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Kendall Walton

University of Michigan, Ann Arbor
  •  Home
  •  Publications
    62
    • Most Recent
    • Most Downloaded
    • Topics
  •  Events
    3
  •  News and Updates
    46

 More details
  • University of Michigan, Ann Arbor
    Department of Philosophy
    Retired faculty
Cornell University
Sage School of Philosophy
PhD
Homepage
Areas of Specialization
Metaphysics
Philosophy of Language
Philosophy of Mind
Aesthetics
Areas of Interest
Metaphysics
Philosophy of Language
Philosophy of Mind
Aesthetics
  • All publications (62)
  •  350
    On Kendall Walton's Mimesis as Make-BelieveMemesis As Make-Believe
    with Noel Carroll
    Philosophy and Phenomenological Research 51 (2): 383. 1991.
    Photography
  •  118
    Real ImaginingsMemesis As Make-Believe
    with Patrick Maynard
    Philosophy and Phenomenological Research 51 (2): 389. 1991.
    Other Academic Areas, MiscVisual Arts
  •  1
    Marie-laure Ryan
    Semiotica 103 (3/4): 349-367. 1995.
    Semiotics
  •  233
    Mimesis as Make-Believe: On the Foundations of the Representational Arts
    Journal of Aesthetics and Art Criticism 49 (2): 161-166. 1990.
    Aesthetics
  •  302
    Aesthetic Properties: Context Dependent and Perceptual
    Journal of Aesthetics and Art Criticism 78 (1): 79-84. 2020.
    The Journal of Aesthetics and Art Criticism, Volume 78, Issue 1, Page 79-84, Winter 2020.
    Aesthetic Qualities, Misc
  •  68
    Metaphor and prop oriented make-believe
    In Mark Eli Kalderon (ed.), Fictionalism in Metaphysics, Oxford University Press Uk. 2005.
    Peer Reviewed.
  •  146
    Comments on Mimesis as Make-BelieveMemesis As Make-Believe (review)
    with George M. Wilson
    Philosophy and Phenomenological Research 51 (2): 395. 1991.
  •  212
    A Note on Mimesis as Make-BelieveMemesis As Make-Believe
    with Richard Wollheim
    Philosophy and Phenomenological Research 51 (2): 401. 1991.
    Aesthetics
  •  637
    Metaphor and Prop Oriented Make‐Believe
    European Journal of Philosophy 1 (1): 39-57. 1993.
    Peer Reviewed.
    Metaphor
  •  1
    Conceptual Schemes: A Study of Linguistic Relativity and Related Philosophical Problems
    Dissertation, Cornell University. 1967.
    Epistemic Relativism, Misc
  •  184
    Comment on Catherine Wilson, 'Grief and the Poet'
    British Journal of Aesthetics 53 (1): 113-115. 2013.
    Literature and Emotion
  •  913
    Empathy, Imagination, and Phenomenal Concepts
    In Kendall L. Walton (ed.), In Other Shoes: Music, Metaphor, Empathy, Existence, Oxford University Press. pp. 1-16. 2015.
    I propose a way of understanding empathy on which it does not necessarily involve any-thing like thinking oneself into another’s shoes, or any imagining at all. Briefly, the empa-thizer uses an aspect of her own mental state as a sample, expressed by means of a phenomenal concept, to understand the other person. This account does a better job of explaining the connection between empathetic experiences and the objects of empathy than most traditional ones do. And it helps to clarify the relations…Read more
    I propose a way of understanding empathy on which it does not necessarily involve any-thing like thinking oneself into another’s shoes, or any imagining at all. Briefly, the empa-thizer uses an aspect of her own mental state as a sample, expressed by means of a phenomenal concept, to understand the other person. This account does a better job of explaining the connection between empathetic experiences and the objects of empathy than most traditional ones do. And it helps to clarify the relations among different varieties of empathy and empathy-like experiences, including empathy with fictional characters.
    Epistemology of Mind
  •  21
    On the (so-called) puzzle of imaginative resistance
    In Shaun Nichols (ed.), The Architecture of the Imagination: New Essays on Pretence, Possibility, and Fiction, Oxford University Press Uk. pp. 137-148. 2006.
    Imaginative ResistanceLiterature and Emotion
  •  2726
    Morals in Fiction and Fictional Morality (I)
    Proceedings of the Aristotelian Society 68 27-50. 2015 [1994].
    Imaginative ResistanceAesthetics and EthicsTruth in Fiction
  •  82
    Are beliefs necessary to acting rationally?
    Mind 83 (329): 100-102. 1974.
    Mental States and Processes
  •  38
    Memesis As Make-Believe
    Philosophy and Phenomenological Research 51 (2): 407-411. 1991.
  •  1
    Mimesis as Make-Believe: On the Foundations of the Representational Arts
    Philosophy 66 (258): 527-529. 1990.
