Dennis Des Chene

This essay explores Suárez’s commitment to the important causal principle of propinquity or spatial contiguity. Like many, Suárez accepted the principle of no action at a distance. It is argued that this commitment can be retained even though Suárez fundamentally altered the conception of efficient causality because this principle is independent of causality’s nature. Central to understanding Suárez’s commitment to the principle of propinquity is his account of the medium. Furthermore, the contrast between Suárez’s and René Descartes’ accounts of the causal medium are historically significant for understanding the rise of mechanical philosophy during the seventeenth century.

The subject of this thesis is the scientific work of Descartes, and in particular the two treatises Le Monde and L'Homme written in the early 1630s, before the publication of the Discours de la Methode and the Essais in 1637. I examine the theory of sense and imagination in these works, and its role in the legitimation of Cartesian science. Reasoning about sense and imagination was governed by the concept of representation, an interrelated ensemble of modes of reasoning about the causal origin of signs, the human or divine agency and purpose responsible for their institution, and the correlation of the differences among signs in one system of representation with the differences among signs in other systems. ;This description of Cartesian mechanistic accounts of sense and imagination is applied to an examination of the fate of the epistemological project of the Regulae. I show that, as the Cartesian theory was developed, the use of the senses, and thus too the use of experiences in science, became problematic. First, because any resemblance between sensations and their objects was held to be merely fortuitous. Hence the sensation need not share any properties with its object, and therefore provides no direct access to it. Second, because the purpose of the senses is not to arrive at certain knowledge but to guide us toward those actions which under normal circumstances will best preserve the organism. I show how the adoption of these views makes untenable the role for sense and imagination in science that had been envisioned for them in the Regulae. In conclusion I examine one response to the failure of the early project: the analogy of decipherment by which Descartes explains the role of experiences in his science.

Although the basis of modern biology is Cartesian, Descartes’s theories of biology have been more often ridiculed than studied. Yet, Dennis Des Chene demonstrates, the themes, arguments, and vocabulary of his mechanistic biology pervade the writings of many seventeenth-century authors. In his illuminating account of Cartesian physiology in its historical context, Des Chene focuses on the philosopher’s innovative reworking of that field, including the nature of life, the problem of generation, and the concepts of health and illness. Des Chene begins by surveying works that Descartes would likely have encountered, from late Aristotelian theories of the soul to medical literature and treatises on machines. The Cartesian theory of vital operations is examined, with particular attention to the generation of animals. Des Chene also considers the role of the machine-model in furnishing a method in physiology, the ambiguities of the notion of machine, and of Descartes’s problem of simulation. Finally, he looks at,the various kinds of unity of the body, both in itself and in its union with the soul. Spirits and Clocks continues Des Chene’s highly regarded exploration -- begun in his previous book, Life’s Form -- of the scholastic and Cartesian sciences as well as the dialogue between these two worldviews. Introduction 1 Part One - Tales of the Bête-Machine [ 1 ] - Self-Movers 13 [ 2 ] - Where Do Machines Come From? 32 [ 3 ] - The Uses of Usus 53 Part Two - Machines, Mechanisms, Bodies, Organs [ 4 ] - Tools of Knowledge 71 [ 5 ] - Jeux D’Artifice 103 [ 6 ] - Unity of the Body 116 Conclusion 153 Bibliography 159 Index 177.

From the topics discussed by Hattab and Menn, I examine two of special importance. The first is that of active powers: does the Cartesian natural world contain any, or is the apparent efficacy of natural agents always to be referred to God? In arguing that it is, I consider, following Hattab, Descartes' characterization of natural laws as "secondary causes." The second topic is that of ends. Menn argues, and I agree, that in late Aristotelianism Aristotle's own conception of an "art in things" has been abandoned. The point is reinforced when one considers the general divine ends which must be invoked in cases of aborted action. In them no individual agent attains its end. Yet Nature as a whole continues to act toward ends. I suggest that those general ends, to which Suárez, for example, refers, may have served later philosophers, especially Malebranche, in combining the Cartesian notion of law with a teleological interpretation of nature that Descartes, for his part, rejected.

