Jérôme Dokic

We discuss the distinction between the sensory modalities; the metaphysics of sounds; and the structure of sound space. We defend a physicalist conception of sounds, without accepting the identification of sounds with sound-waves in the medium. Sounds, we hold, are events in resonating objects. We evaluate the two main accounts of orientation in perceptual space: relationism and absolutism. We then address Strawson's problem of whether the logical space of sounds could be spatial in the full sense of the term. In the Appendix, we discuss the logic of perceptual auditory reports, and show their compatibility with our theory of sounds.

This paper is about Ramsey's Principle, according to which a belief's truth-conditions are those that guarantee the success of an action based on that belief whatever the underlying motivating desires. Some philosophers have argued that the Principle should be rejected because it leads to the apparently implausible consequence that any failure of action is the result of some false belief on the agent's part. There is a gap between action and success that cannot be bridged by the agent's cognitive state. At best, the Principle should be relativized to circumstances. We show on the contrary that when the Principle is properly understood, it does not amount to “overburdening” belief. We exploit an analogy between knowledge and action in order to show that intentional action is a source of knowledge relative to a set of beliefs whose collective truth guarantees the success of the action. It does not follow that the agent is explicitly representing all possible obstacles to her action. Most of the relevant beliefs are implicit, in the sense that if they were to be formed, they would be directly or indirectly justified by the agent's experience of acting

We provide some meta-theoretical constraints for the evaluation of a-spatial theories of sounds and auditory perception. We point out some forms of spatial content auditory experience can have. If auditory experience does not necessarily have a rich egocentric spatial content, it must have some spatial content for the relevant mode of perception to be recognizably auditory. An auditory experience devoid of any spatial content, if the notion makes sense at all, would be very different from the auditory experiences we actually enjoy. This is enough to dismiss current a-spatial theories of auditory perception. As a consequence, our initial taxonomy of proximal, medial, and distal theories, as well as our phenomenological argument in favor of distal theories, are still topical.

In this paper we present some benefits of semantic minimalism. In particular, we stress how minimalism allows us to avoid cognitive overloading, in that it does not posit hidden indexicals or variables at the LF or representational level and it does not posit the operation of free enrichment processes when we produce or hear a sentence. We nonetheless argue that a fully adequate semantic minimalism should embrace a form of relativism—that is, the view that semantic content must be evaluated, pace Cappelen and Lepore, vis-à-vis a given situation, the latter being a fragment of a possible world or a partial world. In so doing we shall show how Cappelen and Lepore damage the insight of semantic minimalism insofar as they insist that the semantic content should be evaluated with respect to a whole possible world. This move fails to capture the powerful contextualist intuition that it does not make much sense to evaluate the content of, say, Naomi is rich, or Jon is tall, with respect to, for instance, the actual world.

This paper proposes a methodological strategy to investigate the question of the individuation of the senses both from a commonsensical and a scientific point of view. We start by discussing some traditional and recent criteria for distinguishing the senses and argue that none of them taken in isolation seems to be able to handle both points of views. We then pay close attention to the faculty of hearing which offers promising examples of the strategy we pursue of combining commonsense and science. In particular, we argue in favour of a distinction between two kinds of modes of presentation associated with sound perception: a mechanical mode of presentation that makes sounds perceptible by other modalities than audition such as touch and a tonal mode of presentation that makes people conceive of sounds as the proper objects of auditory perception.

The book introduces Ramsey's main doctrines and assesses their contemporary significance. In particular, Jérôme Dokic and Pascal Engel are interested in Ramsey's thoughts on truth and belief, and his pragmatic thesis that the truth of one's beliefs guarantees the success of one's actions. From this, it is a short step to what may be called "Ramsey's principle": the content of a belief is constituted by the success of one's actions. This principle finds its current expression in the work of philosophers who offer evolutionary conceptions of mental states, according to which the success conditions of a belief are constituted by its biological functions. (publisher, edited)

