Alberto Voltolini

This book develops a novel theory of intentionality. It argues that intentionality is an internal essential relation of constitution between an intentional state and an object or between such a state and a possible state of affairs as subsisting. The author's main claim is that intentionality is a fundamentally modal property, hence a non (scientifically) natural property in that it does not supervene, either locally or globally, on its nonmodal physical basis. This is the property, primarily for an intentional mental state, to be constituted by the entities it is about. In the case of intentionality of reference, such constituents are objects, in the sense of individuals; in the case of intentionality of content, such constituents are possible states of affairs as subsisting. Constitution is meant in a mereologically literal sense: those constituents are essential parts of the relevant states. As a result, the theory claims not only that intentionality is relational, but also that is an internal, essential relation holding between an intentional state and its object or proposition-like content. Intentionality as Constitution will be of interest to scholars and advanced students working in philosophy of mind, philosophy of language, metaphysics, and cognitive science.

This book builds on the idea that pragmatics and philosophy are strictly interconnected and that advances in one area will generate consequential advantages in the other area. The first part of the book, entitled ‘Theoretical Approaches to Philosophy of Language’, contains contributions by philosophers of language on connectives, intensional contexts, demonstratives, subsententials, and implicit indirect reports. The second part, ‘Pragmatics in Discourse’, presents contributions that are more empirically based or of a more applicative nature and that deal with the pragmatics of discourse, argumentation, pragmatics and law, and context. The book presents perspectives which, generally, make most of the Gricean idea of the centrality of a speaker’s intention in attribution of meaning to utterances, whether one is interested in the level of sentence-like units or larger chunks of discourse.

In this paper, against a new imagination-based account defended by Anna Ichino in some recent works, I defend the intuitive and traditional idea that so-called religious beliefs are indeed those doxastic attitudes that they are traditionally taken to be, i.e., bona fide beliefs. Yet I take that the objects of such beliefs amount to be different from what religious believers consciously take them to be; namely, they are mythological characters, a species of fictional characters – namely, fictional characters not consciously recognized as such – instead of being concrete individuals possibly endowed with supernatural powers. Yet religious believers also unconsciously recognize the fictional nature of religious objects of belief as mythological characters, as their behavior ultimately shows. This account indeed allows me to give a different yet still doxastic explanation of the two main reasons that Ichino advocates in favor of her account; namely, the incompatibility of so-called religious beliefs with other beliefs and their imperviousness to evidence, especially of a negative kind.

Our lives are commonly involved with fictionality, an activity that adults share with children. After providing a brief reconstruction of the most important cognitive theories on pretence, we will argue that pretence has to do with metarepresentations, albeit in a rather weakened sense. In our view, pretending entails being aware that a certain representation does not fit in the very same representational model as another representation. This is a minimal metarepresentationalism, for normally metarepresentationalism on pretense claims that pretending is or entails representing a representation qua representation, i.e. as conceptualised as a representation, in its very content. In the final section we will try to draw some consequences of our view as to the debate in cognitive science on mindreading. Given this minimal metarepresentationalism, the two main positions on mindreading, the ‘theory theory’ and the ‘simulation theory’, turn out to be closer than one would have originally supposed

In this paper we claim, first, that there are high-level visual experiences of grouping properties, i.e., properties that an array of elements we see can have to be organised in a certain way. Second, we argue that there are auditory experiences of groupings that share certain important properties with visual experiences of groupings, thereby being perceptual and high-level as well. Third, these results enable us to understand the nature and structure of our meaning experiences. We claim that, although meaning experiences depend on the auditory experiences we discuss, they are not perceptual, for they lack one of the features that make those auditory experiences perceptual; namely, being holistically attended to.

In this paper, I want to claim that, in conformity with overall intuitions, there are some aesthetic properties that are perceivable. For they are high-level properties that are not only grasped immediately, but also attended to holistically—just like the grouping properties they depend on and that are responsible for the Gestalt effects or switches through which they are grasped. Yet, unlike such grouping properties, they are holistically attended to in a disinterested modality, where objects and their properties are regarded for their own sake.

In this paper, we present some experimental findings whose best explanation, first of all, provides a positive answer to a philosophical question in ontology as to whether, in the overall domain of beings, there are fictional characters (_ficta_) over and above concrete individuals. Moreover, since such findings arise out of different comparisons between fictional characters and concrete individuals on the one hand and fictional characters again and non-items that do not belong at all to such an overall domain on the other hand, they also suggest that _ficta_ are allowed as inhabiting a particular subrealm of that domain distinct from the one inhabited by concrete individuals, as previous findings in cognitive psychology had suggested.

