Joachim Schummer

The paper reappraises the operational definition of elements, adopted in the late eighteenth century, by investigating both epistemic discontinuities and continuities within the broader epistemological and cultural context. The first part points out the radical disruption that the operational definition implied for most of science, which consisted in giving up explanation, the primary goal of natural philosophy, because the new elements had to be discovered. The operational turn in chemistry is then compared to several well-discussed “revolutions,” including the Kantian, relativistic, and quantum revolutions in physics, which similarly modified our understanding of fundamental concepts of natural philosophy, such as time, space, and causation, by relating them to human capacities.

Societal and ethical implications of nanotechnology have become a hot topic of public debates in many countries because both revolutionary changes and strong public concerns are expected from its development. Because nanotechnology is, at this point, mostly articulated in visionary and futuristic terms, it is difficult to apply standard methods of technology assessment and even more difficult to consider it in engineering ethics courses. In this article, the authors suggest using selected science fiction stories in the engineering ethics classroom to provide students with ethical skills and cultural knowledge required for engaging in public debates and for responsible decision making. Against the background of general debates on teaching engineering ethics, they do so by discussing the advantages and possible drawbacks of this approach and by presenting two examples of nano-science fiction classics.

This paper presents an epistemological approach to the investigation of material properties that is opposed to both phenomenalistic epistemology and recent linguistical and ontological accounts of matter/mass terms. Emphasis is laid on the inherent context dependence of material properties. It is shown that, if this is taken seriously, some deep epistemological problems arise, like unavoidable uncertainty, incompleteness, inductivity, and nonderivableness. It is further argued that some widely held epistemological accounts, namely that of essentialism, constructivism, and pragmatism, all reveal some serious defects if related to the recognition of materials. In order to responsibly manage our material environment, a more realistic estimation of our epistemic abilities and prospects is suggested.

This paper investigates the development of nanotechnology from three different points of view: as a new technology, as social dynamics, and as an ideology. It argues that nanotechnology is not a new technology but a new social dynamics guided by programmatic ideas and situated at the interface between science and the public. Rather than being determined by social constructivism, the main argument is based on the poor scientific and technological identity of nanotechnology. Finally the paper concludes that nanotechnology is to be considered an extension and increase of materials science and engineering, not only scientifically but in particular socially and ideologically, by pointing out common characteristics and differences.

According to ‘standard histories’ of nanotechnology, the colorful pictures of atoms produced by scanning probe microscopists since the 1980s essentially inspired visions of molecular nanotechnology. In this paper, I provide an entirely different account that, nonetheless, refers to aesthetic inspiration, First, I argue that the basic idea of molecular nanotechnology, i.e., producing molecular devices, has been the goal of supramolecular chemistry that emerged earlier, without being called nanotechnology. Secondly, I argue that in supramolecular chemistry the production of molecular devices was inspired by an aesthetic phenomenon of gestalt switch, by certain images that referred to both molecules and ordinary objects, and thus symbolically bridged the two worlds. This opened up a new way of perceiving and drawing molecular images and new approaches to chemical synthesis. Employing Umberto Eco’s semiotic theory of aesthetics, I analyze the gestalt switch and the inspiration to build molecular devices and to develop a new sign language for supramolecular chemistry. More generally, I argue that aesthetic phenomena can play an important role in directing scientific research and that aesthetic theories can help understand such dynamics, such that they need to be considered in philosophy of science.

Legal regulation has a substantial impact on the development of technologies. Depending on its scope, structure, and effectiveness, regulation can essentially shape the research, development, production, commercialization, and consumption of emerging technologies in various ways. The lack of regulation, or of corresponding enforcement, can lead to the infringement of rights, harm to workers, consumers, and the environment, and to the neglect of the public interest. On the other hand, too strict regulations, based on incomplete information or excessive caution, may equally cause harm by omitting the potential benefits or by distorting and delaying the technological development. At the current stage, nanotechnologies affect many areas of law: occupational health and safety, environ-

Chemistry is by far the most productive science concerning the number of publications. A closer look at chemical papers reveals that most papers deal with new substances. The rapid growth of chemical knowledge seriously challenges all institutions and individuals concerned with chemistry. Chemistry documentation following the principle of completeness is required to schematize chemical information, which in turn induces a schematization of chemical research. Chemistry education is forced to seek reasonable principles of selectivity, although nobody can have an overview any more. Philosophical evaluation of the growth of chemical knowledge proves that at the same time chemical ‘nonknowledge’ increases more rapidly. An analysis of reasons, why chemists are making new substances at all, shows that the proliferation of new substances is for the most part an end in itself. The present paper finally argues for the need of a rational discourse among chemists on the aims of chemistry.

