Gabriele Cornelli

Despite their tensions and contradictions, the various discourses about globalization reveal a desire to build the space and time of the encounter between worlds and cultures, through the persistence of a dialogue that approximates distances, but respects differences. A considerable part of the political, cultural, urban, linguistic formation of the Western world has given rise to motives and solutions of the institution of the poles and cosmopolis of the Ancient World. On the other hand, mobility can even be considered a characteristic trait of Luso-Brazilian culture, from the Portuguese discoveries and their cultural production, in the first steps of the Jesuit literature in Brazil, especially in José de Anchieta, passing by António Vieira, Machado de Assis, Guimarães Rosa, among others. For this reason, the presence and the different nuances of the theme of mobility and the cosmopolis of old in the reception of Classical Antiquity in the Portuguese language literature are also a central theme of the volume... https://books.google.be/books/about/Cosmópolis.html?id=4C3ODQAAQBAJ&redir_esc=y.

The purpose of the conference "On Pythagoreanism", held in Brasilia in 2011, was to bring together leading scholars from all over the world to define the status quaestionis for the ever-increasing interest and research on Pythagoreanism in the 21st century. The papers included in this volume exemplify the variety of topics and approaches now being used to understand the polyhedral image of one of the most fascinating and long-lasting intellectual phenomena in Western history. Cornelli's paper opens the volume by charting the course of Pythagorean studies over the past two centuries. The remaining contributions range chronologically from Pythagoras and the early Pythagoreans of the archaic period (6th-5th centuries BCE) through the classical, hellenistic and late antique periods, to the eighteenth century. Thematically they treat the connections of Pythagoreanism with Orphism and religion, with mathematics, metaphysics and epistemology and with politics and the Pythagorean way of life.

O presente artigo é fruto de trabalhos e pesquisas conduzidos pela equipe de coordenação do PNLD 2018 (Plano Nacional de Livros Didáticos), a qual se reuniu por duas ocasiões, juntamente com todos os pareceristas, em seminários exclusivamente dedicados ao projeto. O texto pode, pois, ser dividido em quatro seções, as quais (e cuja divisão) se revelarão suficientemente evidentes para o leitor. Em primeiro lugar, é apresentada uma revisão historiográfica (inédita, tanto quanto sabemos) do ensino de Filosofia no Ocidente, desde as primeiras instituições da Antiguidade até a atualidade, mas com especial enfoque no caso brasileiro. Em segundo lugar, apresentamos uma revisão crítica da legislação mais relevante, sobretudo a vigente, para o processo de seleção dos manuais didáticos a distribuir pelas escolas brasileiras durante o período de vigência do edital, referindo em particular os critérios que nortearam tal seleção. Em terceiro lugar, são referidos alguns dos aspectos mais importantes das obras aprovadas neste edital do PNLD. Finalmente, são abordados alguns aspectos relativos aos desafios que o PNLD terá necessariamente que enfrentar, tendo em conta a conjuntura brasileira atual, nomeadamente os pacotes legislativos mais recentes a propósito do PNLD enquanto tal, mas também do papel da própria Filosofia no ensino obrigatório no nível médio.

The aim of this article is to set forth conjectures that are likely to explain the inclusion of Plato and Hermes as heralds of Mani in the testimony of Ephrem of Syria. This incorporation should be set against the background of the Syrian religious milieu, which was influenced by both Hellenistic philosophy and Eastern religious traditions. Therefore, it would be better to seek a religious and philosophical environment wherein Plato and Hermes were associated. Keywords: Manichaeism, apocalypticism, theurgy, hermetism, Merkabah mysticism, late platonism.

Resumo: Propõe-se uma leitura de três episódios da Odisseia, nos quais há o uso de um phármakon. São Helena, Circe e Hermes as personagens que administram as phármaka. Trata-se de leitura: 1) vinculada a um projeto: o levantamento e a interpretação de discursos que se distanciem e/ou questionem a perspectiva da “guerra às drogas”, algo como um projeto de extração de elementos textuais que possam servir como ferramentas teóricas, na construção de uma perspectiva menos mortífera em relação às substâncias; 2) guiada por três princípios, os quais podem ser ditos anticoloniais e antirracistas. Leitura centrada no phármakon, mas que o articula à comida floral dos lotófagos e à relação de xenía; dela, apresenta-se a proposta segundo a qual, no texto homérico, há a valorização de algo que pode ser chamado de multivalência.: The aim of this paper is to analyze three episodes of the Odyssey in which a pharmakon is used. Helen, Circe and Hermes are the characters that administer the pharmaka. This analysis is linked to a project - the survey of discourses that distance themselves and/or question the perspective of the “war on drugs”, a project that aims to extract textual elements that can serve as tools of thought in the construction of a less deadly path in relation to substances - and guided by three principles - which can be called anti-colonial and anti-racist. From this focus, centered on the pharmakon, also articulating it to the floral food of the lotophagi and the relationship of xenia, a thesis is put forward according to which, in the Homeric texts, one can find something that can be called multivalence.

