Joshua Heter

_Explore the deep philosophical questions lurking in the Fallout wasteland_ The _Fallout_ franchise welcomes you to the Wasteland through both the post-nuclear role-playing games and the Amazon streaming series. Set against a retro-futuristic world of mutants, warlords, and weird science, the decent and wicked alike eke out survival despite the irradiated dangers surrounding them. But beneath the irreverent humor and constant violence, _Fallout _forces its players and characters into circumstances with weighty philosophical implications, and it compels fans of all stripes to consider complex, sometimes harrowing moral dilemmas. _Fallout and Philosophy_ tackles these issues head-on. In the 26 essays included in this volume, philosophers follow the implications of _Fallout_’s dystopian world and the challenging questions it raises to their logical conclusions. Even if war never changes, could wars be waged justly? Is freedom possible in the closed and controlled world of the Vaults? Are “kill everything” playthroughs harmless fun, or are they ethically suspect? Are the Institute’s synths mere machines, or are they people? How can we tell? Is the Brotherhood justified in hoarding pre-War technology? Is Lucy’s Golden Rule too idealistic for the world outside her Vault? Is it defensible to bring children into a postapocalyptic wasteland? “Everyone disliked that” ending of _Fallout 3_, but why? If you’re a fan of the franchise and you want to think more deeply about - and more fully appreciate - all things _Fallout_, then it’s time to climb out of your Vault and strap on your power armor. Let _Fallout and Philosophy_ be your Wasteland Survival Guide.

The histories of skateboarding and philosophy are not entirely dissimilar. Skateboarding got its start in the middle of the 20th century and quickly garnered a reputation as an activity that both attracted and encouraged a sort of lawless rebellion. In a similar vein, not long after its inception, philosophy was most commonly known for its out-of-the-box questioning of authority. However, both skating and philosophy eventually crept into the mainstream of society and have since earned their place as permanent fixtures in the culture. With all they have in common, it's only appropriate that the two should intersect in this book. This collection of 19 essays (written by philosophers who are also skaters and skating enthusiasts) covers a wide variety of topics important to skating such as its culture, politics, history, art, and status as a sport. If you're a skater (or someone who simply appreciates skating), and you're interested in thinking a bit more carefully--a bit more deeply--about skateboarding, this book was put together to help you do just that.

Post-Punk and Philosophy is a collection of twenty chapters by philosophers who are also post-punk fans, discussing many different aspects of the Post-Punk phenomenon. When does simplicity become too simple? Was punk a white proletarian movement? Are the best post-punk bands really pre-punk? Does technological innovation guarantee musical or artistic innovation? Does rock have a future? Post-Punk and Philosophy is a worthy follow-up to Punk Rock and Philosophy (2022), also edited by Heter and Greene, hailed as "a really fascinating book reflecting diverse points of view: thought-provoking, intelligent, and controversial" (John Holmstrom, founding Editor-in-Chief of PUNK magazine).

The Godfather and Philosophy is comprised of twenty-eight chapters by philosophers, who reflect upon the ethical and metaphysical issues raised in The Godfather novels and movies, beginning with the 1969 novel by Mario Puzo and the 1972 movie by Francis Ford Coppola. The Godfather saga has had a profound impact on American cinema, storytelling, thinking about crime, and popular culture. Aimed at thoughtful fans of The Godfather franchise, among the questions tackled in these provocative philosophical chapters are the immigrant experience in America, the relation between ethics and the law, the nature of moral corruption, private justice and vigilantism, organized crime and the American Dream, betrayal and forgiveness, religion and family values, the difficulties of breaking out of a dysfunctional way of life, and the uncertain consequences of vice laws. Joshua Heter teaches philosophy at Jefferson College, Missouri. He co-edited Punk Rock and Philosophy (2022). Richard Greene teaches philosophy at Weber State University, Utah. He wrote the definitive and highly acclaimed book, Spoiler Alert! (It's a Book about the Philosophy of Spoilers) (2019).