. In aid of understanding mechanistic explanation and its limits in the 17th century, I examine the views of Pierre Sylvain Régis on generation. Régis departs from Descartes' theories on one key point. Living things, though they do not differ in nature from nonliving things, and are, as Descartes said, machines, are directly created by God, who forms the seeds of all living things at creation. Preformationism gives Régis not only a means of accounting for seeds and for specific differences among living things, but also a basis for attributing purposes to them, and thus for defining health and disease in soulless creatures.

My title, of course, is an exaggeration. The world no more became mathematical in the seventeenth century than it became ironic in the nineteenth. Either it was mathematical all along, and seventeenth-century philosophers discovered it was, or, if it wasn’t, it could not have been made so by a few books. What became mathematical was physics, and whether that has any bearing on the furniture of the universe is one topic of this paper. Garber says, and I agree, that for Descartes bodies are the things of geometry made real ( Ref). That is a claim about the world: what God created, and what we know in physics, is nothing other than res extensa and its modes. Others, including Marion, hold that in modern science, here represented at its origins by Descartes, representation displaces beings: the knower no longer confronts Being or beings but rather a system of signs, a “code” as Marion calls it, to which the knower stands in the relation of subject to object. The Meditations, or perhaps even the Regulæ, are the first step toward the transcendental idealism of Kant. Most of this paper will be devoted to a more concrete question. Physics in the seventeenth century increasingly became a matter of applying mathematical knowledge to the solution of physical problems. The “mixed sciences” of astronomy, optics, and music, sciences then distinct from physics, became models of understanding for all of natural philosophy. My interest here is in one aspect of that development: how particular physical situations are transformed into mathematical. I will look at the work of Descartes and Isaac Beeckman, contrasting their visions of “physico-mathematics”.

The notion of an automaton, as it is employed in the natural philosophy of Descartes and his closest followers, has three main components. None of them is new; what is new in early modern philosophy is the uses to which this old notion is put, and the idiosyncrasies into which its components are combined by subsequent philosophers. The thaumaturgic element is never entirely suppressed; but the more down-to-earth usage exemplified in antiquity by Aristotle’s references predominates. The automaton is quite often the opposite of wonderful: phenomena that might excited wonder are proved to be unworthy of it, just by showing that they are the productions of an automaton. The automaton is, first of all, a machine, and therefore an artifact, human or (if the metaphor becomes literal) divine. It offers a model of intelligibility—to use Peter Dear’s term—for a certain class of natural phenomena, namely those we find in living things. But Descartes wants from it something more. In Descartes’ usage, a machine is that which makes itself available not just to “mechanical” explanation, but to a complete explanation, an explanation that makes all others superfluous. Not all machines, of course, are automata. Two further components figure in the notion. One is that automata are typically imitative. From the automata thaumata of Aristotle’s De Motu animalium to the nymphs of Salomon de Caus’s fountains, many automata are likenesses, partaking both of the iconic (to use Peirce’s term) and the symbolic. Moving sculptures proceed moving pictures by over two thousand years. They succeeded if they convinced their audiences that they could do what their prototypes did—where the doing is typically restricted to some few sorts of act. The wind-up mouse skitters across the floor like a real mouse; but it does not eat, nor does it seek the..

