Jose Luis Garcia

El presente trabajo trata de componer una ontología política, teórica y práctica, que puede considerarse como una aportación al desarrollo de lo que se viene conociendo, desde hace algún tiempo, como «izquierda heideggeriana» y que no ha expuesto de forma clara ni sus fundamentos ni su viabilidad. Así pues, este intento por establecer dichos fundamentos toma como punto de partida algunos de los existenciarios, que pueden dan lugar a esa deriva política, cuya particularidad es su distanciamiento de toda ideología al uso, por cuanto su horizonte «ontológico» es lo político en tanto que posibilidad de la política, es decir, la correlación pre-ontológica entre el «ser-con» (mit-sein), que es la posibilidad de apertura a la vida en común, y el régimen — si es que ello es posible— que pudiera establecerse a raíz de ello.

La historiografía jurídico-política precedente ha tendido a presentar a la Escuela de Salamanca como un grupo de catedráticos salmantinos que comentan las distintas partes de la _Summa theologiae_ de Tomás de Aquino, dando preferencia en particular a los comentarios _De legibus_ y _De iustitia et iure_. Éstas son, por ejemplo, las partes del legado vitoriano mejor conocidas y estudiadas, junto a sus relecciones _De indis_ y las dedicadas a la potestad civil y eclesiástica. En un intento de ampliar estas perspectivas clásicas, el presente artículo presenta un elenco de algunas de las obras de teología sacramental redactadas por diversos maestros salmantinos hasta comienzos del siglo XVII y reflexiona sobre la importancia epocal y contemporánea de este patrimonio un tanto olvidado de la escolástica salmantina, en el que se encuentran materiales muy interesantes para la reflexión filosófica, jurídica y política. En las secciones finales del artículo se estudian los escritos _Summa sacramentorum ecclesiae_ (1560) de Francisco de Vitoria y Tomás de Chaves, un texto que conoció al menos 80 ediciones hasta comienzos del siglo XVII, y la _Relectio de sacramentis in genere_ (1550) de Melchor Cano, mostrando la estrecha conexión existente entre teología sacramental y pensamiento jurídico-político.

The island of Ibiza is a western Mediterranean destination known internationally for its nightlife. The aim of this paper is to make a proposal to classify the different types of premises in the Ibiza nightlife offer. This involves making a first definition that allows to delimit which businesses are parts of the sector. The methodology used is based on the case study and specifically, on the review of the promotional actions and activities carried out, completed with the visit to the premises. The classification has been made based on the offer marketed and not only on the legal forms used, as innovation goes ahead of the existing legal classifications. Although it is a particular application, due to the international importance of Ibiza, it is a good starting point to classify the nightlife offer of many other tourist destinations. The resulting typology divides the sector into two large groups: nightclubs and other premises. While nightclubs have musical parties as their main activity declared, the other premises have accommodation or catering as their main activity, with music being an element of differentiation. Nightclubs are divided into several subgroups, depending on their size and relevance. The other premises are subdivided into Beach Clubs, Hotel Clubs, Party Boats, Lounge Clubs, Disco Pubs, among others.

RESUMENEl artículo propone una definición esencial del arte como símbolo. Plantea que la filosofía del arte no puede renunciar a preguntarse qué es lo que hace que algo sea arte, ni contentarse con una respuesta de tipo externalista. Discute en esa línea la definición histórica de N. Carroll. Formula unas condiciones básicas del simbolismo y busca caracterizar lo que hay de específico en el símbolo artístico, lo que lo diferencia de los otros símbolos. Se enfrenta a las críticas al simbolismo que actualmente se dan en ciertas teorías y prácticas artísticas.PALABRAS CLAVEDEFINICIÓN ESENCIALISTA. DEFINICIÓN HISTÓRICA. SIMBOLISMO. REPRESENTACIÓN.ABSTRACTThis article proposes an essential definition of art as symbol. The autor holds that the philosophy of art cannot give up the question about what is it that determines that something is to be considered as art and neither can be satisfied with an answer of an externalist type. This is why the historic definition of N.Caroll is discussed. The author establishes the basic conditions of symbolism and seeks to characterize the specific traits of the artistic symbol, which differentiates it from the other symbols. He faces the critics to symbolism which nowadays can be found in certain theories and artistic practices.KEY WORDSESSENTIALIST DEFINITION, HISTORIC DEFINITION, SYMBOLISM, REPRESENTATION.

