Nathan Ross

Many readers of Walter Benjamin will have the experience of discovering his work through some penetratingly original contribution to one particular area of their interest. One might come to his work out of an interest in how photography changed our view of art; or an interest in critiquing the power of state violence. Or one might first appreciate his work as a penetratingly original reader of Kafka or Proust; or as a historian of cities such as Paris and Berlin; or as a writer intent on bringing Jewish mysticism into an encounter with philosophical modernity and everyday modes of experience. Or one might discover Benjamin as a theorist who played a pivotal role in the early development of Frankfurt school; or as a writer of personal memoire who blends the Proustian mode of reminiscence with a sociological perspective on the fate of his generation.

This chapter examines Benjamin’s writings on cities, demonstrating how cities provide the basis for many of Benjamin’s philosophical innovations. The first section establishes a dialogue between Georg Simmel’s ‘Metropolis’ essay and Benjamin’s writings on urban experience. It argues that Benjamin was influenced by Simmel’s diagnosis of the city as a space of overstimulation and commodification. But unlike Simmel, Benjamin posits freedom not to be a result of detachment and abstraction, but to be found in the integration, combination and translation of various separated levels of experience. The chapter then explores Benjamin’s writings on specific cities, Berlin, Marseille and Naples. Benjamin’s memory of his childhood in Berlin is the impetus for a critical relation to technology. His visit to Marseille shapes his conceptualization of mimesis. And Naples provides an image for freedom in thinking.

Walter Benjamin is one of the most influential authors in contemporary humanities, exerting a deep fascination for students and garnering scholarly interest in a variety of fields, such as history of philosophy, literature, film and media studies, political science, religion, architecture, art and history. This Handbook provides students and scholars with a guide to Walter Benjamin's work that explores each of these areas in depth while also giving the reader a chance to discover connections to other areas of thought. In order to do justice to the complexity of Benjamin's thinking, this volume includes international scholars from a variety of academic disciplines, and is organized such that a dialogue emerges between them. Each section presents an argument for the integration of its subject into the whole, demonstrating that what might seem specialized and esoteric actually intersects with the problems and questions of the other sections. Nathan Ross teaches interdisciplinary classes and philosophy at Adelphi University, USA. He has written and published on 19th and 20th century philosophy, with interests that span a variety of areas in critical theory, art, political philosophy and literature. His books include: The Philosophy and Politics of Aesthetic Experience (2017) and Walter Benjamin's First Philosophy (2021), as well as translations and edited volumes.

_On Mechanism in Hegel's Social and Political Philosophy_ examines the role of the concept of mechanism in Hegel’s thinking about political and social institutions. It counters as overly simplistic the notion that Hegel has an ‘organic concept of society’. It examines the thought of Hegel’s peers and predecessors who critique modern political intuitions as ‘machine-like’, focusing on J.G. Herder, Friedrich Schlegel and Novalis. From here it examines the early writings of Hegel, in which Hegel makes a break with the Romantic way of thinking about ethical community. Ross argues that in this period, Hegel devises a new way of thinking about the integration of mechanistic and organic features within an organizational whole. This allows Hegel to offer an innovative theory of modern civil society as a component in ethical life. The second half of the book examines how Hegel develops this thought in his later works. It offers an in depth commentary on the chapter on mechanism in the Science of Logic, and it demonstrates the role of these thoughts in Hegel’s Philosophy of Right. _On Mechanism in Hegel's Social and Political Philosophy_ offers a critical response to debates over communitarianism by arguing against one of the central figures used by scholars to associate Hegel with communitarian thought, namely the notion that society is organic. In addition, it argues that Hegel political theory is deeply informed by his formal ontology, as developed in the Science of Logic.

Walter Benjamin and Theodor W. Adorno are considered today to be the two most significant early theorists in founding critical theory. In their works and correspondence, both thinkers turn to art and the aesthetic as a vital way for understanding modern society and developing philosophical methods. This volume of original essays seeks to understand how they influenced each other and disagreed with each other on fundamental questions about art and the aesthetic. The books deals with a variety of key philosophical questions, such as: How does art involve distinctive modes of experience? What is the political significance of modern art? What does aesthetic experience teach us about the limitations of conceptual thought? How is aesthetic experience implicated in the very medium of thought, language? Ultimately the book presents a systematic argument for the foundational significance of the aesthetic in the development of the early critical theory movement.