There are some complex experiences, such as the experiences that allow us to understand linguistic expressions and pictures respectively, which seem to be very similar. For they are stratified experiences in which, on top of grasping certain low-level properties, one also grasps some high-level semantic-like properties. Yet first of all, those similarities notwithstanding, a phenomenologically-based reflection shows that such experiences are different. For a meaning experience has a high-level fold, in which one grasps the relevant expression’s meaning, which is not perceptual, but is only based on a low-level perceptual fold that merely grasps that expression in its acoustically relevant properties. While a pictorial experience, a seeing-in experience, has two folds, the configurational and the recognitional fold, in which one respectively grasps the physical basis of a picture, its vehicle, and what the picture presents, its subject, that are both perceptual, insofar as they are intimately connected. For unlike a meaning experience, in a seeing-in experience one can perceptually read off the picture’s subject from the picture’s vehicle. Moreover, this phenomenological difference is neurologically implemented. For not only the cerebral areas that respectively implement such experiences are different, at least as far as the access to those experiences’ respective high-level content is concerned. As is shown by the fact that one can selectively be impaired in the area respectively implementing the meaning vs. the seeing-in experience without losing one’s pictorial vs. semantic competence respectively. But also, unlike meaning experiences, the area implementing the seeing-in experiential folds is perceptual as a whole. For not only a picture’s subject can be accessed earlier than an expression’s meaning, but also the neural underpinnings of such folds are located in the perceptual areas of the brain.

In this article I shall first and foremost attempt to show that the semantic requirements of Wittgenstein’s Tractatus logico-philosophicus intend the objects of the Tractatus to be conceived of as possibilia in the Russellian sense of 1903, i.e., as objects that may exist or may not exist; secondly, that the general ontology of the Tractatus suggests integrating this onto-semantic conception with a conception of these objects not properly as qualia but as sensibilia in the Russellian sense of 1914, i.e., as sense-data that may exist or may not exist.

In the old days of descriptivism, fictional reference and non-fictional reference with proper names were treated on a par. Descriptivism was not an intuitive theory, but it meritoriously provided a unitary semantic account of names, whether referentially full or empty. Then the revolution of the new theory of reference occurred. This new theory is definitely more intuitive than descriptivism, yet it comes with a drawback: the referentially full use and the referentially empty use, notably the fictional use, of names are semantically no longer on the same footing. How the use of names from fiction is referentially empty has even been seen as a symptom of its not being a use at all. In this paper, I ask the following question: can one keep the merits of the new theory of reference and still provide a unitary account of both fictional and non-fictional reference with names? My answer is positive, provided that one conceives proper names as a special kind of indexicals.

Tim Crane has put forward a theory of intentional objects (intentionalia), which has taken up again and expanded by Casey Woodling. Crane’s theory is articulated in three main theses: a) every intentional state, or thought, is about an intentional object; b) taken as such, whether or not it exists, an intentional object is a schematic object; c) taken as such, whether or not it exists, an intentional object is a phenomenological object. In this paper, I will try to show that theses b) and c) can hardly be defended together, unless, in order to redirect and strengthen Crane’s theory two further claims are simultaneously defended. First, certain intentionalia may be the same as other such objects without being identical with them, and second, from a metaphysical point of view outside phenomenology, the particular intentionalia involved by this sui generis sameness relation of appearing as an aspectual alter-ego of weaker than identity are concrete objects.

In the Tractatus, Wittgenstein seems to appeal to the idea that thoughts manage to explain how sentences, primarily elementary sentences, can be such that their subsentential elements refer to objects. In this respect, he seems indeed to appeal to the claim that thoughts, qua endowed with not only original, but also intrinsic, intentionality, lend this intentionality to names, by transforming them into ‘names-of’, i.e., symbols endowed with intrinsic intentionality as well. Such a claim, however, entails that there must be necessary superfacts. Since according to the Tractatus’ ontology there cannot be necessary facts in the world, but at most only in its logical scaffolding, the most likely chance is that such facts are facts for the limit of the world, i.e., the transcendental subject. Curiously enough, in his later critique, in the Investigations, of mentalist semantics, Wittgenstein fails to appeal to this claim, which can block the infinite regress that he there changes the mentalist position with. Since in the Investigations necessary facts seem to be allowed, this failure is even more striking.

As many people have underlined, as regards pictures there are at least two different layers of content. In Voltolini, these layers are: i) the figurative content of a picture, i.e., what one can see in it viz. what the picture presents; ii) the pictorial content of a picture, i.e., what the picture represents, as constrained by its figurative content. As regards ii), there undoubtedly ispictorial misrepresentation. Having the possibility of misrepresenting things is a standard condition in order for a picture to be a representation. Yet as regards i), things are more problematic. First, if one intends that a picture is seen in a way that is impossible for the picture to be seen, there definitely is intentional failure, but there is no figurative mispresentation. Second, alleged cases in which one literally sees in a picture something that does not match what the picture presents are not cases of figurative presentational failure either.

