opposition between mechanism and organism, in order to expose the limit of Dreyfus’s…Read more
  •  56
    Landscapes of Technological Thoughts
    Philosophy Today 65 (2): 375-389. 2021.
    In this dialogue with Yuk Hui, Pieter Lemmens explains the discipline called philosophy of technology and gives a concise overview of the most important contemporary approaches within this field. He also offers a critical evaluation of what are probably the two most salient characteristics of contemporary philosophy of technology, the so-called “empirical turn” and the “ethical turn,” which are deeply related and partly reflect the discipline’s on-going alignment with the global neoliberal agend…Read more
  •  36
    On the Existence of Digital Objects
    University of Minnesota Press. 2016.
    On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of dig…Read more
  •  34
    A systematic historical survey of Chinese thought is followed by an investigation of the historical-metaphysical questions of modern technology, asking how Chinese thought might contribute to a renewed questioning of globalized technics. Heidegger's critique of modern technology and its relation to metaphysics has been widely accepted in the East. Yet the conception that there is only one—originally Greek—type of technics has been an obstacle to any original critical thinking of technology in mo…Read more
  •  40
    Recursivity and Contingency
    Rowman & Littlefield International. 2019.
    This book is an investigation of algorithmic contingency and an elucidation of the contemporary situation that we are living in: the regular arrival of algorithmic catastrophes on a global scale. Through a historical analysis of philosophy, computation and media, this book proposes a renewed relation between nature and technics.
  •  48
    This article explores the concept of individuation in the early Schelling and Simondon by bringing them into dialogue, thereby highlighting affinities and differences in their philosophical projects in light of their epistemological and historical backgrounds. Individuation stands out as a major component of both Schelling’s Naturphilosophie and Simondon’s theory of genesis. But its role within both authors’ thinking is quite different: while for Schelling individuation constitutes a major probl…Read more
  •  30
    This Strange Being Called the Cosmos
    Foundations of Science 27 (4): 1409-1414. 2022.
    This supplementary essay aims to respond to and clarify the misunderstandings concerning the concept of cosmotechnics, the ambiguities of the term cosmos arisen in the article “For a Cosmotechnical Event,” as well as the reason for the neologism of cosmotechnics.
  •  39
    Writing and Cosmotechnics
    Derrida Today 13 (1): 17-32. 2020.
    This paper aims to approach the notion of writing in the digital age in order to reflect on the question of technodiversity, or the multiplicity of cosmotechnics. It takes off with what seems to be two criticisms against each other: one from Derrida's Of Grammatology, where he claims that ‘the notion of technics can never simply clarify the notion of writing’; and the other from Stiegler's Discretising Time, where he openly criticized Derrida, ‘I think that Derrida unfortunately has never really…Read more
  •  107
    Rhythm and Technics: On Heidegger’s Commentary on Rimbaud
    Research in Phenomenology 47 (1): 60-84. 2017.
    _ Source: _Volume 47, Issue 1, pp 60 - 84 This article takes up Heidegger’s commentary on Rimbaud’s _Lettres du voyant_ as the starting point for an exploration of the question of rhythm in Heidegger’s thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger’s work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Gar…Read more
  •  212
    What is a Digital Object?
    Metaphilosophy 43 (4): 380-395. 2012.
    We find ourselves in a media-intensive milieu comprising networks, images, sounds, and text, which we generalize as data and metadata. How can we understand this digital milieu and make sense of these data, not only focusing on their functionalities but also reflecting on our everyday life and existence? How do these material constructions demand a new philosophical understanding? Instead of following the reductionist approaches, which understand the digital milieu as abstract entities such as i…Read more
  •  37
    Philosophy and the Planetary
    Philosophy Today 64 (4): 865-869. 2020.
    This essay considers the pandemic as a consequence of the planetary condition. It goes on to ask: Can philosophy contribute to the elucidation of the planetary, or is philosophy, in the words of Heidegger, already completed in and as the planetary? What kind of relation to the planetary will it desire to have?
  •  57
    This article comments on a paper titled ‘Technique et eschatologie: le devenir des objets techniques’ that Gilbert Simondon presented in 1972. For Simondon, eschatology consists of a basic presupposition, which is the duality between the immortal soul and the corruptible body. The eschatology of technical objects can be seen as the object’s becoming against time. Simondon suggests that in the epoch of artisans, the product through its perfection searches for the ‘immortality of his producer’, wh…Read more
  •  40
    Cosmo, cosmologia e cosmotecnica
    la Deleuziana 4 105-115. 2016.