This essay argues for the philosophical standing of Walter Benjamin’s early work and posits a deeper continuity between this early work as a philosopher and the subsequent development of his work as a writer. When these fragments are read in proper relation to each other, they reveal for the first time many of the key innovations of Benjamin as a philosopher, as well as his points of influence on Horkheimer and Adorno. His early ‘Program’ critiques the Enlightenment conception of experience as a means for gaining empirical knowledge, and announces the need for a new concept of experience. Benjamin follows through on this program with a method of philosophical enquiry that is by turns fragmentary and constellational, developing a series of provisional notions of experience, which form a constellation with one another: perception, mimesis, language as a medium of experience, observation and memory.

This book provides a study of Walter Benjamin's first philosophy in two senses: it focuses on his early philosophy as a source of insight into his later works, and it explores his thinking about the nature of truth, method, experience, the relation of body and mind, and the limits of human knowledge. While most attention is paid to Benjamin's later works, his writings from roughly 1914-1925 explore philosophical themes and develop a critical method. This book argues that this early work founds a series of original and lasting questions and insights. Benjamin understands experience as a broken continuum of diverse forms of spiritual expression, each of which is ephemeral. This leads Benjamin to a series of thought figures: the notion of language as a medium of experience; a philosophy of perception based in the natural history of the human body; an emphasis on mimesis as a faculty of creative assimilation; and a discovery of memory as a power for excavation of meaning in past experience. This book demonstrates that the need for a new understanding of the metaphysical structure of experience, as well as a new conception of truth, play a special role in shaping Benjamin's subsequent work. Walter Benjamin's First Philosophy will be of interest to scholars and advanced students working on the thought of Walter Benjamin, 20th-century Continental philosophy, comparative literature, and modern German thought.

The founder of early German Romantic philosophy, Friedrich Schlegel, is a pivotal figure in the history of philosophy because of the way that he establishes many of the themes by which nineteenth-century continental thought separates itself from Kant. Yet our view of his depth and originality as a thinker has often been distorted by his proximity to Hegel, who propounded a highly polemical and reductive reading of Schlegel. One of the ways in which our view of Schlegel is distorted by Hegel's reading is our association of Schlegel with the stance of irony. While Schlegel considered irony as merely one of several fruitful ways to rethink the relation of the subject to the absolute, Hegel used a reductive reading of...

_On Mechanism in Hegel's Social and Political Philosophy_ examines the role of the concept of mechanism in Hegel’s thinking about political and social institutions. It counters as overly simplistic the notion that Hegel has an ‘organic concept of society’. It examines the thought of Hegel’s peers and predecessors who critique modern political intuitions as ‘machine-like’, focusing on J.G. Herder, Friedrich Schlegel and Novalis. From here it examines the early writings of Hegel, in which Hegel makes a break with the Romantic way of thinking about ethical community. Ross argues that in this period, Hegel devises a new way of thinking about the integration of mechanistic and organic features within an organizational whole. This allows Hegel to offer an innovative theory of modern civil society as a component in ethical life. The second half of the book examines how Hegel develops this thought in his later works. It offers an in depth commentary on the chapter on mechanism in the Science of Logic, and it demonstrates the role of these thoughts in Hegel’s Philosophy of Right. _On Mechanism in Hegel's Social and Political Philosophy_ offers a critical response to debates over communitarianism by arguing against one of the central figures used by scholars to associate Hegel with communitarian thought, namely the notion that society is organic. In addition, it argues that Hegel political theory is deeply informed by his formal ontology, as developed in the Science of Logic.

The thought of G. W. F. Hegel has had a deep and lasting influence on a wide range of philosophical, political, religious, aesthetic, cultural and scientific movements. But, despite the far-reaching importance of Hegel's thought, there is often a great deal of confusion about what he actually said or believed. G. W. F. Hegel: Key Concepts provides an accessible introduction to both Hegel's thought and Hegel-inspired philosophy in general, demonstrating how his concepts were understood, adopted and critically transformed by later thinkers. The first section of the book covers the principal philosophical themes in Hegel's system: epistemology, metaphysics, philosophy of mind, ethical theory, political philosophy, philosophy of nature, philosophy of art, philosophy of religion, philosophy of history and theory of the history of philosophy. The second section covers the main post-Hegelian movements in philosophy: Marxism, existentialism, pragmatism, analytic philosophy, hermeneutics and French poststructuralism. The breadth and depth of G. W. F. Hegel: Key Concepts makes it an invaluable introduction for philosophical beginners and a useful reference source for more advanced scholars and researchers.