Laurence Goldstein

(1947 - 2014)

It is uncontroversial that, on any run through a Sorites series, a subject, at some point, switches from an ‘F’ verdict on one exhibit to a non-‘F’ verdict on the next. (Where this ‘cut-off’ point occurs tend to differ from trial to trial.) It is a fallacy to infer that there must be a cut-off point simpliciter between F items and non-F items. The transition is from firm ground to swamp. In the Sorites reasoning, some conditionals of the form ‘If Item n is F, then Item n + 1 is F’ are not false but nonsensical. This solution respects boundarylessness

The author recommends an involved study of logical fallacies in order to provide a database of testable hypotheses for error reasoning. The purpose of the study is to make the study of logical fallacies accessible to a wider audience. Following a recent study conducted by Ludwig Schlecht, the author presents a diagnostic method to illustrate how an argument can be fallacious from the breach of particular rational principles. The diagnosis method also serves as investigation into other forms of argumentative fallacies and the author suggests it could later be the basis for training programs for undergraduate students in logic courses.

Romane Clark has complained of the dissimilarity between Sellars’s treatment of conceptual thought and his treatment of sense impressions. For sense impressions are intrinsic to perceptions and, on Sellars’s view, both conceptual thought and perception are species of judgment. In the first section of this paper I want to raise a converse sort of complaint: Sellars offers an ‘adverbial’ theory of sense impressions and a similar account of conceptual thought. But this similarity of treatment is not justified by what Sellars says in its defence. If the adverbial theory of conceptual thought is true, as I believe it is, then a number of consequences, important for the philosophy of action, follow. Sellars traces some of these in his paper “Metaphysics and the Concept of a Person.” It would be desirable, therefore, if the adverbial theory of conceptual thought could be made secure. This is attempted in the second section and, in conclusion, the power of the theory is exhibited by directing it briefly at a long-standing problem in the philosophy of logic.

Brevity in conversation is a window to the workings of the mind. It is both a multifaceted topic of deep philosophical importance and a phenomenon that serves as a testing ground for theories in linguistics, psycholinguistics and computer modeling. Speakers use elliptical constructions and exploit salient features of the conversational environment, a process of pragmatic enrichment, so as to pack a great deal into a few words. They also tailor their words to theirparticular conversational partners. In Brevity, distinguished linguists, philosophers and cognitive scientists shed new light on economy in discourse. The book will appeal to linguists, philosophers, and psychologists at advanced undergraduate level and above.

In a well-known story constructed by Saul Kripke , Pierre, a rational but monolingual Frenchman who has never visited England, acquires, on the evidence of many magazine pictures of London, the belief that London is beautiful. He is happy to declare ‘Londres est jolie’. Pierre eventually moves to England and settles in one of the seedier areas of London, travelling only to comparably shabby neighbourhoods. He learns English by immersion, though he does not realize that ‘London’ and ‘Londres’ are co-referential. Naturally enough, given his current circumstances, he acquires a belief that he is only too willing to express by uttering ‘It is not the case that London is beautiful’. So apparently he now holds contradictory beliefs. But rational people do not hold contradictory beliefs ….One popular response to Kripke's puzzle is that people …

For familiar reasons, stereotyping is believed to be irresponsible and offensive. Yet the use of stereotypes in humor is widespread. Particularly offensive are thought to be sexual and racial stereotypes, yet it is just these that figure particularly prominently in jokes. In certain circumstances it is unquestionably wrong to make jokes that employ such stereotypes. Some writers have made the much stronger claim that in all circumstances it is wrong to find such jokes funny; in other words that people who laugh at such jokes betray sexist/racist attitudes. This conclusion seems false. There is, as I shall argue, a thin dividing line between being properly sensitive to the rights and feelings of women and of racial groups different from our own, and being excessively sensitive to oversensitivity. Oversensitivity is, in this context, a kind of intolerance, and there is no reason why we should pander to that. One can be opposed to the unchecked dissemination of certain kinds of racist or sexist humor without oneself being a racist or sexist for finding such humor funny. The use of various stereotypes in humor serves the linguistic purpose of facilitating brevity and punch, the cultural purpose of preserving, in a sanitized form traditional rivalries and antipathies, and the psychological purpose of discharging fears. Blanket moral condemnation is inappropriate, though there will, of course, be circumstances under which the promulgation of certain types of humor, or even its enjoyment, ought to be condemned

According to some commentators, Wittgenstein’s Tractatus is all one big joke: we plough through the text trying to extract the sense out of each spare and heroic proposition, only to be told at the end, that anyone who understands the author will realize that all of his propositions are nonsensical and so are not even propositions. The whole work is a kind of hoax; the readers are ridiculed, but, with luck, will eventually have to laugh when they come to recognize that what they had taken for deep philosophy was all so much gibberish. As a result of this revelation, they will be cured for ever of the urge to philosophize.

Wittgenstein discusses speakers exploiting context to inject meaning into the sentences that they use. One facet of situation comedy is context-injected ambiguity, where scriptwriters artfully construct situations such that, because of conflicting contextual clues, a character, though uttering a sentence that contains neither ambiguous words nor amphibolous contruction may plausibly be interpreted in at least two distinct ways. This highlights an important distinction between the (concise) sentence that a speaker uses and what the speaker means, the disclosure of which may require considerable spelling out. Understanding this phenomenon of nonindexical contextualism is the key to solving, inter alia , problems where, puzzlingly, exchanging a singular term in a statement with a co-referential one fails to preserve truth-value. This is a rare case where there is a huge debate in the recent literature that is decisively settled by Wittgenstein’s approach.