Joachim Schulte

This paper is an attempt at bringing out various aesthetically relevant points alluded to by Wittgenstein in what I call ‘the Engelmann remark’ – a longish manuscript remark written by Wittgenstein in 1930 and painstakingly discussed by Michael Fried in the context of elucidating what is strikingly new in the work of a photographer like Jeff Wall. One part of this paper is dedicated to summarizing and briefly examining the account given by Fried while another part is meant to clarify some of Wittgenstein’s points by way of contrasting their import with the story told by Fried. In this second part Wittgenstein’s late observations on aspect change are used to show in which ways these observations may help us to gain a better understanding of the idea of a specific ‘perspective’ claimed to go with a given work of art.

One way of identifying the beginning of the Investigations is by deciding to regard remark 1, and hence neither the motto nor the Preface but the famous quotation from Augustine, as the real starting point of Wittgenstein’s reflections as developed in this book. One point implicit in this decision is that the notion of a language-game is placed in the foreground of Wittgenstein’s discussion. In a way, the language-game of the builders (2) is Wittgenstein’s paradigm of a language-game – but why is it treated differently from the shopkeeper scene (last paragraph of remark 1) in the sense that the latter is not given a separate number? This question appears particularly urgent in view of the fact that in earlier manuscript versions of the Investigations Wittgenstein did allot a separate number to the shopkeeper scene. Towards the end of this paper I make an attempt to answer that question. But in order to get down to this a number of additional questions are raised focussing on Wittgenstein’s use of central terms like “game” (Spiel), “operate”, “sample” (Muster) and drawing on distinctions elaborated in the literature, such as Benacerraf’s distinction between “transitive” and “intransitive” kinds of counting. This reading of the beginning of the Investigations is impregnated with the conviction that later parts of the book can fruitfully be seen as growing out of the remarks immediately following the quotation from Augustine.

Philosophical Superlatives: Machines as Symbols. – In this paper, my chief aim is to present a close reading of parts of a central sequence of remarks from Wittgenstein’s Philosophical Investigations (191 – 197, cf. Remarks on the Foundations of Mathematics, I, 121 – 130). The apparent theme of this sequence is the idea of a ‘machine as a symbol of its mode of operation’. Obviously, this idea requires a good deal of clarification, and the present paper attempts to elucidate relevant passages which, in their turn, are discussed in the hope of succeeding in spelling out some of the points Wittgenstein has in mind in appealing to the picture of a machine as a symbol of its mode of operation. What will serve as a kind of framework of these elucidations is the notion of a philosophical superlative appealed to by Wittgenstein in a number of remarks that can be seen as particularly characteristic of his later thought. In the course of developing the idea of a philosophical superlative six aspects, or types, of superlatives are distinguished, and the last of these is found to shade into the image of a machine as symbol in a way that allows us to draw on various superlatives in striving to clarify the train of thought underpinning the sequence PI 191 – 197 and related passages.

INTRODUCTION The present volume unites contributions by the leading figure of the Vienna Circle and by two of his closest assoCiates, contributions that deal with an area of thought represented, indeed, in this Collection but certainly not the central one in the common picture ofthe Circle's activities. It is no accident that an interest in ethics and the philosophy of action was particularly marked in what Neurath was apt to call the right wing of the Circle. For them, as for Wittgenstein (the respected mentorofSchlickandWaismanninparticular),theadvancetobehoped for in philosophy consisted not solely in freeing natural science from a confused sense of dependence on speculative metaphysics but also in seeingthatotherareasoflanguageandaction hadto bethoughtaboutin theirownterms, whichwereneitherthoseofnaturalsciencenorthoseof philosophy as traditionally conceived. The scepticismofSchlick about theprogrammeofUnifiedSciencewaswellknown: EinheizwissenschaJt he called it, as it might be 'boozified science'. And in sober truth the programme sometimes masked a left-wing set of values taken (surely illogically) for granted, though the membersofthe Circle entertained a wide range ofpolitical views. Schlick's own contribution to the present volume is a section from thenotesforoneofhisfinal lectureseries,forsightofwhich wewarmly thanktheonlysurvivingcontributortoourvolume,DrJosephSchachter: Schlick'sgrandsonDra. M. H. vandeVeldehaskindlyconsentedtotheir publication. This section poses the problem we have outlined: there are questionsandaneedforclarificationinethics,butthesenomoredemand a metaphysical solution than does a similar situation in epistemology. Here, as in his earlier Problems of Ethics,l Schlick sets his face against thewholeprocess,mostobviousin Kant,ofmakingtheconceptofvalue absolute. One might say that for Schlick there is no unhypothetical imperative.

This paper is an attempt at presenting a convincing reading of the first sentences of PI § 109, especially of its third sentence. There Wittgenstein mentions what he calls "the pneumatic conception of thought", which by Miss Anscombe is translated as "the conception of thought as a gaseous medium". By comparing the relevant sentences with their sources in Wittgenstein's manuscripts and additional parallels it is found that Anscombe's rendering is liable to be misleading. Wittgenstein's notion of "pneuma" is likely to be inspired by a conception of the kind elucidated by Oswald Spengler, for instance, according to whose account pneuma is to be understood as a sort of body (Seelenkörper). If you take this as your central image, the pneumatic conception alluded to in PI § 109 is one which can be tracked down in Wittgenstein's early as well as in his middle-period work. In this remark (PI § 109), Wittgenstein tries to mention both helpful and misleading features of his earlier ways of thinking, and what he now calls the "pneumatic conception" can be seen to be the foil for both sorts of features. The central idea is that the core of language contains a scaffolding of rules whose ("pneumatic") substance is the same as that of our thought. In accordance with this view the logical structure of thought is held to be identical with that of language and reality—a notion which fits parts of the Tractatus as well as parts of the original "grammatical" conception developed in the early 1930ies.