Susana Cadilha

En este artículo, mi objetivo es proporcionar un ejemplo de una práctica concreta que ilustra el trabajo interdisciplinar en el ámbito de la filosofía moral. Más concretamente, presentaré el llamado proyecto de naturalización de la ética, que ha sido llevado a cabo en las últimas décadas tanto por filósofos morales como por científicos de diversas áreas, como uno de esos ejemplos de interdisciplinaridad que puede considerarse fructífero. En este artículo, buscaré describir dicho proyecto a partir de las contribuciones que provienen de la psicología moral y cognitiva, y trataré de mostrar sus potencialidades en cuanto al avance del conocimiento, así como algunos de sus límites.

Under one particular reading of it, Anscombe's 'Modern Moral Philosophy' is considered a seminal text in the revival of virtue ethics. Seen thus, Anscombe is implying that it is possible to do ethics without using concepts such as 'moral ought' or 'moral obligation', the perfect example being Aristotelian ethics. On the other hand, Anscombe claims that it is not useful at present to engage in moral philosophy since she finds that 'philosophically there is a huge gap… which needs to be filled by an account of human nature, human action, …and above all of human "flourishing"' (Anscombe, 1958: 18). The gap Anscombe refers to appears where there should be a 'proof that an unjust man is a bad man'. My aim in this paper is to discuss the various ways in which Anscombe's theses can be interpreted, recalling two other philosophers for whom Aristotelian virtue ethics was also essential: P. Foot and J. McDowell. I will argue that Anscombe did not expect Aristotelian ethics to answer the problems modern ethics poses.

This paper argues that the role emotions from fiction play in structuring experience is incompatible with treating them by default as either irrational or merely ersatz. It has five sections. § 1 outlines the paradox of fiction and three standard solutions: broad cognitivism, non-cognitivism, and Walton’s theory of quasi-emotion. Broad cognitivism and non-cognitivism reject the doxastic thesis — the claim that belief is necessary for emotion — while Walton is taken to deny that emotions from fiction are ‘genuine.’ § 2 endorses rejecting the doxastic thesis but argues that the true heart of the paradox is the genuine/non-genuine dichotomy. We propose an alternative interpretation of quasi-emotion that avoids this dichotomy. We further compare emotions from fiction with emotions from abstract art and music, contrasting the latter with quasi-emotions. § 3 discusses mental simulation, comparing fictions with external simulators that feed into ongoing cognitive-emotional calibration. § 4 introduces a dual-track model of fiction, in which symbols operate simultaneously through quasi-denotation — fictions denote what they prescribe us to imagine — and exemplification — they illustrate by way of what they quasi-denote. Track one is the fiction’s frame, track two its focus; emotional responses are thus dual-track — in a way that bypasses the paradox. § 5 turns to the more fundamental fiction/reality dichotomy, suggesting that the most interesting feature of fictions is not the nonexistence (or shadowy existence) of their supposed denotata — since the factual also functions as fiction — but their being models of how the world is experienced.

We present the structure and guiding principles of this Special Issue, with a brief description of the participants’ contributions and the relations holding between them. The intersection between aesthetics and ethics as a field of philosophical enquiry is presented under the guise of a ‘layer cake’: at the top layer we find the most general metaphysical and epistemological issues concerning the nature of value, aesthetic and ethical; the middle layer encompasses several normative issues about the interactions of aesthetic, moral and cognitive values in art; finally at the bottom layer we introduce issues of a more restricted focus, like the aesthetic peculiarity of political songs and the ethics of artistic appropriation.

In this article we consider Putnam’s project of an “ethics without ontology,” focusing on some of its crucial aspects, namely, the entanglement of fact and value and the idea of forming and “imaginatively identifying” with a “particular evaluative outlook.” We use that approach to shed light on the issue of value objectivity. Putnam’s “pragmatist enlightenment” suggests a way of abandoning the traditional project of grounding ethics and aesthetics on metaphysics, preserving the idea of realism and objectivity about values. Ethical and aesthetic discriminations may be contextually specific and depend on the responses and the socially embedded experience of observers, but they are brought about by certain features of reality, far more complex than a domain of “objects” that would “correspond” to values. With our eyes set on these aspects, we draw important lessons for the project of a joint approach to aesthetic and ethical value, taking seriously the pervading entanglement of both, as suggested by the way we are able to apply the so-called thick concepts. This provides us with the outline of a contextualist approach to aesthetics that draws on Putnam’s project for ethics. We conclude by suggesting that a fruitful way of pursuing this connection could be found in co-opting resources from virtue ethics.

The way we think about disagreement is shaped by the systematic emphasizing of its adversarial, non-cooperative aspects. This is due to a perspective on arguing and disagreeing. Perspectives enable some thoughts and occlude others. We claim that the way some issues are thought of in aesthetics is conditioned by a similar phenomenon we call ‘the Received Image’ (RI), which parallels the influence on ethics of what Bernard Williams called ‘systems of morality’. Peter Kivy argued that disagreements in aesthetics, if genuine, presuppose that contenders are tacit realists about ‘art-relevant properties’: the motivation for arguing lies in making the adversary acknowledge (epistemic) defeat (in pursuing agreement from others). He draws this conclusion from what he sees as a fundamental difference between aesthetics and ethics. However, in our view, Kivy and his opponents in the semantic meta-debate on disagreement think under the aegis of the RI. We look at disagreements about art from a neo-cognitivist perspective, and argue that heuristic similarities between aesthetics and ethics stand out with an understanding-based epistemology coupled with an adequate theory of artistic form: form as a perspective-generating device whose grasping involves ‘infinitely fine adjustments’.