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cogito, Ergo Sum: The Life of René DescartesDennis Des CheneRichard Watson. Cogito, Ergo Sum: The Life of René Descartes. Boston: David R. Godine, 2002. pp. viii + 375. Cloth, $35.00.Somewhere between hagiography and debunking lies truth. Or so we may think: the biographer's sources are almost always tipped one way or the other, and it is his or her job to establish, or divine, the way of authentic fact and, if facts fall short, then of sturdy sober hypothesis. In general the debunker has more fun, especially when the weight of tradition favors the ennobling, if not the beatification, of its subject.Descartes is a case in point. Until a few years ago, there was in English no satisfactory biography. Now there are three: an "intellectual biography" by Stephen Gaukroger, the Descartes of Geneviève Rodis-Lewis, and Watson's. Gaukroger dwells on Descartes's natural philosophy, especially in the early years. Only after 300 pages does he reach the period of the Discourse, Descartes's first published work. Rodis-Lewis offers a more even-handed treatment, the fruits of a lifetime of study. Her Descartes resembles, not the modern scientist or professional philosopher, but the ancient sage for whom metaphysics is a once-in-a-lifetime affair, and even natural philosophy subordinate to wisdom. Watson's Descartes is an altogether more worldly type, born into a family of lawyers, well-connected, touchy [End Page 113] about his place in social and scientific circles, and not all that interested in what we think of now as philosophy. Nor, for that matter, is Watson: you will look in vain for an analysis of the Meditations, a discussion of method, or a definition of générosité. (Watson does conclude, I should note, with a discussion of Descartes's doctrine on the soul, whose title might well have been "The future of an illusion" if Freud had not used it already.)If you like your philosophy uncluttered by context, if you find it worthwhile to read or write about "Cartesian skepticism" or "Cartesian dualism" without troubling yourself to understand who the historical Descartes was, or what might have moved him to confront the skeptics and save the soul, then Watson is not for you. It is emphatically a Life, not a Life and Works. It is, moreover, a life in the manner of many modern biographers, in which the biographer, rather than conceal himself behind the curtains of scholarly convention, figures into the narrative, retracing the steps of Descartes's passage to Italy, examining the baptismal certificate of Descartes's illegitimate daughter Francine, and eating lunch at the Queen Kristina restaurant "next door to the house in which Descartes died" (303). The quality of a biography thus written depends in part on the personality of its author (and in the case of Cogito Ergo Sum, the author's wife, who intervenes more than once on the side of common sense during their peregrinations). Watson is, to my mind, an agreeable companion, dedicated to the search for biographical truth, impatient with hagiographic fog and time-hallowed error, down-to-earth in his assessment of Descartes's motives and circumstances.One example to show the differences among the three biographies. In November 1618 Descartes met the future Latin schoolmaster Isaac Beeckman in Breda. Beeckman records with enthusiasm their joint endeavors in physico-mathematics over the next few months (Gaukroger has the details). It seems clear that the impetus for studying the various problems mentioned in Beeckman's Journal came from Beeckman, who had been pondering physical questions since 1613 or before. Descartes's contribution, at least at first, was his immense mathematical skill. Their interests lay largely within the "mixed mathematics" of the period, especially hydrostatics and mechanics. They also discussed music, an aspect of the "new science" now often neglected (but see H. F. Cohen, Quantifying Music [Dordrecht, 1984]). On New Year's day 1619 Descartes presented Beeckman with his Compendium musicæ (Gaukroger 74, Rodis-Lewis 51/29). A decade later, Descartes, having heard that Beeckman had appropriated the Compendium to himself, became angry and eventually, late in 1630, dismissed Beeckman with a masterpiece of de haut...

Dennis Des Chene - Descartes Reinvented - Journal of the History of Philosophy 45:3 Journal of the History of Philosophy 45.3 498-499 Muse Search Journals This Journal Contents Reviewed by Dennis Des Chene Washington University in Saint Louis Tom Sorell. Descartes Reinvented. Cambridge-New York: Cambridge University Press, 2005. Pp. xxii + 204. Cloth, $75.00. The "reinvented" Descartes of the title denotes the spontaneous Cartesianism of those who, knowingly or not, presuppose or adopt positions resembling those of the historical Descartes. The historical Descartes accepted many propositions Sorell thinks we must reject; what remains, he calls "innocent Cartesianism." It is to the defense of innocent Cartesianism that Sorell's work is largely devoted. The task of the book is twofold: to recover from imputed..

In Descartes’s reformulation of natural philosophy, two aspects of what came to be known as the mechanical philosophy were intimately joined: mechanism as an ontology of nature, according to which all natural things had only ‘mechanical’ properties; and mechanism as a method of explanation. One could, and many philosophers did, adopt mechanism as a method of explanation without adopting a mechanistic ontology. I examine two successors of Descartes who did just that, and one who did not. Giovanni Alfonso Borelli in his De motu animalium and Charles Perrault in his Mécanique de animaux propose and argue for a variety of mechanical accounts of the operations of animals, in particular of their muscles. They reject, however, the Cartesian reduction of animal souls to mechanical forces; the principle of animal motion for them remains a non-mechanical soul. Pierre Sylvain Régis in his Cours entier de philosophie follows Descartes in taking the ‘physical cause’ of motion in animals to be the fermentation of blood in the heart, and thus denies animal souls any role in his physiology. That he can do so while taking over, sometimes word for word, Perrault’s accounts of animal motion shows that mechanistic explanation and mechanistic ontology could easily part company.