Notwithstanding Plato’s venerable opinion, many people nowadays claim either that mirrors are not pictures, or that, if they are such, they are just transparent pictures in Kendall Walton’s sense of a particular kind of picture. In this article, however, I want to argue that mirrors are bona fide pictures. For they are grasped via what, as I assume in the article, makes a picture a picture, that is, a representation with a figurative value, namely, a depiction; namely, a certain seeing-in experience. This is the sui generis perceptual experience that Richard Wollheim originally appealed to. Once this experience is suitably reconceived, one can show how it successfully applies to mirrors as well, in order to prove that they are bona fide pictures. From an aesthetical point of view, this is an important result. For it shows that the class of pictures is broader than what people nowadays think and is closer to the original intuition sustaining Plato’s opinion.

That we can learn something from literature, as cognitivists claim, seems to be a commonplace. However, when one considers matters more deeply, it turns out to be a problematic claim. In this paper, by focusing on general revelatory facts about the world and the human spirit, I hold that the cognitivist claim can be vindicated if one takes it as follows. We do not learn such facts from literature, if by “literature” one means the truth-conditional contents that one may ascribe to textual sentences in their fictional use, i.e., in the use in which one makes believe that things unfold in a certain way. What we improperly call learning from literature amounts to knowing actually true conversational implicatures concerning the above facts as meant by literary authors. So, in one and the same shot, we learn both a general revelatory fact and the fact that such a fact is meant via a true conversational implicature by an author. The author draws that implicature from the different truth-conditional content a sentence possesses when the sentence is interpreted in a fictional context, meant as Kaplan’s (1989) narrow context, i.e., a set of circumstantial parameters (agent, space, time, and world).

In this paper I want to hold, first, that one may suitably reconstruct the relevant kind of mental representational states that fiction typically involves, make-beliefs, as contextually unreal beliefs that, outside fiction, are either matched or non-matched by contextually real beliefs. Yet moreover, I want to claim that the kind of make-believe that may yield the mark of fictionality is not Kendall Walton’s invitation or prescription to imagine. Indeed, in order to appeal in terms of make-believe to a specific form of imagination that fiction distinctively involves, one must move away from the realm of norms in order to attain a cognitive realm; namely, one must look at a specific form of metarepresentational state. This metarepresentational state of make-believe is a second-order representation that is about both real beliefs and make-beliefs, as the first-order representations it compares by acknowledging their contextual distinctness.

: In Cognitive penetrability and the epistemic role of perception Athanasios Raftopoulos provides a new defense of the thesis that, unlike early vision, late vision is cognitively penetrable, in accordance with a new definition of cognitive penetrability that is centered on the ideas of direct influence of cognition upon perception and of the epistemic role of perception. This new definition allows him to maintain that late vision is a genuinely perceptive stage of the perceptual process. In this paper, I try to discuss not only whether this new definition has plausible consequences that allow only late vision to be cognitively penetrable but also whether the claim that late vision is genuinely perceptual allows it to have the kind of hybrid content, half nonconceptual and half conceptual, that Raftopoulos now wants to ascribe to it. Keywords: Cognitive Penetrability, weak, strong, and superstrong; Early and Late Vision; Nonconceptual Content Penetralibità cognitiva e visione secondaria Riassunto: In Cognitive penetrability and the epistemic role of perception Athanasios Raftopoulos dà una nuova difesa della tesi secondo cui, a differenza della visione primaria, la visione secondaria è penetrabile cognitivamente, secondo una nuova definizione della nozione di penetrabilità cognitiva centrata sulle idee di influenza diretta della cognizione sulla percezione e di ruolo epistemico della percezione. Questa nuova definizione gli consente di sostenere che la visione secondaria è una fase genuinamente percettiva del processo percettivo. Nell’articolo, provo a discutere non solo se la nuova definizione ha conseguenze plausibili che consentono solo alla visione secondaria di essere penetrabile cognitivamente, ma anche se l’idea che la visione secondaria sia genuinamente percettiva consente ad essa di avere il contenuto ibrido, in parte nonconcettuale e in parte concettuale, che Raftopoulos vuole ora ascriverle. Parole chiave: Penetrabilità cognitiva debole, forte e superforte; Visione primaria e secondaria; Contenuto nonconcettuale

According to an intuitive claim, in saying that one sees a picture's subject, i.e., what a picture presents, in the picture's vehicle, i.e., the picture's physical basis, by ‘in’ one does not mean the spatial relation of being in, as holding between such items in the real space. For the picture's subject is knowingly not in the real space where one veridically sees the picture's vehicle. Some theories of pictorial experience have actually agreed with this intuition by claiming that the picture's subject lies in a pictorial space of its own, disconnected from the real space that includes the picture's vehicle. Yet, not only linguistic evidence suggests that when used as above, ‘in’ means precisely that very relation, but an appropriate theory of pictorial experience can justify the above claim.

By resuming ideas originally developed in my Voltolini, I will try to show again that demonstrative reference as to pictorial matters provides good examples in favor of contextualism, the position holding that wide context, the concrete situation of discourse, may have the semantic role of fixing truthconditions for an utterance, i.e., a sentence in that context. This time I will focus on complex cases of pictorial reference, those that cases of complex pictorial experiences such as collapsed seeing-in and nested seeing-in exhibit.