J. Jeremy Wisnewski

abstract My aim in this paper is to argue that we have at least some obligations to the dead. After briefly considering some previous (unsuccessful) attempts to establish such obligations, I offer a reductio argument which establishes at least some obligations to the dead. Following this, the surprising extent of these obligations (given a few roughly Kantian assumptions) is considered. I then argue that there are and must be some significant limitations on the duties of the living in relation to the dead. My aim in this paper is not to sort out how we should deal with all of the particular cases in which the question of obligations to the dead emerge — in archaeological digs, research involving the newly dead, the execution of wills, or the fulfilment of last requests — but I will attempt to lay some groundwork for the future assessment of these questions.

Hier erfahren Sie, wieso Stephenie Meyers Liebesgeschichte so viele Menschen fasziniert und warum es sich dabei um so viel mehr als oberflächliche Jugendliteratur handelt: - Wieso fühlen sich Menschen von Vampiren magisch angezogen? - Sollte Edward seine Fähigkeit zum Gedankenlesen einsetzen? - Ist Edward ein romantischer Held oder einfach nur ein Stalker? - Was sagt der Kampf der "vegetarischen" Cullen-Familien gegen ihren Durst nach menschlichem Blut über den freien Willen aus? - Wird das ewige Leben nicht sogar an der Seite einer geliebten Person irgendwann langweilig?

Reeently, a man in Germany was put on trial for killing and consuming another German man. Disgust at this incident was exacerbated when the accused explained that he had placed an advertisement on the internet for someone to be slaughtered and eaten-and that his ‘vietim’ had answered this advertisement. In this paper, I will argue that this disturbing ease should not be seen as morally problematic. I will defend this view by arguing that (1) the so-called ‘vietim’ of this cannibalization is not in fact a victim of murder, and that (2) there is nothing wrong with cannibalism.

The first look at the philosophy behind Stephenie Meyer's bestselling _Twilight_ series Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's _Twilight_ novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of "vegetarian" vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob "better" for Bella than Edward? As absorbing as the Meyer novels themselves, _Twilight and Philosophy_: Gives you a new perspective on _Twilight_ characters, storylines, and themes Helps you gain fresh insights into the _Twilight _novels and movies Features an irresistible combination of vampires, romance, and philosophy _Twilight and Philosophy_ is a must-have companion for every _Twilight_ fan, whether you're new to the series or have followed it since the beginning.

In this paper I argue that Arthur Fine and Martin Heidegger present responses to the dispute between realism and antirealism that are remarkably close in character. Both claim that this dispute arises from a failure to take seriously our everyday experience of things in the world. I argue that it is useful to note the similarity between Fine and Heidegger for two distinct reasons: 1) their view provides a viable alternative to the current realist/antirealist dispute–an alternative that has not been given its due, and 2) it allows us to build a bridge between two seemingly distinct traditions

_ X-Men_ is one of the most popular comic book franchises ever, with successful spin-offs that include several feature films, cartoon series, bestselling video games, and merchandise. This is the first look at the deeper issues of the X-Men universe and the choices facing its powerful "mutants," such as identity, human ethics versus mutant morality, and self-sacrifice. J. Jeremy Wisnewski (Oneonta, NY) is Assistant Professor of Philosophy at Hartwick College and the editor of Family Guy and Philosophy (978-1-4051-6316-3) and The Office and Philosophy (978-1-4051-7555-5). Rebecca Housel (Rochester, NY) is a professor at Rochester Institute of Technology, where she teaches about writing and pop culture. For William Irwin's biography, please see below.