Tom Rockmore

Given the significant attachment of the philosopher to the climate and intellectual mood of National Socialism, it would be inappropriate to criticize or exonerate his political decision in isolation from the very principles of Heideggerian philosophy itself. It is not Heidegger, who, in opting for Hitler, "misunderstood himself"; instead, those who cannot understand why he acted this way have failed to understand him. A Swiss professor regretted that Heidegger consented to compromise himself with the "everyday," as if a philosophy that explains Being from the standpoint of time and the everyday would not stand in relation to the daily historical realities that govern its origins and effects. The possibility of a Heideggerian political philosophy was not born as a result of a regrettable "miscue," but from the very conception of existence that simultaneously combats and absords the Zeitgeist.

This is a paper about Hegelian constructivism in relation to theory of knowledge. Constructivism, which is known at least since Greek antiquity, is understood in different ways. In philosophy, epistemological constructivism is often rejected, and only occasionally studied. Kantian constructivism is examined from time to time under the heading of the Copernican revolution. Hegelian constructivism, which is best understood as a reaction to and revision of Kantian epistemology, seems never to have been discussed in detail. This paper will sketch the outlines of Hegelian constructivism in relation to the critical philosophy. Hegelian constructivism amounts to an intrinsically historical view of epistemology as a trial and error process situated in the social context. Knowledge emerges from a trial and error process in which we construct a cognitive framework to grasp objects constructed in and through this process. I suggest that the considerable interest of a historical, constructivist, phenomenological approach to knowledge, such as Hegel’s, lies in its largely unexplored possibilities for advancing the epistemological debate.

Plato both created the Western aesthetic tradition and rejected the artistic claim to truth. I suggest that Plato’s rejection of the view that non-philosophical art is true gave rise to a debate later traversing the entire Western aesthetic tradition. I further suggest that the post-Platonic Western aesthetic tradition can be reconstructed as an effort by many hands to come to grips with and if possible overturn the Platonic judgment. I finally suggest that Hegel, in disagreeing with both Kant and Plato, presents an interesting anti-Platonic argument for “reforging” as it were the ancient link between art and truth. For in the final analysis, art, or at least some kinds of art, is not only beautiful but also in a deep sense true.

Gerald Bruns has written a fine study of the relation of language and poetry in the later Heidegger, whose final phase lies beyond the reach of philosophical comprehension, according to Bruns. Bruns offers a clear, comprehensive, sensitive account of a number of main themes in Heidegger's final view in a discussion patient to a fault and always attentive to the nuances of expression, an application if one will of Heidegger's idea of Gelassenheit to Heidegger's own texts. As Bruns sees it, it is folly even to try to follow this stage of Heidegger's thinking, although it must be said that he himself does an outstanding job of doing just what he says it would be foolish even to attempt. According to Bruns, Heidegger is finally a comic thinker, an outsider who supposedly resists integration on behalf of scandal and freedom, even in Bruns's view a philosopher of freedom. In short, Heidegger was someone who strove for authentic thought and stubbornly followed the argument wherever it might lead.

Fichte, qui s’est lui-même présenté comme kantien orthodoxe, et a même prétendu être le seul qui ait compris correctement la philosophie critique, nous a entraînés en fait dans une interprétation qui pourrait être fourvoyante. Bien qu’évidemment clairement inspiré par Kant, bien qu’il parvienne à la vie philosophique dans un climat entièrement dominé par le débat autour du criticisme, ses solutions sont entièrement différentes de celles de Kant. L’Auteur s’attache à montrer ces différences et à explorer les voies que Fichte développe contre Kant, voies qui demeurent encore actuelles et font l’objet de débats contemporains.