La Ley de la Mujer discutida en el libro V de la República, conocida como la primera ola, es un ejemplo notorio de la intención reformista de Sócrates de lograr justicia en la pólis. La legislación de la mujer, en general, históricamente ha sido relegada por los intérpretes de la República. El objeto del artículo es analizar este pasaje, del 449a al 457c, a través de los argumentos propuestos por Sócrates al considerarlos cruciales para concebir la igualdad entre los sexos y favorecer el cambio institucional según su naturaleza, katà phýsin, dejando espacio para que las mujeres gobiernen la pólis. Antes de partir hacia el enfrentamiento externo, Sócrates considera urgente que sus interlocutores, Adimanto, Glaucón y Polemarco, estén de acuerdo entre ellos. Así, los insta a iniciar la discusión cuestionando la naturaleza humana de la mujer y su capacidad para las mismas funciones que desempeñan los hombres en la ciudad. El examen de lo inteligible permitió que el lógos sobre la capacidad intelectual de las mujeres respaldara una legislación adecuada. Este nómos puesto en práctica demuestra ser lo mejor para la ciudad y sus guardianes. En esa medida, Sócrates puede concluir dicha investigación con un consenso sobre qué hacer y la voluntad de confrontar urgentemente las opiniones opuestas en la ciudad.

In Plato’s Symposium eros and paideia draw the fabric of dramatic and rhetorical speeches and, especially, the picture of the relation between Socrates and Alcibiades. This paper will focus, firstly, on two important facts, which are essential for the correct understanding of the dialogue, both of which appear at the beginning. First, it is said that Socrates, Alcibiades and the others were present at the famous banquet, and second, that the banquet and the erotic speeches of the participants were so celebrated as to attract the attention for several decades to come. So, the memory of that symposium is thus the memory, far beyond the other symposiasts, and through the erotic speeches, of something precise: that is, a particularly significant relationship, that between Socrates and Alcibiades. What matters most for the aim of this paper is the fact that Alcibiades is considered one of the major reasons for the defeat of Athens and the main cause of the crisis into which the city was plunged during the last years of 5th century BC. Due to the distrust of the city towards the groups of ‘philosophers’ that remitted to Alcibiades’ group, it is no surprise that the so-called Socratics committed themselves to refuting the accusation of Socrates having been Alcibiades’ mentor, to the point of reversing the charge. In the same way as the others Plato, also a Socratic, concerns himself with what might be called the ‘Alcibiades’ Connection’. Realizing there obviously was no way to deny the deep connection between Socrates and Alcibiades, he uses a clever dramatic construction with the intention of operating a political intervention upon the memory of this relationship, that is, of rewriting history, with the intent of relieving him of a more precise charge, which must have especially weighed upon Plato andupon Socrates’ memory: of him having been Alcibiades’ lover/mentor. This Platonic apology is based, ultimately, in a clever rhetorical strategy, which emphasizes the now traditional sexual paranomia of Alcibiades, in order tomake him guilty of an attempted excessive and outrageous seduction not only of Socrates, but of the polis itself. Reusing comic and oratorical/rhetorical motifs of his time, therefore, Plato deepens the J’accuse against Alcibiades, trying to withdraw him from the orbit of Socrates and the Socratics.

The significance of Plato’s literary style to the content of his ideas is perhaps one of the central problems in the study of Plato and Ancient Philosophy as a whole. As Samuel Scolnicov points out in this collection, many other philosophers have employed literary techniques to express their ideas, just as many literary authors have exemplified philosophical ideas in their narratives, but for no other philosopher does the mode of expression play such a vital role in their thought as it does for Plato. And yet, even after two thousand years there is still no consensus about why Plato expresses his ideas in this distinctive style. Selected from the first Latin American Area meeting of the International Plato Society in Brazil in 2012, the following collection of essays presents some of the most recent scholarship from around the world on the wide range of issues related to Plato’s dialogue form. The essays can be divided into three categories. The first addresses general questions concerning Plato’s literary style. The second concerns the relation of his style to other genres and traditions in Ancient Greece. And the third examines Plato’s characters and his purpose in using them.

This article proposes to address the relationship between philosophy and politics through the 5th-4th Century's intellectual debate on ethics and politics in Athens. A debate which takes place in the wake of the rise of a new individuality, marked by the discovery of the tragicity of the soul. What stands out in this debate is the redefinition of a philopolitical stand in all its historical ambiguity and ethical idealism. Aristophanes, Thucydides, Euripides, Gorgias and, obviously, Plato himself are striving to define the possibility of the encounter between philosophy and the city, public and private, justice and interests, individual and community. The Platonic solution for the problem reveals complexity and articulation typical of his thought: the philosopher that shelters himself from the storm behind an academic wall is the same who "in order for himself not to seem nothing but words" sails towards the uncertain Syracusan project.

This article proposes to address the relationship between philosophy and politics through the 5th-4th Century's intellectual debate on ethics and politics in Athens. A debate which takes place in the wake of the rise of a new individuality, marked by the discovery of the tragicity of the soul. What stands out in this debate is the redefinition of a philopolitical stand in all its historical ambiguity and ethical idealism. Aristophanes, Thucydides, Euripides, Gorgias and, obviously, Plato himself are striving to define the possibility of the encounter between philosophy and the city, public and private, justice and interests, individual and community. The Platonic solution for the problem reveals complexity and articulation typical of his thought: the philosopher that shelters himself from the storm behind an academic wall is the same who "in order for himself not to seem nothing but words" sails towards the uncertain Syracusan project.