This paper studies, with techniques ofAlgebraic Logic, the effects of putting a bound on the cardinality of the set of side formulas in the Deduction Theorem, viewed as a Gentzen-style rule, and of adding additional assumptions inside the formulas present in Modus Ponens, viewed as a Hilbert-style rule. As a result, a denumerable collection of new Gentzen systems and two new sentential logics have been isolated. These logics are weaker than the positive implicative logic. We have determined their algebraic models and the relationships between them, and have classified them according to several standard criteria of Abstract Algebraic Logic. One of the logics is protoalgebraic but neither equivalential nor weakly algebraizable, a rare situation where very few natural examples were hitherto known. In passing we have found new, alternative presentations of positive implicative logic, both in Hilbert style and in Gentzen style, and have characterized it in terms of the restricted Deduction Theorem: it is the weakest logic satisfying Modus Ponens and the Deduction Theorem restricted to at most 2 side formulas. The algebraic part of the work has lead to the class of quasi-Hilbert algebras, a quasi-variety of implicative algebras introduced by Pla and Verdú in 1980, which is larger than the variety of Hilbert algebras. Its algebraic properties reflect those of the corresponding logics and Gentzen systems

Gracias a los estudios de los últimos años, la Escuela de Salamanca ha dejado de ser esa gran desconocida de la historia del pensamiento español. Con ello se ha ganado también precisión sobre qué se entienda por Escuela de Salamanca, algo solidario con la comprensión de su carácter específico y sus integrantes. Los temas de “moral” y “política” que sus autores iluminaron dándoles una fundamentación teológica y filosófica, siguen siendo una propuesta interesante, no sólo para comprender la historia de las ideas, sino como propuesta sistemática con la que considerar la temática señalada.

Since the birth of modern media until Internet, communication has been profoundly transformed and through it culture, society, forms of power and the creation of economic wealth. This essay examines this long-lasting process by exploring the idea of mediatization. It is a historical movement of co-implication of symbolic forms, technologies, contexts and communicative frameworks that has altered communication practices, their scope and meanings through the introduction and reception of new technologies (mechanical, electrical, digital) and by institutions (publishers, media companies, propaganda and public relations bureaux, advertising, technological platforms). We argue that it is a non-linear process, with several stages, intensified in our days, with aspects very critical to freedom and democracy, but whose outcome is open.

Pese a que se trata de una de las obras de Machiavelli menos conocidas y estudiadas en la actualidad, el tratado Dell’arte della guerra (1521) encontró una rápida difusión en la Europa de su siglo. Publicada en París en 1546 (en traducción de Jean Charrier), la obra fue analizada críticamente algunas décadas más tarde en la versión definitiva del Discours d’Estat contre Machiavel (Ginebra, 1585) del jurista calvinista Innocent Gentillet. Sintetizando los argumentos que Gentillet ofreció en este tratado frente al ejército de milicias ciudadanas propuesto por Machiavelli, mostramos su interrelación con las críticas dirigidas por el hugonote al resto de escritos maquiavelianos (en particular Il Principe y los Discorsi). Se trata, de acuerdo a nuestra interpretación, de la primera crítica sistemática al pensamiento político y social de Machiavelli. Al mismo tiempo, supone la respuesta virulenta de la Francia nobiliaria al republicanismo neo-romano defendido por el florentino.

A primeira obra de Georg Simmel, traduzida para português e publicada em Portugal, ocorreu apenas em 1969, sob a chancela de uma pequena editora, a Galeria Panorama. O livro é constituido por quatro ensaios de Simmel: “Cultura Feminina”, título que nomeia o livro, “Filosofia do Coquetismo”, “Filosofia da Moda” e “O Masculino e o Feminino”. Conta ainda com um Prefácio de Romeu de Melo e uma Introdução da destacada poeta e intelectual Natália Correia. O artigo centra-se na edição deste volume e incide em especial na recepção realizada por Natália Correia, que advogou uma forma peculiar de feminismo, ao pensamento de Simmel sobre a feminidade.

Since the 1980s, there has been a significant increase in the number of studies concerning Andalusian rural settlements linked to irrigated agriculture, both related to large suburban green belts and to small hydraulic systems. In the vast areas where water is scarce, the settlement apparently would have been concentrated in cities and fortified towns, leaving without population most of the dry lands between them. However, thanks to the intensive survey of one of these regions, La Mancha’s Southeastern area, we are recording a dense rural settlement corresponding to a pattern unknown until now. It consists basically of small villages in plain, devoid of community defense elements, which must have been inhabited by humble peasants, judging by the modesty of the architecture and domestic goods. Surely they make use of the scanty natural resources, which have traditionally oriented the economy of the region towards livestock and rainfed agriculture. In particular, the studied settlement would be related to the demand of wool for the export oriented textile production of the region, within the framework of the commercial expansion of that period. Apparently, most of those villages could have appeared in the eleventh century, disappearing in the middle of the thirteenth century because of the Christian conquest. Their existence would be associated with a general context of population growth that pushed the competition between urban elites and peasants pursuing the privileged agricultural areas, as well as the colonization of less favorable production areas.