The 'playful affirmation', as Uziel Awret calls it, turns into a joyful affirmation of a theoretical challenge in a philosophical space set up by the many questions concerning the nature of consciousness. This is especially because the 'Las Meninas and the search for self-representation' (Awret, this volume) has been written in the spirit of an interplay between different modes and approaches, and also the different philosophical traditions, for dealing with the 'enigma' it presents. Bringing Ve…
Read moreThe 'playful affirmation', as Uziel Awret calls it, turns into a joyful affirmation of a theoretical challenge in a philosophical space set up by the many questions concerning the nature of consciousness. This is especially because the 'Las Meninas and the search for self-representation' (Awret, this volume) has been written in the spirit of an interplay between different modes and approaches, and also the different philosophical traditions, for dealing with the 'enigma' it presents. Bringing Velasquez's Las Meninas into the bigger picture of consciousness studies means a change in methodological perspective. Not only does it support the idea so dear to the tradition of phenomenology and philosophical hermeneutics of claiming back the truth value for the experience of work of art, but the author also succeeds in showing the relevance of this 'truth' to recent theoretical approaches to problems of representationalism and self-representation (like those of David Rosenthal, Robert Van Gulick, Bruce Mangan and Uriah Kriegel, for example).