  •  268
    Are Representations Symbols?
    The Monist 58 (2): 236-254. 1974.
    The representational arts seem friendly territory for “symbol” theories of aesthetics. Much of the initial resistance one may feel to the idea that a Mondrian composition or a Scarlatti sonata is a symbol evaporates when we switch to a portrait of Mozart, Michelangelo’s Pietá, or Dickens’s A Tale of Two Cities. These representational works have reference to things outside themselves. The portrait is a picture of Mozart; the Pietá is a sculpture of Christ and his Mother; A Tale of Two Cities is a…Read more
    The representational arts seem friendly territory for “symbol” theories of aesthetics. Much of the initial resistance one may feel to the idea that a Mondrian composition or a Scarlatti sonata is a symbol evaporates when we switch to a portrait of Mozart, Michelangelo’s Pietá, or Dickens’s A Tale of Two Cities. These representational works have reference to things outside themselves. The portrait is a picture of Mozart; the Pietá is a sculpture of Christ and his Mother; A Tale of Two Cities is about London, Paris, and the French Revolution. It is natural enough to consider the relation between these works and what they are of or about a semantic one. And if the representational is to be understood in terms of this semantic relation it is reasonable to hold that to be representational is to be a symbol of a certain kind.
    IntentionalityRepresentation
  •  251
    "It's Only a Game!" Sports As Fiction
    In In Other Shoes: Music, Metaphor, Empathy, Existence, Oxford University Press. pp. 75-83. 2015.
    Sports and competitive games of many kinds—from tag to chess to baseball—are often occasions for make-believe. To participate either as a competitor or as a spectator is frequently to engage in pretense. The activities of playing and watching games have this in common with appreciating works of fiction and participating in children’s make-believe activities, although the make-believe in sports, masked by real interests and concerns, is less obvious than it is in the other cases. What is most int…Read more
    Sports and competitive games of many kinds—from tag to chess to baseball—are often occasions for make-believe. To participate either as a competitor or as a spectator is frequently to engage in pretense. The activities of playing and watching games have this in common with appreciating works of fiction and participating in children’s make-believe activities, although the make-believe in sports, masked by real interests and concerns, is less obvious than it is in the other cases. What is most interesting about tag and chess and baseball, however, are the ways in which the make-believe they involve differs from other varieties.
    Philosophy of Sport
  •  138
    Projectivism, Empathy, and Musical Tension
    Philosophical Topics 26 (1-2): 407-440. 1999.
    Aesthetics
  •  1477
    Mimesis as make-believe: on the foundations of the representational arts
    Harvard University Press. 1990.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
    Fiction, MiscTruth in FictionDepiction
  •  402
    How remote are fictional worlds from the real world?
    Journal of Aesthetics and Art Criticism 37 (1): 11-23. 1978.
    Ontological FictionalismTruth in Fiction
  •  220
    Depiction, perception, and imagination: Responses to Richard Wollheim
    Journal of Aesthetics and Art Criticism 60 (1). 2002.
    DepictionAesthetic PerceptionAesthetic Imagination
  •  3
    The presentation and portrayal of sound patterns
    In J. O. Urmson, Jonathan Dancy, J. M. E. Moravcsik & C. C. W. Taylor (eds.), Human agency: language, duty, and value: philosophical essays in honor of J.O. Urmson, Stanford University Press. pp. 230-257. 1988.
    Ontology of Music
  •  114
    Mimesis as Make-Believe: On the Foundations of the Representational Arts
    Philosophical Review 102 (3): 440. 1993.
    TheaterFictional CharactersVisual ArtsTruth in FictionLiteratureDepiction
  •  55
    Pictures, Titles, Depictive Content
    In Richard Heinrich, Elisabeth Nemeth, Wolfram Pichler & David Wagner (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17, De Gruyter. pp. 395-408. 2011.
    Depiction
  •  148
    Not a leg to stand on the roof on
    Journal of Philosophy 70 (19): 725-726. 1973.
  •  211
    Languages of art: An emendation
    Philosophical Studies 22 (5-6). 1971.
    In nelson goodman's "languages of art" a symbol system must be 'finitely differentiated', both syntactically and semantically, to count as a 'notation'. goodman's formulations of these differentiation requirements are seriously defective. it is shown that most of the examples of systems which he claims fail these requirements, do not fail them as they are stated. reformulations of the two requirements are offered, which accord with the examples and seem otherwise acceptable
    Aesthetic Symbol Systems
  •  128
    Fearing fictionally
    In Alex Neill & Aaron Ridley (eds.), Arguing About Art: Contemporary Philosophical Debates, Routledge. pp. 257. 2013.
    Aesthetics
  •  298
    What is abstract about the art of music?
    Journal of Aesthetics and Art Criticism 46 (3): 351-364. 1988.
    AestheticsMusical Experience
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