Similarity is central for the definition of concepts in several theories in cognitive psychology. However, similarity encounters several problems which were emphasized by Goodman in 1972. At the end of his article, Goodman banishes similarity from any serious philosophical or scientific investigations. If Goodman is right, theories of concepts based on similarity encounter a huge problem and should be revised entirely. In this paper, we would like to analyze the notion of similarity with some insight from psychological works on analogical cognition. Analogical cognition compares two situations or objects in order to find similarities between them. In doing so, the analogical process sorts the different features of the two situations or objects and determines the most important ones. The analogical process is also highly sensitive to context. Context-sensitivity is desirable at some level, but it is also problematic as it leads to a computational explosion. To answer this problem, we would like to consider salience as a possible heuristic in the analogical process. We will distinguish three forms of salience: Sensory, categorical, and operational. By taking salience into account, we can introduce a shortcut into the computation of similarity and circumvent computational explosion.

Following Meinong, many philosophers have been attracted by the view that emotions have intrinsically evaluative correctness conditions. On one version of this view, emotions have evaluative contents. On another version, emotions are evaluative attitudes; they are evaluative at the level of intentional mode rather than content. We raise objections against the latter version, showing that the only two ways of implementing it are hopeless. Either emotions are manifestly evaluative or they are not. In the former case, the Attitudinal View threatens to collapse into the Perception View or any other view according to which emotions are evaluative at the level of content. In the latter case, the Attitudinal View does not stand up to an obvious alternative, namely that emotions can only be assessed with respect to extrinsic norms or conditions of correctness

A popular idea at present is that emotions are perceptions of values. Most defenders of this idea have interpreted it as the perceptual thesis that emotions present (rather than merely represent) evaluative states of affairs in the way sensory experiences present us with sensible aspects of the world. We argue against the perceptual thesis. We show that the phenomenology of emotions is compatible with the fact that the evaluative aspect of apparent emotional contents has been incorporated from outside. We then deal with the only two views that can make sense of the perceptual thesis. On the response–dependence view, emotional experiences present evaluative responsedependent properties (being fearsome, being disgusting, etc.) in the way visual experiences present response-dependent properties such as colors. On the response–independence view, emotional experiences present evaluative response-independent properties (being dangerous, being indigestible, etc.), conceived as ‘Gestalten’ independent of emotional feelings themselves. We show that neither view can make plausible the idea that emotions present values as such, i.e., in an open and transparent way. If emotions have apparent evaluative contents, this is in fact due to evaluative enrichments of the non-evaluative presentational contents of emotions.

In this paper, we put forward a position we call “situationalism” (or “situated minimalism”), which is a middle-ground view between minimalism and contextualism in recent philosophy of language. We focus on the notion of free enrichment, which first arose within contextualism as underlying the claim that what is said is typically enriched relative to the logical form of the uttered sentence. However, minimalism also acknowledges some process of pragmatic intrusion in its claim that what is thought and communicated is typically enriched relative to what is said. We show that situationalism dispenses with free enrichment both at the level of what is said (proposition expressed) and of what is thought (mental level). According to situationalism, an alleged underdetermined utterance can, pace minimalism, be true in one situation while false in another, and two people using the same alleged underdetermined sentence can be characterized, pace contextualism, as having said the same thing

An account of the evaluation of fictional discourse in terms of counterfactuals is sketched which accommodates the insights of D. Lewis and G. Evans but is not committed to the existence of possibilia on the one hand and to taking counterfactuals as barely true on the other hand. By adopting a two-step theory of evaluation which does not evaluate expressions (sentences) across possible worlds modal realism is avoided. And the use of a modified incorporation principle saying that every singular reference made in the scope of a pretence is anaphoric and linked to a quantifier outside the scope allows to incorporate actual individuals within a game of make-believe.

An account of the evaluation of fictional discourse in terms of counterfactuals is sketched which accommodates the insights of D. Lewis and G. Evans but is not committed to the existence of possibilia on the one hand and to taking counterfactuals as barely true on the other hand. By adopting a two-step theory of evaluation which does not evaluate expressions (sentences) across possible worlds modal realism is avoided. And the use of a modified incorporation principle saying that every singular reference made in the scope of a pretence is anaphoric and linked to a quantifier outside the scope allows to incorporate actual individuals within a game of make-believe.