In section 1 we present moral constructivism as a metaphysical project which grounds moral norms in the attitude of valuing by rational agents. In section 2 we establish that Kantian Constructivism – opposed to Humean Constructivism – seeks objective and universal moral norms through a process of rational construction and ratification of norms that does not draw on any kind of subjective attitude of valuing. In section 3 we explore whether Kant is a moral constructivist or moral realist, arguing that he might be read as a proto-moral constructivist whose formulas impose standards of correctness upon our moral judgments, from which we formulate moral norms as necessary facts of reason. In section 4 we argue that: 1) vulnerabilities have moral relevance which adds merit to the project of finding objective moral norms, and 2) the inclusion of vulnerabilities as empirical contingencies is compatible with Kantian Constructivism. We do so by considering vulnerabilities a constitutive aspect of finite rational agents which must, therefore, be implied and considered in the process of moral construction.

In this paper I will analyze John McDowell’s broad account of practical rationality and moral reasons, which he mainly puts forward in his articles “Are moral requirements hypothetical imperatives?” (1978) and “Might there be external reasons?” (1995). My main aim is to argue that from a philosophical perspective, no less than from an empirical one, McDowell’s account of practical rationality is not a realistic one. From a philosophical point of view, I will argue that his intellectualist account is not convincing; and if we consider his virtue-ethical ideal of practical rationality in light of the model of human cognition, we also realize that moral behavior is not immune to cognitive biases and does not always flow from robust traits of character like virtues. At the same time, this puts at stake his strong thesis of moral autonomy – the idea that with the ‘onset of reason’ moral beings are no longer determined by ‘first nature’ features.

The project of naturalizing ethics has multiple contributions, from cognitive and moral psychology to primatology, neuroscience or evolutionary theory. One of the strategies for naturalizing ethics has been to argue that moral norms and values can be explained away if we focus on their causal history, if it is possible to offer both an ultimate and proximate causal explanation for them. In this article, I will focus on the contribution of cognitive and moral psychology as a way of offering a proximate causal explanation for moral judgments. I am mostly interested in understanding to what extent these cognitive and psychological questions have some bearing in the fields of ethics and meta-ethics. Does this research programme put at stake the contention that ethics is a manifestation of human rationality? Is it true that finding the cognitive underpinnings of some of our moral judgments vindicates some meta-ethical position, namely some kind of reductionist naturalism? In the end, I will argue that even if scientific disciplines such as cognitive psychology give us a naturalized picture of the moral agent, there seem to be no reasons to think that from a naturalized perspective of the agent capable of perceiving value it must follow the naturalization of value itself.

The paper proposes a way to understand moral emotions in ethics building upon Bernard Williams' claim that feelings, emotions and sentiments are an integral part of rationality. Based upon Bernard Williams' analysis of shame we argue that the richness and thickness that it is attached to some emotions is the key to understand why some emotions have a distinct ethical resonance. The first part takes up Bernard Williams' philosophical assessment of the concept of shame establishing a general framework to show how recent developments in philosophy of emotions are in line with the far-reaching consequences of Bernard Williams' insights. Then we highlight the way in which there is both an historical relativity to emotions and an intemporal understanding of their ethical role, and use the concept of meta-emotion to reinforce the idea that what makes some emotions moral requires employing Williams' distinction between thick and thin concepts.

Sovereignty as Value is one of the first books to examine sovereignty using solely a normative approach. Through fourteen original essays, the book seeks to understand its viability in a globalized world, thus taking into account the inclusion of a language of rights, limitation and legitimacy. The authors’ focus is on whether sovereignty as a normative concept might be understood as a criterion of legitimate power and authority; as a foundational concept of public ethics applied to political and legal institutions. How should notions of legitimacy be linked with the notion of sovereignty? In what manner is sovereignty challenged by territoriality and territorial control? How does sovereignty relate to political legitimacy? Are all the forms of sovereign authority legitimate? Does the project of advancing human rights globally conflict with the logic of exclusion inherent in the classic notion of national sovereignty? These are some of the questions that will be assessed in this collective volume.

Under one particular reading of it, Anscombe's 'Modern Moral Philosophy' is considered a seminal text in the revival of virtue ethics. Seen thus, Anscombe is implying that it is possible to do ethics without using concepts such as 'moral ought' or 'moral obligation', the perfect example being Aristotelian ethics. On the other hand, Anscombe claims that it is not useful at present to engage in moral philosophy since she finds that 'philosophically there is a huge gap… which needs to be filled by an account of human nature, human action, …and above all of human "flourishing"' (Anscombe, 1958: 18). The gap Anscombe refers to appears where there should be a 'proof that an unjust man is a bad man'. My aim in this paper is to discuss the various ways in which Anscombe's theses can be interpreted, recalling two other philosophers for whom Aristotelian virtue ethics was also essential: P. Foot and J. McDowell. I will argue that Anscombe did not expect Aristotelian ethics to answer the problems modern ethics poses.