Wang Zhao

The Myelin Regulator Factor (MYRF) is a master regulator governing myelin formation and maintenance in the central nervous system. The conservation of MYRF across metazoans and its broad tissue expression suggest it has functions extending beyond the well‐established role in myelination. Loss of MYRF results in developmental lethality in both invertebrates and vertebrates, andMYRFhaploinsufficiency in humans causesMYRF‐related Cardiac Urogenital Syndrome, underscoring its importance in animal development; however, these mechanisms are largely unexplored. MYRF, an unconventional transcription factor, begins embedded in the membrane and undergoes intramolecular chaperone mediated trimerization, which triggers self‐cleavage, allowing its N‐terminal segment with an Ig‐fold DNA‐binding domain to enter the nucleus for transcriptional regulation. Recent research suggests developmental regulation of cleavage, yet the mechanisms remain enigmatic. While some parts of MYRF's structure have been elucidated, others remain obscure, leaving questions about how these motifs are linked to its intricate processing and function.

Chen Long's "point of deep red felt lips • Spring storm," the word, its interpretation of the subject are generally thought to express the words were excluded in a leopard on behalf of the mood on the occasion of grief, and worry of mind, reflecting the late Chen Long term changes in the wind. However, Chen Long term there is another version, with a small difference, only from the "advocate and poetry over the" the "point of red lips' point of view, is completely Gui Qing word. The test Ci Chen Long and aesthetic ideals, which is closer to the original. The reason why there are differences. From the receiver perspective, but Wang Chang and other creative people, in the accepted order of the horizon of expectations of self-enrichment and added to the significance of this article. From the author of the subjective point of view, Chen Long term multi-rich connotation, also contributed to the reasons for the differences. This text studies the problems of being comprehended and misunderstood when Chen Zilong's Ci Dianjiangchun-Thoughts on Spring Rains and Winds was being accepted due to the differences in its editions. Moreover, it makes a detailed analysis of the phenomena of the readers' increasing and complementing on end the work's meaning in the process of reception from the perspective of rezeptionsasthetik. For all this, the authors of the paper do not confine their study in the field of rezeptionsasthetik, but instead, analyze the phenomenon of the readers' concealing the author's original intent and artistic ideal