Nanotechnology has from its very beginning been surrounded with an aura of novelty. For instance, on the 28 introductory pages of the report that prepared the US National Nanotechnology Initiative (NNI), Nanotechnology Research Directions (NSTC/IWGN 1999), we read 73 times the term “new”, 15 times “novel”, 7 times “innovation”, and 21 times “revolution”. The authors concede that one should distinguish between different nanotechnologies, because “Many existing technologies do already depend on nanoscale processes. Photography and catalysis are two examples of ‘old’ nanotechnologies” (ibid, p. xxvi). One might conclude here that, if all the existing nanotechnologies are “old” nanotechnologies, “new” nanotechnologies do not yet exists but are only promises of the future. However, without further explanation and distinction between presence and future, they suggest that most nanotechnologies are or will be new. Furthermore, they claim that nanotechnology (in singular) is a generator of further new technologies, since “Nanotechnology will give birth to new fields that at present are only visions of leading researchers” (ibid., p. xviii). Whenever science managers speak of nanotechnology (in singular), sophisticated distinctions seem to give way to plain claims about the present and future novelty of nanotechnology. As the NNI director Mihail Roco wrote in a 2001 report, “A revolution is occurring in science and technology […] Nanotechnology will fundamentally transform science, technology, and society. In 10 to 20 years, a significant proportion of industrial production, healthcare practice, and environmental management will be changed by the new technology.” (Roco & Bainbridge, pp. 1, 19) When they put on their hats as science managers, scientists rarely reject but mostly support such novelty claim, as did for instance the chemists George Whitesides and Paul Alivisatos in the earlier report: “Nanostructures are the entry into a new realm in physical and biological science.” (NSTC/IWGN 1999, p..

Since the publication of Part I of our joint special issue on Nanotech Challenges (see Techné 8.2 & Hyle 10.2), several international conferences have taken place that brought together scholars from the humanities and the social, natural, and engineering sciences to reflect on the challenges posed by nanotechnology. These included Nanotechnology in Science, Economy and Society , University of Marburg, 13-15 January 2005; Nano-Ethics, University of South Carolina, 2-6 March 2005; Nano Before There Was Nano , Chemical Heritage Foundation, Philadelphia, PA, 18-19 March 2005. In addition, numerous research groups worldwide, who used to investigate the science-technology-society interfaces, have put nanotechnology at the top of their agenda; international expert groups are being formed; and national centers will soon be established in the US and UK.

Aristoteles hat in seiner berühmten Abhandlung über die Lust eine Einteilung der Philosophenmeinungen bezüglich der Lust vorgenommen.2 Die einen, sagt er, halten die Lust für das höchste Gut; die anderen meinen, daß die Lust ganz und gar schlecht sei. Unter den Lustgegnern nennt Aristoteles wiederum zwei Gruppen. Die einen lehnen die Lust aus Überzeugung ab, die anderen nur aus pädagogischen Gründen. Manchen liegt das Thema so am Herzen, daß sie, wie Aristoteles bemerkt, aus pädagogischen Gründen wider bessere Einsicht argumentieren.

This paper traces the historical roots of the “mad scientist,” a concept that has powerfully shaped the public image of science up to today, by investigating the representations of chemists in nineteenth-century Western literature. I argue that the creation of this literary figure was the strongest of four critical literary responses to the emergence of modern science in general and of chemistry in particular. The role of chemistry in this story is crucial because early nineteenth-century chemistry both exemplified modern experimental laboratory research and induced, due to its rapid growth, a ramification and fragmentation of knowledge that undermined former ideals of the unity of knowledge under the umbrella of metaphysics and religion. Because most writers considered contemporary chemistry an offspring of “wrong alchemy,” all four responses drew on the medieval literary figure of the “mad alchemist” to portray chemists. Whereas early writers considered the quest for scientific knowledge to be altogether in vain, later writers pointed out the narrow-minded goals and views specifically of chemistry. A third response moved that criticism to a metaphysical and religious level, by relating chemistry to materialism, nihilism, atheism and hubris. The fourth response, the “mad scientist,” elaborated on the hubris theme by attaching moral perversion to the “mad alchemist.”.

Given the rich diversity of research fields usually ascribed to chemistry in a broad sense, the present paper tries to dig our characteristic parts of chemistry that can be conceptually distinguished from interdisciplinary, applied, and specialized subfields of chemistry, and that may be called chemistry in a very narrow sense, or 'the chemical core of chemistry'. Unlike historical, ontological, and 'anti-reductive' approaches, I use a conceptual approach together with some methodological implications that allow to develop step by step a kind of cognitive architecture for chemistry, which basically contains: (1) systematic chemical knowledge on the experimental level; (2) clarification of chemical species; (3) chemical classification systems; (4) theoretical foundation through the chemical theory of structural formulas. In a succeeding paper the results will be checked for resisting physicalistic reduction

There is a particular irony that chemistry – the most visual, tactile, and pungent of sciences – is rarely associated with modern notions of aesthetics and science. Indeed, as any examination of aesthetics and modern science reveals, physics, rather than chemistry or biology, is considered the paradigm because of its extraordinary ability to comprehend and communicate through the symbolic language of mathematics. Echoing Heisenberg’s 1970 essay, "The Meaning of Beauty in the Exact Sciences", this perspective on physics takes the inherent abstraction of quantum mechanics and relativity as the result of the physicists’ search for beauty in nature.

This paper presents an epistemological approach to the investigation of material properties that is opposed both to phenomenalistic epistemology and recent linguistical and ontological accounts of matter/mass terms. Emphasis is laid on the inherent context dependence of material properties. It is shown that, if this is taken seriously, some deep epistemological problems arise, like unavoidable uncertainty, incompleteness, inductivity, nonderivableness. It is further argued that some widely held epistemological accounts, namely that of essentialism, constructivism, and pragmatism, all reveal some serious defects if related to the recognition of materials. In order to responsibly manage our material environment, a more realistic estimation of our epistemic abilities and prospects is suggested.