J. Jeremy Wisnewski

_ X-Men_ is one of the most popular comic book franchises ever, with successful spin-offs that include several feature films, cartoon series, bestselling video games, and merchandise. This is the first look at the deeper issues of the X-Men universe and the choices facing its powerful "mutants," such as identity, human ethics versus mutant morality, and self-sacrifice. J. Jeremy Wisnewski (Oneonta, NY) is Assistant Professor of Philosophy at Hartwick College and the editor of Family Guy and Philosophy (978-1-4051-6316-3) and The Office and Philosophy (978-1-4051-7555-5). Rebecca Housel (Rochester, NY) is a professor at Rochester Institute of Technology, where she teaches about writing and pop culture. For William Irwin's biography, please see below.

In this paper I argue that the social constructionist view found in Foucault''s work does not condemn one to a deterministic portrait of the ''self.'' Attention to the early and late writings allows one to articulate a weak notion of autonomy even under the heavy-handed descriptions found in Foucault''s early work. By recognizing autonomy as a public task, and not as a notion of freedom relegated to particular individuals, one is entitled to view autonomy as present in Foucault''s work - and not merely in those writings dedicated to the ''techniques of the self.'' Far from emphasizing practices of freedom, I demonstrate that we need not always think of autonomy as contained in necessary 0resistance. It is this that permits reading autonomy as a product of social construction, and not an objection to it.

In this paper, I defend the view that we can literally perceive the morally right and wrong, or something near enough. In defending this claim, I will try to meet three primary objectives: to clarify how an investigation into moral phenomenology should proceed, to respond to a number of misconceptions and objections that are most frequently raised against the very idea of moral perception, and to provide a model for how some moral perception can be seen as literal perception. Because I take “moral perception” to pick out a family of different experiences, I will limit myself to a discussion of the moral relevance of the emotions

_A smart philosophical look at the cult hit television show, _Arrested Development__ _Arrested Development_ earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following—and then it was canceled. Fortunately, this book steps into the void left by the show's premature demise by exploring the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favorite scenes and episodes of the show in a whole new way. Takes an entertaining look at the philosophical ideas and tensions in the show's plots and themes Gives you new insights about the Bluth family and other characters: Is George Michael's crush on his cousin unnatural? Is it immoral for Lindsay to lie about stealing clothes to hide the fact that she has a job? Are the pictures really of bunkers or balls? Lets you sound super-smart as you rattle off the names of great philosophers like Sartre and Aristotle to explain key characters and episodes of the show Packed with thought-provoking insights, _Arrested Development and Philosophy_ is essential reading for anyone who wants to know more about their late, lamented TV show. And it'll keep you entertained until the long-awaited _Arrested Development_ movie finally comes out. (Whenever _that_ is.)

In recent literature on moral perception, much attention has been paid to questions about the relationship between metaethical commitments and moral experience. Far less attention has been paid to the nature of moral perception, its context-sensitivity, and the role it might play in carrying out everyday tasks with decency and care. I would like to reflect on just these features of moral perception in the context of healthcare. I will argue that healthcare providers do in fact have at least an imperfect duty to develop their capacities to perceive with sympathy. I will further suggest, for some familiar reasons, that this development is not best accomplished through the model of adherence to ‘ethics codes.’

_Family Guy and Philosophy_ brings together low-brow, potty-mouthed, cartoon humor and high-brow philosophical reflection to deliver an outrageously hilarious and clever exploration of one of TV’s most unrelenting families. Ok, it’s not that high-brow. A sharp, witty and absurd exploration of one of television’s most unrelenting families, the stars of one of the biggest-selling TV series ever on DVD, now in its fourth season Tackles the perennial positions of _Family Guy_ at the same time as contemplating poignant philosophical issues Takes an introspective look at what this show can teach us about ethics, ego, religion, death, and of course, time-travel Considers whether _Family Guy_ is really a vehicle for conservative politics, and whether we should be offended by the show, as well as diving into the philosophy of the cast

abstract My aim in this paper is to argue that we have at least some obligations to the dead. After briefly considering some previous (unsuccessful) attempts to establish such obligations, I offer a reductio argument which establishes at least some obligations to the dead. Following this, the surprising extent of these obligations (given a few roughly Kantian assumptions) is considered. I then argue that there are and must be some significant limitations on the duties of the living in relation to the dead. My aim in this paper is not to sort out how we should deal with all of the particular cases in which the question of obligations to the dead emerge — in archaeological digs, research involving the newly dead, the execution of wills, or the fulfilment of last requests — but I will attempt to lay some groundwork for the future assessment of these questions.

Hier erfahren Sie, wieso Stephenie Meyers Liebesgeschichte so viele Menschen fasziniert und warum es sich dabei um so viel mehr als oberflächliche Jugendliteratur handelt: - Wieso fühlen sich Menschen von Vampiren magisch angezogen? - Sollte Edward seine Fähigkeit zum Gedankenlesen einsetzen? - Ist Edward ein romantischer Held oder einfach nur ein Stalker? - Was sagt der Kampf der "vegetarischen" Cullen-Familien gegen ihren Durst nach menschlichem Blut über den freien Willen aus? - Wird das ewige Leben nicht sogar an der Seite einer geliebten Person irgendwann langweilig?

Reeently, a man in Germany was put on trial for killing and consuming another German man. Disgust at this incident was exacerbated when the accused explained that he had placed an advertisement on the internet for someone to be slaughtered and eaten-and that his ‘vietim’ had answered this advertisement. In this paper, I will argue that this disturbing ease should not be seen as morally problematic. I will defend this view by arguing that (1) the so-called ‘vietim’ of this cannibalization is not in fact a victim of murder, and that (2) there is nothing wrong with cannibalism.