Isaac Asimov’s Foundation is the most influential science-fiction epic of all time. Published as a series of books and short stories from the 1940s to the 1980s, the series has impacted most subsequent science fiction, and also influenced sciences like sociology, statistics, and psychology. The story has now been made into a highly acclaimed TV serial (Foundation), on Apple TV, the second season now shooting in Prague. The story begins 45,000 years in the future, and spans centuries in which a vast and successful interstellar human empire is unknowingly headed for total collapse. Using an advanced mathematical technique called psycho-history, a brilliant scientist, Hari Seldon, predicts the collapse and establishes a “foundation” to bring about the resurrection of human civilization many generations in the future. Asimov’s Foundation and Philosophy is a collection of twenty-four chapter by philosophers exploring the philosophical issues and puzzles raised by this epic story. Topics include whether one individual can make a big difference in history, the ethics of manipulating large populations of people to bring about a desirable future result, the Dao of non-action, the impact of education on future generations, whether human affairs are governed by predictable cycles, whether attempts to plan for the future must be thwarted by free will, the futility of empire-building, the ethics of cloning human beings, and the use of logic in analyzing human behavior.

Better Call Saul and Philosophy is an anthology, a collection of essays exploring the philosophical themes present in the hit television show Better Call Saul. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad in a which mild-mannered high school chemistry teacher, Walter White - through a series of poor, albeit strained decisions - slowly but steadily becomes a monstrous drug kingpin. In Better Call Saul, a struggling but cocksure attorney, Jimmy McGill goes through a similar transformation to become a cunning, devious criminal lawyer for the underworld. Beyond this, Better Call Saul is populated with a number of additional characters going through their own evolution - from a brother burdened with a psychosomatic(?) ailment, to a former police officer delving deeper into the wrong side of the law to provide for his family. Much like the beloved show, Better Call Saul and Philosophy is an anthology-- a collection of snippets and essays that slowly reveal a much more complex story. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad. Critics of the series have noted that its storytelling is emblematic, or "The New Golden Age of Television": programming that not only rewards multiple watches, but also calls for a careful, reasoned analysis of characters, plots, and themes. Better Call Saul is the type of program that is so rich with these elements that it not only calls for a book like Better Call Saul and Philosophy, but might even feel incomplete without it! Now, readers can join alongside struggling-but-cocksure attorney Jimmy McGill as he goes through a series of transformative experiences and scenarios. Featuring the work of contemporary philosophers, Better Call Saul and Philosophy offers its readers a chance to delve deeply into a wide range of philosophical issues the show presents, including the nature of good and evil, personal identity, free will and determinism, the law as it relates to morality, the ethical implications of the war on drugs, death and dying, and many, many more. Fans of the show will love a chance to appreciate the show on much deeper level--and, for those hoping to learn a bit about philosophy as well as the show, the book perfectly marries the two together in a unique and engaging way. This book is the latest edition (#8) in the series Pop Culture and Philosophy.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.” Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight. Punk rock was a celebration of nastiness, chaos, and defiance of convention, which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or—perish the thought—Marxist? When all’s said and done, does punk simply suck? These obvious questions only scratch the surface of punk’s philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk’s essence, or perhaps they end up demonstrating that it has no essence. You decide. Among the nail-biting questions addressed in this book: Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk? How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse? Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves? How close is the message of Jesus of Nazareth to the message of punk? Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism? In its rejection of the traditional aesthetic of order and complexity, did punk point the way to “aesthetic anarchy,” based on simplicity and chaos? By becoming commercially successful, did punk fail by its very success? Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life?

The Man in the High Castle is an Amazon TV show, based on the Philip K. Dick novel, about an "alternate present" (beginning in the 1960s) in which Germany and Japan won World War II, with the former Western US occupied by Japan, the former Eastern U.S. occupied by Nazi Germany, and a small "neutral zone" between them. A theme of the story is that in this alternative world there is eager speculation, fueled by the illicit newsreel, The Grasshopper Lies Heavy, about how the world would have been different if America had won the war. In The Man in the High Castle and Philosophy, twenty-two professional thinkers look at philosophical issues raised by this ongoing enterprise in "alternative history." One question is whether it really made a profound difference that the Allies won the war, and exactly what differences in everyday life we may expect to arise from an apparent historical turning point. Could it be that some dramatic historical events have only superficial consequences, while some unnoticed occurrences lead to catastrophic results?